Justice and Symbolism in Justice League 1

By Drew Baumgartner

Justice League 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There was no word for justice on my planet. The closest was the symbol on this table. It meant going beyond what was supposed to be possible, the natural laws. Imposing on the universe a higher standard. An ideal.

Martian Manhunter, Justice League 1

Our conceptions of justice hinge on fairness and impartiality — the notion that we are all held to the same standards of behavior (and face the same punishment for flaunting those standards). We understand how that can break down in practice (humans aren’t great at partiality), but we can imagine justice as a kind of platonic ideal we can strive towards. And that may be the best way to think about it, but closer inspection reminds us that, if it’s a platonic ideal, it’s one that varies from society to society and changes over time. We might reflect on the “justice” of the past (or of other cultures) and find it to be decidedly unjust, but that’s not how justice works — it’s not an objective monolith, but a deeply subjective, dynamic concept. That is, justice is a moral construct that only makes sense in light of the values of the society that construct it. Martian Manhunter’s approximation of justice reflects that idea, adding no moral spin to the “ideal” he mentions — in J’onn’s estimation, any ideologically motivated action “beyond what was supposed to be possible” is justice. In short, J’onn’s brief for the Justice League works just as well for the Legion of Doom. Continue reading

Despair in the Denouement in Wonder Woman 24

by Ryan Mogge

Wonder Woman 24

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

In a classical Greek tragedy, no matter whether they achieve their goals, the protagonists of a story end up worse off than they started. In Wonder Woman 24, everyone is at once successful and miserable. Greg Rucka focus on three women living in pain even after reaching their objectives.

After seeing her mother and being only a step away from Themyscria, Diana is distraught when she returns. Rucka indicates that Diana is not her usual self in the way that she carelessly leaves Cheetah behind. It wouldn’t necessarily be careless if a regular person did it, but Wonder Woman has set standards of empathy and kindness that even she cannot always live up to. When Etta calls her out, it only takes a moment before Diana is ready to take action. Even in her guilt, she is committed to making things right. Continue reading

Wonder Woman 21

Today, Mark and Spencer are discussing Wonder Woman 21, originally released April 26th, 2017. As always, this article contains SPOILERS.

Mark: Wonder Woman 21 is a showcase for the whole of Wonder Woman — from her physical strength to her compassion for those in need — that continues Greg Rucka, Liam Sharp, and company’s holistic rehabilitation of the character. And after Diana has taken the backseat in the past few even-numbered issues, it feels appropriate to have her front-and-center as the narrative loop begins to close. Continue reading

Wonder Woman 7

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Today, Patrick and Mark are discussing Wonder Woman 7, originally released September 28th, 2016. As always, this article containers SPOILERS.

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Patrick: When the odd-numbered issues of Greg Rucka’s Wonder Woman kicked off a story arc called “The Lies,” we all thought we had figured out what the titular lies were. Presumably, these are lies about Wonder Woman’s origins – a kind of meta-reading of the dozen or so conflicting origin stories that have been put forth for Diana of Themyscria. Is she the God of War? A champion of submission? The Justice League secretary? Diana’s voice over in issue #1 supports this read, but as we move throughout the series, it becomes more clear that the lies Rucka is exploring have more to do with the roles women play and less to do with the roles Wonder Woman plays. Continue reading

Trinity 1

trinity-1

Today, Michael and Drew are discussing Trinity 1, originally released September 21st, 2016. As always, this article contains SPOILERS.

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Michael: This might be considered controversial but I like my superheroes to be friends. Superheroes fighting each other is a time-honored tradition dating back to the golden age, but we have taken that to the extreme in the modern day. The past year has given us Batman v Superman and Captain America: Civil War on the big screen and Marvel’s Civil War II is still on the shelves at comic shops. When characters have lived side by side with one another for 50+ years however, their personal relationships are far more interesting than their super smash battles. Enter Francis Manapul’s Trinity, whose purpose seems to be reuniting the three greatest heroes that DC has to offer and once again make them the greatest friends that DC has to offer as well. Continue reading

New Suicide Squad 20

suicide squad 20

Today, Michael and Ryan D. are discussing New Suicide Squad 20, originally released May 4th, 2016.

Michael: One of the big draws to New Suicide Squad 20 was the writer Tim Seeley and artist Juan E. Ferreyra – the team who worked on the short-lived, but inspired Gotham By Midnight. While that series was firmly steeped in questions of faith and spirituality from the get-go, it’s interesting that Seeley and Ferreyra seem to be tackling those very same themes in a comic about (mostly) unrepentant killers. Nevertheless, New Suicide Squad 20 gives us a standard shoot ‘em up story framed by the beliefs and personal philosophies of its characters. Continue reading

Superman: American Alien 3

superman american alien 3

Today, Michael and Spencer are discussing Superman: American Alien 3, originally released January 13, 2016.

Michael: Here are two words for you: Max Landis. It’s likely that you have one of the two following reactions: A) “I heard that guy is a conceited ass” or B) “I have no idea who that is.” Consequently, I’d bet that Max Landis himself would say that neither of those reactions bother him all that much. Nevertheless, when it comes to Max Landis I can assure you of this: the man knows Superman. Continue reading

Suicide Squad 23

suicide squad 23

Today, Shelby and Mikyzptlk are discussing Suicide Squad 23, originally released August 14th, 2013.

Shelby: How do you say good-bye? If you’re a regular person saying good-bye to another regular person, you would probably do it with a wave, or maybe a handshake or a hug. Tonight the 4-year-old daughter of the owners of my LCS said good-bye to me by jumping up and down and shouting; come to think of it, I think Patrick has said good-bye to me the same way. Like I said, these are all perfectly legitimate, regular person ways to bid someone adieu. If you’re comic book writer Ales Kot saying good-bye to Suicide Squad, however, the best way to do it seems to be with sociopath’s musings on the meaning of love, followed by a battalion of missile-wielding drones and some pie. Not a bad way to go.

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Suicide Squad 22

Alternating Currents: Suicide Squad 22, Drew and Mikyzptlk

Today, Drew and Mikyzptlk are discussing Suicide Squad 22, originally released July 10th, 2013.

Drew: Superhero team-ups are weird. Notions like marketability and synergy are taken into account over tactical utility, forcing writers to tie themselves in knots over why the Avengers would want the Hulk anywhere near them, or what value Aquaman adds to a team that already has actual superheroes on it. More importantly, a team-up often involves characters taking on specific roles within the team — which may not always “fit” their characters. Without any huge names on the title, Suicide Squad has a bit more flexibility in making the pieces fit together (and with the entire population of Belle Reve prison up for grabs, plenty of pieces to work with), but writer Ales Kot seems much more interested in how they don’t fit. Continue reading

Suicide Squad 21

suicide squad 21

Today, Mikyzptlk and Shelby are discussing Suicide Squad 21, originally released June 12th, 2013.

Mikyzptlk: Ales Kot completely blew me away with issue 20 of Suicide Squad, giving fans of the original series a taste of what made it so great, while completely reinvigorating the New 52 version of the book. With issue 21, Mr. Kot has blown me away again (along with a few security guards) and has delivered another absolutely thrilling entry. Best of all, Kot manages to continue his course correction of the character Harley Quinn by brilliantly using her to fix yet another troubled character of the New 52: Amanda Waller.

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