It’s that time of year again: where we suck up all of our grumblings about art being unquantifiable and compile our best-of lists. Today, we’re looking at our favorite single issues. Love or hate the subjectivity of this list, at the very least, it serves as a great reminder of all of the fantastic comics we’ve read over the past year. We’re sure your list will be different (and welcome your thoughts in the comments), but here are our top 13 issues of 2013. Continue reading
Today, Drew and Shelby are discussing Batman and Robin Annual 1, originally released January 30th 2013.
Drew: At its best, Batman and Robin is a very straightforward father and son story. Sure, the father is Batman, and the son has homicidal tendencies, but the sense of love and obligation is universal. The strictures of crossover events often force writer Peter Tomasi to contort the story in odd ways to stay true to this theme (which miraculously happens more often than not), but when those distractions fall away, this series can be a moving study of Bruce and Damian’s relationship. Tomasi smartly seizes upon the annual to return Batman and Robin to it’s resting position, delivering a clever, subtly moving story about both Bruce and Damian. Continue reading
Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.
Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading
Today, Shelby and Peter are discussing Batman and Robin 0, originally released September 12, 2012. Batman and Robin 0 is part of the line-wide Zero Month.
Shelby: Damian Wayne is a new character for me, and I don’t like him. I’d call him a brat, but he would probably kill me; he’s cold, ruthless, and not even a teenager yet. He’s like no character I’ve encountered before. I wasn’t sure what to expect from Peter Tomasi and Pat Gleason on this my third Batman zero feature. What I didn’t expect was … no Batman ’til the last page. It worked out better than I thought it would; Tomasi gave me a chance to get to know Damian a little more, and after seeing what kind of childhood he’s coming from, I’m impressed he hasn’t just killed everyone else in this title simply because he can.
Today, Peter and Shelby are discussing Batman and Robin 12, originally released August 8th 2012.
Peter: Batman and Robin started off great. It had elements of mystery novels, sprinkled with a little bit of full-tilt action. This book pushed the envelope from its inception, dealing with depressive, repressed childhoods, political boundaries, and killing people with two fingers. This lead to a fantastic story arc, with interesting villains and character analysis. Recently, the ideas that are being explored are very interesting, and would have served this book well, if only they had been better executed.
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Today, Peter and Drew are discussing Batman and Robin 11, originally released July 11th 2012.
Peter: In preparation for The Dark Knight Rises, I’ve been watching Batman Begins and The Dark Knight a lot lately. In Batman Begins, Bruce examines what he is afraid of in order to figure out what his enemies will fear. Tomasi and Gleason have taken Bruce’s bat symbol and perverted it for evil means. No longer do just criminals fear the bat, but ordinary citizens of Gotham are being terrorized by the very symbol they have grown to rely on for protection. Continue reading
Today, Drew and Peter are discussing Batman and Robin 10, originally released June 13th 2012.
Drew: What defines us? Is it our best qualities, our successes and moments of pride; or is it our worst qualities, our failures and our weaknesses? It’s a question that plagues all of us at one time or another, and one that is front and center in Peter Tomasi’s run on Batman and Robin. Damian is a character who seems to have nearly infinite capacity for both good and evil, but how exactly he’ll chose to use that capacity remains in question. What defines Damian has been a driving question of this title, and in this issue, Damian reflects the question outward, delivering what promises to be an affecting character study on all of the former Robins (sorry Stephanie Brown fans — it seems her stint as Robin has been written out of the canon for sure). Continue reading
Today, Peter and Patrick are discussing Batman and Robin 8, originally released April 11th 2012.
Peter: I recently went back and re-read the first sixteen issues of Grant Morrison’s run of Batman and Robin. This picks up right after the conclusion of Battle for the Cowl, with Dick taking over as Batman and Damian first appearance as Robin. Go read it right now, because it contributed to personal re-revaluation of Damian’s character. Combined with what we have seen so far in Tomasi’s run with Batman and Robin, Damian is proving to be an incredibly compelling and dynamic character. Baseline verdict: confused 10 year old ninja.
Today, Peter and Drew are discussing Batman and Robin 4-6, originally released December 14th, 2011, January 11th, and February 8th, 2012.
Peter: Prior to the reboot, for me, Batman was in a little bit of a limbo. I enjoyed post-Final Crisis arcs enough, but I wasn’t completely drawn in by them. They just did not feel exciting to me. The Return of Bruce Wayne felt forced. I actually dropped all Batman books from my personal pull except for Batman, Inc. when it was released. With the advent of the New 52, Batman and Robin has quickly risen to become one of my favorite books. Peter Tomasi’s writing, and Patrick Gleason’s art, have revitalized these characters, and most importantly, the ever evolving relationship between them. Continue reading
Retcon Punch 