Today, Shelby and Spencer are discussing X-Men 3, originally released July 31st, 2013.
Shelby: I hate a story that drags on too long. As a creator, it’s important to be able to edit yourself; you have to know where you want a story to go and be able to recognize when it gets there. At the same time, it’s just as frustrating as a reader when the story feels rushed. If I’ve settled in to savor a story as it unfolds, a sudden, “…andthenthegoodguyswinordidtheytheend,” is incredibly unsatisfying. A full-stop, wrap-it-up conclusion to a story arc just leaves me feeling confused, like maybe I missed an issue or something. As excited as I have been for Brian Wood’s X-Men, the end of the first arc has me feeling just that: confused and unsatisfied. Continue reading →
Today, Patrick and (guest writer) Matt are discussing X-Men 2, originally released June 26th, 2013.
Patrick: Until you see it in action, a movie-monster isn’t that scary. You can hear whisperings about the monster’s insatiable appetite, and come across the ruins of the encampment that it has savaged, but it doesn’t really mean anything until you see the Alien burst violently out of your buddy’s chest. Remember how Scream started? With the killer toying with and brutally murdering the biggest name on the marquee. Whatever else was going to happen from that point forward, the audience knows the killer means business. Last month, we got an abstraction of a conflict – a storied shitty history between cosmic siblings. Faster than we can really deal with it, the conflict is in our laps, and everyone gets a good look at what Arkea can do. Consider me convinced: she’s a problem – one X-Men might not be up to solving. Continue reading →
Today, Drew and Spencer are discussing X-Men 1, originally released May 29th, 2013.
Drew: Anticipation is often the enemy of objectivity. Not that I can ever claim to be all that objective, but it can be difficult to evaluate a work on its own merits when expectations have been allowed to brew for as long as they have for X-Men 1. Since the announcement of this title, the all-female cast has been cited for everything from pandering to its female audience to serving as a rare bastion of female role models in comicdom. But, are any of those things what writer Brian Wood and penciller Olivier Coipel actually set out to do? Does that matter? Art shouldn’t have to answer for what people turn it into sight-unseen, but its difficult to talk about this series without some reaction to the expectations it was released into. Hopefully, I’ll be able to tie it back to the series itself. Continue reading →