Patrick: After reading through the first issue of Trinity of Sin: Pandora, I went back and reread Ray Fawkes’ masterpiece – One Soul. The book is beautiful: it’s a sprawling, 200 page meditation on birth, sex, death, life, love, disappointment, god, war – all as told through the eyes of 18 people throughout history that never meet, never interact. None of these characters are named, but they always occupy the same single panel in each spread. When they die, their panel just goes black, and remains that way for the rest of the book. By all accounts, One Soul is a slog. It’s hard to parse out the meaning in 18 different rambling monologues, and every time you do zero in on a character, Fawkes takes them away in a tragedy of circumstance. It’s disorienting and it’s heartbreaking. The middle of this issue shares a lot of these qualities as Pandora hopelessly wanders the Earth for centuries, experiencing unspecified loss over and over again. This directionless wandering is bookended by dense DC mythology, emphasizing the long, meandering, often pointless nature of these big superhero universes. But just because they’re long, just because their meandering, just because they are often pointless, doesn’t mean they’re not also beautiful.
Today, Drew and Shelby are discussing FF 5, originally released March 27, 2013.
Drew: Comics have a LOT of history, which is precisely what makes them so intimidating. Marketing ploys like the New 52 and Marvel NOW are designed specifically to minimize the cost of entry — sure, there may be decades of dense continuity to follow, but why bother when you can start with a brand new #1. As someone who was enticed by those ploys, I often have the false sense of security that I understand the universes these stories are told in. Sure, there are references to events and characters I don’t know, but I continue on the faith that, if it’s important, everything will be explained. For the most part that attitude has served me well, but every so often, I’m reminded of just how my ignorance might color my readings. The recent twist ending in Age of Ultron 3 is a great example — everything about the reveal told me that this was a big surprise, but I completely lacked the knowledge to understand what actually happened, forcing me to consult the Marvel Wiki for answers. Of course, the long, convoluted histories that most characters have often make that experience more confusing than helpful, which is exactly the experience I had trying to parse the ending of FF 5. Continue reading →