Today, Michael and Patrick are discussing Hal Jordan and the Green Lantern Corps 18, originally released March 8th, 2017. As always, this article contains SPOILERS.
Michael:Hal Jordan and the Green Lantern Corps has been surprisingly superb title from the beginning of Rebirth. The one thing that it has working against itself? Its title. Why the need to put Hal Jordan at the center of everything? Sure, Hal has been the focus of some of the issues but overall this is a team book focusing on the Corps. Hal Jordan and the Green Lantern Corps 16 focuses that spotlight on everyone’s favorite vest-sportin’ loudmouth, Guy Gardner. Continue reading →
Today, Michael and Spencer are discussing Hal Jordan and the Green Lantern Corps 13, originally released January 25, 2017. As always, this article contains SPOILERS.
Michael: Superhero books from DC and Marvel will always be the closest comic books to my heart because of their long-running, storied continuity. A big theme that DC’s Rebirth keeps coming back to is “legacy” – mainly referring to characters like Wally West who were lost in the cracks of the New 52. Legacy is inherent in all superhero books: the impact they have on the world around them, how they inspire new heroes, and the way they’ve connected to readers for nearly 80 years. Hal Jordan and The Green Lantern Corps 13 focuses on this idea of legacy from a set of characters that are not Hal Jordan and The Green Lantern Corps. Continue reading →
Today, Spencer and Mark are discussing Green Lantern: The Lost Army 1, originally released June 24th, 2015.
Spencer: I’ve always thought that Johns’ version of the emotional spectrum was a little limited. There’s no color that represents happiness or joy? Nothing for sadness? I realize that the reasoning behind choosing those seven emotions probably came down to which ones could most easily be turned into superpowers, but with stories like Blackest Night boiling every aspect of human emotion down to these seven colors, I still find myself frustrated at times. Questions about the spectrum kept popping into my head as I read Cullen Bunn and Jesus Saiz’s Green Lantern: The Lost Army 1 — the issue focuses on the emotions of will and rage, and specifically seems to be interested in the intersection of the two. Is this Bunn’s attempt to expand and clarify the emotional spectrum? Do will and rage combined make aggression, a quality which John Stewart spends much of the issue ruminating over? I suppose only time will tell, but if nothing else, this debut issue has got me interested in finding out. Continue reading →
Today, Drew and Spencer are discussing Green Lantern 29, originally released March 5th, 2014.
Drew: We often talk about “close readings” in our discussions, but the most rewarding works of art are interesting from far away, too. When zoomed out, you can appreciate the broader form and plotting, while when zoomed in, you can appreciate the moment-to-moment mechanics that make those larger parts work. Indeed, it’s this scalability that allows stories to remain interesting in spite of our familiarity with Joseph Campbell’s monomyth — at some scales, the non-essential details don’t matter at all, but at other scales, they’re the only thing that matters. Any halfway decent discussion of a work of art needs to focus on multiple scales, but certain works of art strongly suggest one scale over the other. More formulaic stories — an episode of Law & Order, for example — tend to offer more rewards for those looking at the details (and certain boredom for anyone looking at form). I’d argue that the controversy of LOST‘s finale stems largely from confusion over the suggested scale — is this a show about a weird island, or about the people who encounter it? — which may have changed from episode to episode. I’d argue that that ever-shifting scale is part of what made that show so great, but there’s no denying that abruptly changing gears can bring discomfort, even if it reaps the kinds of rewards we see in Green Lantern 29. Continue reading →
Today, Drew and Mikyzptlk are discussing Green Lantern 26, originally released December 4th, 2013.
Drew: Any 8th-grade social studies student can tell you that colonialism is a sticky subject. Many decry the loss of indigenous cultures, but how do you weigh that against the boon of western medicine? Are we morally obligated to preserve human culture at the cost of human life, or vice versa? That question only gets stickier when you take those other cultures into account — perhaps they value these things differently than their would-be colonizers. These are questions that have tormented philosophers for centuries — exactly the kind of thing Hal Jordan might blunder into unwittingly. Green Lantern 26 finds Hal struggling to impose his rule on Dekann and while he succeeds, his victory suggests a disturbing new status quo within the Green Lantern universe. Continue reading →
Today, Shelby and Patrick are discussing Green Lantern 24, originally released October 2nd, 2013.
Shelby: What does it mean to lose the will to fight? To be willful is generally not a compliment; usually it means someone who does what they want, when they want without any consideration of the consequences, but on it’s own will is drive and motivation. That’s why I’ve always been so pleased with the way Blue Lanterns (Rest in Peace) need a Green Lantern to mount an offense: hope is fine and all, but hope without the will to do something about it is merely inaction. Robert Venditti kicks off the Green Lantern Lights Out event with a bang, both literally and figuratively, as Relic descends upon Oa and we contemplate the consequences of truly losing the will to do anything. Continue reading →
Today, Drew and Spencer are discussing Green Lantern Corps 23, originally released August 14th, 2013.
Drew: When Scott (my younger brother) was in college, he inherited hosting duties for an event called “Wine Wednesdays,” where friends would get together to drink wine on (you guessed it) Wednesday evenings. Due to scheduling conflicts, the event had to move its regular meeting time to Tuesdays, and in the interests of alliteration, became known as “Taco Tuesdays” in spite of really just featuring the wine. That same year, he was living in an apartment his friends all called “Bear Snake.” Anyway, in a message to his friends informing him that this week’s Taco Tuesday would be held at Bear Snake, Scott thought it would be funny to replace all of the vowels with the letter “a,” such that the message read, simply: TACA BAAR SNAKA. The fact that that message could possibly convey that his friends should come to his apartment for wine on Tuesday amuses me to this day, but it’s actually quite common for shared knowledge and jargon to pile up in similar ways. Green Lantern Corps 23 achieves something approaching “TACA BAAR SNAKA” impenetrability, digging DEEP into recent Green Lantern history, delivering an issue that may be difficult for all but the most hardcore fans to follow. Continue reading →
Today, Patrick and Drew are discussing Green Lantern 23, originally released August 7th, 2013.
Patrick: I moved out to Los Angeles because I wanted to be a television writer. If you want to be a lumberjack, you move to the forest, right? I don’t have much in the way of family on the West Coast, and I knew that distance from those that I loved was just going to be part of this bargain I was striking. The idea of giving up family for my art was romantic — I could live an idealized life of creativity and yeah I’d suffer for it, but I’d be suffering for a reason. When my older sister had her second kid, however, I was on a plane to Atlanta: I wasn’t going to miss out on meeting my nephew. It’s love, and it’s a primal motivator. No matter how much you will it away, love can dictate your actions. It’s the sort of thing that will make Hal Jordan drop the fight that he’s right in the middle of to check on the girlfriend he swore off to defend the corps. Continue reading →
Today, Patrick and Shelby are discussing Green Lantern Corps 22, originally released July 10th, 2013.
Patrick: My little sister studied in Ecuador for a semester in college. She spent a couple weeks tromping around the rain forest and camping on a beach on the Galapogos and dropping her new camera into a river – y’know: normal stuff when you’re studying the biodiversity of one of the coolest places on the planet. Naturally, she came back with new perspectives on birds and insects and had a few anecdotes about hilariously adorable seal pups on the beach. But the part of the experience that she ends up talking about — and I trust the part of the experience that stayed with her the most — is just about the friends that she made while hiking the Forest in the Clouds. When I asked her about that, she shrugged and said “It turns out human beings are the most fascinating mega-fauna on Earth.” She was being flippant (as flippant as one can be while still using words like “mega-fauna”), but it’s an oddly profound statement: for all the wonders of the world, people are going to be the most interesting thing you encounter. DC’s galaxies are vast, and jam-packed with strange and wonderful things. Issue 22 of Green Lantern Corps features a lot of these wonders, but all without losing sight of the of the most interesting mega-fauna at the heart of it: John Stewart and Fatality. Continue reading →
Today, Shelby and guest Mike are discussing Green Lantern 22, originally released July 3rd, 2013.
Shelby: There’s a lot of baggage to be had with the way women are depicted in most forms of media. Comic books get it especially hard, as they existed for so long as a form of entertainment drawn by men for a male audience. Robert Venditti is only on his second issue as writer of Green Lantern, but already I find myself slightly uncomfortable with his depictions of the women in the book. I have a sneaking suspicion it is more a result of the pervasive attitude towards women in comics and their role in the Green Lantern universe as a whole, and less a reflection of the creative team’s own attitudes, but that doesn’t make me have any more fun reading this title. Continue reading →