Superman: American Alien 5

superman amer alien 5

Today, Patrick and Taylor are discussing Superman: American Alien 5, originally released March 16, 2016.

Patrick: You don’t really think of Superman having a learning curve of any kind. He’s basically invincible, faster than a speeding bullet, and stronger than, like, anyone. But there’s more to being Superman than just being a perfect physical embodiment of heroism. Like anyone, Clark needs to decide what he stands for and how he stands for it. These early days of “The Black Cape” (or any of those awful names) demonstrates just how much the character needs guiding principles. Hell, one of the biggest problems publishing this character is that the guiding principles need to be compelling on their own — the action doesn’t make Action Comics, as it were. Max Landis and Francis Manapul’s supurb Superman: American Alien 5 explores the origins of those guiding principles by emphasizing the “man” over the “super.” Continue reading

Big Two Round-Up: Comics Released 3/2/16

roundup1We got us a double-header! We try to stay up on what’s going on with the Big Two, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles released by Marvel and DC Comics. Today, we’re discussing Batman and Robin Eternal 22, Black Widow 1, Green Lantern 50, Old Man Logan 3, and Spider-Man 2.

slim-banner4 Continue reading

Dark Knight III: The Master Race 3

Alternating Currents: Dark Knight 3, Drew and Michael

Today, Drew and Michael are discussing Dark Knight III: The Master Race 3, originally released February 24th, 2016.

Drew: There are a number of reasons The Dark Knight Strikes Again didn’t attain the critical and cultural success of The Dark Knight Returns, not the least of which being the insanely high expectations of following up a genuine cultural touchstone, but I think the biggest might be what DKSA reveals about DKR. That is, while fans, critics, and the culture at large tend to believe DKR was all about injecting psychological nuance to superheroes, DKSA suggests that creator Frank Miller’s interests were ultimately in the excesses of the genre — any emphasis on psychology was incidental to Miller’s pursuit of bombast. That’s not an airtight argument, but there’s no denying that DKSA went even bigger, trading the psychology of Batman for the sociology of the Justice League. Those interests are still very much in play in DKIII, though perhaps ultimately to pare the cast down to the key players of DKR‘s final showdown. Continue reading

Marvel/DC Round-Up: Comics Released 2/17/16

marvel roundup19

dc roundup30

We got us a double-header! We try to stay up on what’s going on with the Big Two, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles released by  Marvel and DC Comics. Today, we’re discussing Amazing Spider-Man 8, Batman and Robin Eternal 20, Power Man and Iron Fist 1, Silver Surfer 2, and Spider-Woman 4.

slim-banner4 Continue reading

Superman: American Alien 4

superman amer alien 4

Today, Michael and Mark are discussing Superman: American Alien 4, originally released February 17th, 2016.

Michael: When people ask me why characters like Superman and Batman work so well, my answer typically boils down to: they were the first ideas of their kind and in this case they were the best. The idea of Superman is incredibly simple and yet incredibly amazing. What a lofty goal it is to dream up the most powerful hero around who is a champion for good. Superman: American Alien 4 continues that trend of big dreams and hopeful ambition from all sorts of perspectives. Continue reading

Superman: American Alien 3

superman american alien 3

Today, Michael and Spencer are discussing Superman: American Alien 3, originally released January 13, 2016.

Michael: Here are two words for you: Max Landis. It’s likely that you have one of the two following reactions: A) “I heard that guy is a conceited ass” or B) “I have no idea who that is.” Consequently, I’d bet that Max Landis himself would say that neither of those reactions bother him all that much. Nevertheless, when it comes to Max Landis I can assure you of this: the man knows Superman. Continue reading

Batman: Europa 3

Batman europa 3

Today, Drew and Michael are discussing Batman: Europa 3 originally released December 30th, 2015.

Joel: There is another character that was just as important as the two of us: New York City.
Karen: So New York City is like another character?
Molly: Yeah.

They Came Together

Drew: Everyone has heard the old “setting as a character” cliche from some exhausted press tour interview, but filmmakers rarely acknowledge that cities aren’t fully fictional. That is, calling Chicago a character in The Fugitive is a bit like calling John F. Kennedy a character in Forrest Gump — these are real things (albeit fictionalized versions of them) that our fictional characters just happen to be interacting with. Moreover, if we accept the “setting as a character” cliche, it only ever reveals the setting to be a supremely boring character, undergoing no change over the course of the story. Indeed, because stories that tend to feature “settings as a character” tend to stay in just one city (I’m looking at you, New York), it’s impossible to separate the “character” of the setting from the general tone and mood of the narrative. Batman: Europa sets out to do the opposite, a kind of city character study — or perhaps “travel guide” is more accurate — by way of a superhero adventure. Continue reading

Dark Knight III: The Master Race 1

Alternating Currents: Dark Knight III 1, Drew and Patrick

Today, Drew and Patrick are discussing Dark Knight III: The Master Race 1, originally released November 25th, 2015.

Drew: Under the subject of “staying on topic,” the Retcon Punch style guide reminds writers that any piece we write is a discussion of a specific issue of a comic, not a discourse on a creative team, series, or character. That’s a guideline that I stand by as something that keeps our discussions focused and open-minded — my opinions on any prior issues take a backseat to my reactions to this one. Indeed, DKIII might just provide a perfect example of why that focus is so important: we’d all love an opportunity to write about the legacy of The Dark Knight Returns, Frank Miller, or the enduring symbolic potency of Batman, but that would hardly make for a satisfying commentary on this particular comic. Then again, DKR, while formally remarkable in many ways, is most interesting as a response to the Batman stories that came before it — it’s very much a reaction to that legacy and context. Moreover, it was such a watershed moment for superheroes that virtually every superhero comic since then has needed to reconcile with it. That legacy proves inescapable for DKIII, which might actually work to this issue’s benefit. Continue reading