Today, Mark and Spencer are discussing Convergence: Justice Society of America 2, originally released May 27th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Mark: “With great power comes great responsibility” is one of the most iconic phrases in comic book pop culture. Most often associated with Spider-Man, it also seems to be a guiding storytelling principle for a lot of modern comics and (most pointedly) DC’s Batman and Superman films as of late. The idea that being a superhero is a huge burden is an easy storytelling device. It quickly humanizes and “grounds” an otherwise fantastical character. It’s also a plot machination that can drive me crazy. Part of my intolerance is absolutely a sense of envy. How can a character be dissatisfied with life when they have super powers? Super powers! Continue reading →
Today, Spencer and Drew are discussing Convergence: The Flash 2, originally released May 20th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence this week, click here.
Spencer: For the several decades that fell between Crisis on Infinite Earths and The Flash: Rebirth, Barry Allen was DC’s greatest hero. He was also dead, mind you, but that’s the exact reason why Barry became so legendary. The Flash sacrificed his life to save the entire multiverse, and by martyring himself he became this almost mythic figure, inspiring the entire DC universe — fans were even known to call him “Saint Barry.” But when Barry returned to life, he was overwhelmed by the praise. Fame was never something he wanted, and he knew he was far from perfect. Every action he took as the Flash, from stopping a mugger to sacrificing his life to save the universe, was taken with only one thought in mind — helping others. This dichotomy between how others view Barry and how he views himself is one of the central themes of Dan Abnett and Federico Dallocchio’s Convergence: The Flash 2.Continue reading →
Today, Drew and Shelby are discussing Guardians of the Galaxy 14, originally released April 23rd, 2014.
Drew: Anniversaries tend to be opportunities to look back. In comics, they seem to be opportunities to deconstruct. Detective Comics and Daredevil both had big anniversary issues this year, and both seized on the opportunity to ask what really defines these characters. The answers those issues posited were buoyed by the strength of their characters, but what about a team series — especially a team with a relatively smaller history? Guardians of the Galaxy 14 sets out to answer this question in the most unexpected ways, separating the characters (or even eliminating them altogether) to examine what makes theGuardians work as an abstract concept.
Today, Patrick and Peter are discussing Resurrection Man 0, originally released September 12, 2012. Resurrection Man 0 is part of the line-wide Zero Month.
Patrick: Clones are a tricky business. Whenever there’s an exact double of an individual, there’s always a question of which one is “real.” The thought being that the original was there first, and therefore its survival is more morally important than that of the duplicate. But that’s bad news for Mitch Shelley, hero of the Resurrection Man series. Y’see, he’s an amnesiac clone, and the only way to keep resurrecting and cycling through superpowers is to offer up the soul of the original to pay off a debt to Heaven/Hell. No, I don’t know what I’m talking about.