Today, Patrick and Mark are discussing Wonder Woman 7, originally released September 28th, 2016. As always, this article containers SPOILERS.
Patrick: When the odd-numbered issues of Greg Rucka’s Wonder Woman kicked off a story arc called “The Lies,” we all thought we had figured out what the titular lies were. Presumably, these are lies about Wonder Woman’s origins – a kind of meta-reading of the dozen or so conflicting origin stories that have been put forth for Diana of Themyscria. Is she the God of War? A champion of submission? The Justice League secretary? Diana’s voice over in issue #1 supports this read, but as we move throughout the series, it becomes more clear that the lies Rucka is exploring have more to do with the roles women play and less to do with the roles Wonder Woman plays. Continue reading →
Today, Michael and Drew are discussing Trinity 1, originally released September 21st, 2016. As always, this article contains SPOILERS.
Michael: This might be considered controversial but I like my superheroes to be friends. Superheroes fighting each other is a time-honored tradition dating back to the golden age, but we have taken that to the extreme in the modern day. The past year has given us Batman v Superman and Captain America: Civil War on the big screen and Marvel’s Civil War II is still on the shelves at comic shops. When characters have lived side by side with one another for 50+ years however, their personal relationships are far more interesting than their super smash battles. Enter Francis Manapul’s Trinity, whose purpose seems to be reuniting the three greatest heroes that DC has to offer and once again make them the greatest friends that DC has to offer as well. Continue reading →
Today, Michael and Ryan D. are discussing New Suicide Squad 20, originally released May 4th, 2016.
Michael: One of the big draws to New Suicide Squad 20 was the writer Tim Seeley and artist Juan E. Ferreyra – the team who worked on the short-lived, but inspired Gotham By Midnight. While that series was firmly steeped in questions of faith and spirituality from the get-go, it’s interesting that Seeley and Ferreyra seem to be tackling those very same themes in a comic about (mostly) unrepentant killers. Nevertheless, New Suicide Squad 20 gives us a standard shoot ‘em up story framed by the beliefs and personal philosophies of its characters. Continue reading →
Today, Michael and Spencer are discussing Superman: American Alien 3, originally released January 13, 2016.
Michael: Here are two words for you: Max Landis. It’s likely that you have one of the two following reactions: A) “I heard that guy is a conceited ass” or B) “I have no idea who that is.” Consequently, I’d bet that Max Landis himself would say that neither of those reactions bother him all that much. Nevertheless, when it comes to Max Landis I can assure you of this: the man knows Superman. Continue reading →
Today, Shelby and Mikyzptlk are discussing Suicide Squad 23, originally released August 14th, 2013.
Shelby: How do you say good-bye? If you’re a regular person saying good-bye to another regular person, you would probably do it with a wave, or maybe a handshake or a hug. Tonight the 4-year-old daughter of the owners of my LCS said good-bye to me by jumping up and down and shouting; come to think of it, I think Patrick has said good-bye to me the same way. Like I said, these are all perfectly legitimate, regular person ways to bid someone adieu. If you’re comic book writer Ales Kot saying good-bye to Suicide Squad, however, the best way to do it seems to be with sociopath’s musings on the meaning of love, followed by a battalion of missile-wielding drones and some pie. Not a bad way to go.
Today, Drew and Mikyzptlk are discussing Suicide Squad 22, originally released July 10th, 2013.
Drew: Superhero team-ups are weird. Notions like marketability and synergy are taken into account over tactical utility, forcing writers to tie themselves in knots over why the Avengers would want the Hulk anywhere near them, or what value Aquaman adds to a team that already has actual superheroes on it. More importantly, a team-up often involves characters taking on specific roles within the team — which may not always “fit” their characters. Without any huge names on the title, Suicide Squad has a bit more flexibility in making the pieces fit together (and with the entire population of Belle Reve prison up for grabs, plenty of pieces to work with), but writer Ales Kot seems much more interested in how they don’t fit. Continue reading →
Today, Mikyzptlk and Shelby are discussing Suicide Squad 21, originally released June 12th, 2013.
Mikyzptlk: Ales Kot completely blew me away with issue 20 of Suicide Squad, giving fans of the original series a taste of what made it so great, while completely reinvigorating the New 52 version of the book. With issue 21, Mr. Kot has blown me away again (along with a few security guards) and has delivered another absolutely thrilling entry. Best of all, Kot manages to continue his course correction of the character Harley Quinn by brilliantly using her to fix yet another troubled character of the New 52: Amanda Waller.
Today, Shelby and Drew are discussing Suicide Squad 20, originally released May 8th, 2013.
Shelby: You all know how much I love a good anti-hero. That character that walks the line between good guy and bad, who’s only looking out for himself and will help you out if your ideals happen to line up with his. He’s got a moral compass, it just doesn’t point north all the time. I love the anti-hero because he is so much more complex than your strictly good/bad guy. Suicide Squad takes the idea of the anti-hero and asks, “what if they were all supervillains forced to be ‘good guys’?” The result is either an interesting look at the dynamics of good and bad or an exercise in masochism, both for the characters and the reader. Honestly, I’m not quite sure which is more accurate.
Today, Drew and Patrick are discussing Justice League 12, originally released October 17th, 2012.
Drew: We’ve talked a lot about the five year rule here at Retcon Punch, and while we certainly have our gripes with how it affects continuity, I think we all understand why they did it. Giving every character some past allows them to maintain certain aspects of their pre-relaunch history, but does so without committing to anything specific. This gives writers a great deal of flexibility, without shutting the door for any future writes. Having a mysterious past also allows writers to pull out unknown details to add emotional weight to the proceedings. Doing this runs the risk of coming off as clumsy or cheap, but in Justice League 13, Geoff Johns provides an excellent case study in how to pull it off. Continue reading →