Green Lantern 21

Alternating Currents: Green Lantern 21, Drew and PatrickToday, Drew and Patrick are discussing Green Lantern 21, originally released June 5th, 2013.

Drew: When M*A*S*H ended its 11-season run in 1983, it was one of the most beloved series on television. Its series finale, “Goodbye, Farewell, and Amen,” a movie-length victory lap, was more widely watched than that year’s Super Bowl — or any Super Bowl before or for twenty-seven years afterwards. Like I said, beloved. We don’t yet have sales numbers on Green Lantern 20, and while I doubt it will post Super Bowl-beating numbers (even by comic book standards), the similarities are striking: it was an extra-large conclusion to a beloved, nearly decade-long run. Point is, it was going to be a tough act to follow, yet Robert Venditti (who readers might recognize from his work on Valiant’s X-O Manowar) handles the transition with surprising grace, staying true to the spirit of Green Lantern while adding something unexpected to the mix: the spirit of the New 52. Continue reading

A + X 3

Alternating Currents: A + X 3, Drew and Shelby

Today, Drew and Shelby are discussing A + X 3, originally released December 19th, 2012.

Drew: Size can dictate a lot about a narrative, to the type of tone it can sustain to the very form it’s hung on. We currently seem to be in an era fetishizing ever longer dramatic narratives, hailing television shows with season-long arcs (or longer), and pouring out in droves to see stories broken into multiple epic-length films (coughTheHobbitcough). At the same time, Adult Swim has found success with very short-form comedies, and youtube clips of cats saying “no” have racked up millions of hits. It seems we’ve decided that very short stories are better at supporting comedy, while very long ones are better for drama. A + X, as a kind of clearing house for extremely short-form stories, has largely borne-out this notion, mining a series of absurd scenarios for their comedic potential. A + X 3 carries on this trend in its latter half, but opens with on much more serious (but still fun) note.

Continue reading