Today, Drew and Patrick are discussing The Manhattan Projects 24, originally released October 8th, 2014.
“How did they build those pyramids?” They just threw human death and suffering at them until they were finished. “How did we traverse the nation with a railroad so quickly?” We just threw Chinese people in caves and blew ’em up and didn’t give a shit what happened to them. There’s no end to what you can do when you don’t give a fuck about particular people. You can do anything. That’s where human greatness comes from: that we’re shitty people and we fuck others over.
Drew: Has the phrase “you can’t make an omelet without breaking a few eggs” ever been used for anything other than falsely justifying horrific acts? It’s so strongly associated with evil advisors, it’s a wonder that it could ever persuade a unsure advisee, but it also has the unfortunate quality of being true to our experience of the world. Few, it seems, ever reach the top without the boost of standing on someone else’s neck. It’s easy to become bitter about people being used as pawns, but it’s also the stuff of great dramas — to what lengths are people willing to go in order to attain power? Manhattan Projects obviously has more in common with those heightened fictions than reality, but issue 24 never minimizes the monstrosities its protagonists commit in order to hold on to power, focusing on one of the more traumatizing events in US History. Continue reading →
Today, Patrick and Drew are discussing Manhattan Projects 14, originally released September 11th, 2013.
Patrick: Lately, it feels like we’re in the business of reading big dumb crossover events. One of the benefits of these things is that it allows for a smattering of characters from all across the universe (and all throughout the history of said universe) to interact. Say what you will about the various contrivances that jam these characters together — there’s something super compelling about watching them interact. Jonathan Hickman manages the same feat with Manhattan Projects, pulling his cast from the history books. There are similar logical inconsistencies, but if you just accept that he wanted these characters to interact as badly as Geoff Johns wanted John Constantine to match wits with Batman, then it totally works. Issue 14 of Manhattan Projects serves as a real-world Crisis on Infinite 1960s. Continue reading →