Today, Spencer and Patrick are discussing The Amazing Spider-Man 25, originally released March 15th, 2017. As always, this article containersSPOILERS.
Spencer: As Aunt May herself points out this week, Peter Parker’s always been a busy guy. Add running a major international company to his already impressive pile of responsibilities and it’s almost guaranteed that something will start to give. The massive Amazing Spider-Man 25 digs into that dilemma from all angles, reminding readers of every task Peter’s got on his plate and what’s at risk if he fails at any one of them. It’s an almost overwhelming issue, a trait that effectively puts readers in Peter’s overstressed shoes. Continue reading →
Today, Spencer and Patrick are discussing All-New Inhumans 5, originally released March 16th, 2016.
Spencer: By this point in my life, I’ve consumed plenty of media where the main characters weren’t in the right, or perhaps where the audience is even meant to root against the protagonists. Still, despite all that experience, I tend to give my main characters the benefit of the doubt; I like to believe I should be rooting for them, and that they at least believe they’re doing the right thing, until I’m unequivocally proven wrong. Things haven’t gotten dire enough yet to turn me against the Inhumans by any means, but All-New Inhumans 5 does mark the point where I’m starting to question, if not their motives, then certainly their methods. Continue reading →
Today, Drew and Shelby are discussing A + X 3, originally released December 19th, 2012.
Drew: Size can dictate a lot about a narrative, to the type of tone it can sustain to the very form it’s hung on. We currently seem to be in an era fetishizing ever longer dramatic narratives, hailing television shows with season-long arcs (or longer), and pouring out in droves to see stories broken into multiple epic-length films (coughTheHobbitcough). At the same time, Adult Swim has found success with very short-form comedies, and youtube clips of cats saying “no” have racked up millions of hits. It seems we’ve decided that very short stories are better at supporting comedy, while very long ones are better for drama. A + X, as a kind of clearing house for extremely short-form stories, has largely borne-out this notion, mining a series of absurd scenarios for their comedic potential. A + X 3 carries on this trend in its latter half, but opens with on much more serious (but still fun) note.