This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
We call this story “Man in Hole,” but it needn’t be about a man and it needn’t be about somebody getting into a hole — it’s just a good way to remember it: Somebody gets into trouble and gets out of it again. People love that story. They never get sick of it.
I’ve always been attracted to the kind of abstract narrative shapes Vonnegut famously catalogued in his Master’s Thesis — there’s something fascinating at the thought that virtually all stories draw from a narrow range of narrative trajectories. But, of course, looking at narratives in such an abstract way overlooks a lot of the texture and details that actually makes stories so thrilling in the first place. That is, while we might take it for a given that the man gets out of the whole, we can still be surprised at exactly how that happens. Those details are what distinguishes one narrative from another, yet even then, they can often feel rote and predictable. Not so with Eleanor and the Egret 4, which uses the cartoon logic of its high-concept premise to deliver some truly unexpected twists. Continue reading →
This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Teenage Mutant Ninja Turtles 71 is a masterclass in quickly establishing an entire group of distinct, memorable characters (seriously, Tom Waltz, Bobby Curnow, Kevin Eastman, Dave Wachter, and Ronda Pattison should be teaching a class on it). This issue has the unenviable task of finally introducing the “Pantheon” in full, but it’s a challenge the creative team tackles with gusto, making each new character immediately distinct, their personalities and relationships with their siblings immediately clear. It not only makes a heaping helping of new information easy to digest, but fun to as well. Continue reading →
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
One of my favorite Loony Tunes premises was that of “Ralph Wolf and Sam Sheepdog,” the rival canines attempting to eat/protect a herd of sheep, respectively. Those cartoons are full of all of the great slapstick and expressions that make classic Chuck Jones cartoons such a pleasure, but by favorite gag is that, at the start and end of the day, Ralph and Sam punch their timecards — they’re just doing their jobs. Any other adversarial relationship in Loony Tunes, whether it’s Elmer Fudd and Bugs, Sylvester and Tweetie, or the (similarly designed) Wile E. Coyote and Roadrunner, needs no further explanation; the motivations of the characters are enough to carry the gags. Ralph and Sam, though, have a reason beyond their apparent animal natures, something that tilts at the nonsensical task of explaining the cartoon logic of these characters. It somehow grounds them in reality while simultaneously heightening the absurdity of the situations they’re in. Eleanor and the Egret has always reveled in its own kind of absurdity, but issue 3 starts to reveal Eleanor’s backstory, hinting at some human emotions at the core of this cartoony world. Continue reading →
Today, Taylor and Patrick are discussing Teenage Mutant Ninja Turtles 69, originally released May 3rd, 2017. As always, this article contains SPOILERS.
Taylor: The issue of the turtles secret lair has always bothered me, even as a kid. The turtles live in the sewers of New York which, in theory, need regular maintenance (queue “crappy” job jokes) yet no one seems to ever stumble upon their lair. Pair this with the many times that the turtles have saved the entire freaking city of Manhattan and it becomes ridiculous to think that no one would have ever tried to find them. Issue 69 of Teenage Mutant Ninja Turtles puts my bothers to rest as the Turtles and the military finally come to blows. Predictably, this means nothing good for the Turtles and has far-ranging consequences beyond just this single issue. Continue reading →
Today, Drew and Taylor are discussing Teenage Mutant Ninja Turtles 66, originally released January 25th, 2017. As always, this article contains SPOILERS.
Drew: I’ve always been impressed at the way IDW’s Teenage Mutant Ninja Turtles manages to balance the “Teenage” elements against the more sensational “Mutant” and “Ninja” ones. There are obvious advantages to this approach — it lends depth to the Turtles’ characterizations and offers more variety to the kinds of stories they fit in to — but the more I think about it, the more I appreciate that the classic teen obsession with identity and labels are built into their collective monicker. That their title is so verbose has always been a source for humor, but it also plants the seeds for real tensions in their sense of identity — or, at least an emphasis on the adjectives and nouns they associate with that identity. Indeed, issue 66 focuses almost entirely on the identities of its cast, forcing them to ask both what those identities are, and what they might say about what they can or can’t do. Continue reading →
Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles 64, originally released November 23rd, 2016. As always, this article contains SPOILERS.
Taylor: On any given day I feel like I know the people who are close to me. I know my girlfriend, my friends, and my family in a way that makes me feel like I truly understand them. While this holds true on most days, every so often I am surprised by a sudden thought or action by these people who I thought I knew. Maybe it’s a sudden fit of passion or a change of previously held beliefs, but on occasion I look at the people I know and wonder — who are you? At times like these I’m acutely aware of our inability to truly know another person, and that realization is at once terrifying and exciting. Teenage Mutant Ninja Turtles 64 captures this feeling perfectly, but it comes at the expense of contradicting long established character development. Continue reading →
Today, Patrick and Drew are discussing Teenage Mutant Ninja Turtles 62, originally released September 21, 2016. As always, this article contains SPOILERS.
Patrick: The defining quality of my teenage years was business. And not like, going to an office, wearing a tie and making money, but like busy-ness. I’d be at school from 7:30 to like 3:00, then go to play practice for a couple hours, then play in some ensemble (or practice in the winter) and then I’d do homework in the basement until I feel asleep on AIM. I had written a song about that sensation for my high school ska band (Down In Front, in case you were wondering) called “Someone Else’s Time” so I was at least aware that my schedule was spiraling beyond my control. I’ve been busy since, but I don’t think I’ve ever surrendered my time quite so freely as I did when I was 17. The Teenage Mutant Ninja Turtles seem to be suffering from some of the same fractured focus, but it’s remarkable how well storytellers Tom Waltz, Bobby Curnow, Kevin Eastman and David Wachter compartmentalize each threat tearing at the Turtles. Continue reading →
Today, Taylor and Spencer are discussing Teenage Mutant Ninja Turtles 61, originally released August 24th, 2016. As always, this article contains SPOILERS.
Taylor: The need for violent force is a topic guaranteed to ignite debate. Some preach it as a necessary evil, while others say its existence in any form is unacceptable. Regardless of your stance on the subject, violence is something every person has to come to terms with in some way or another. Frankly put, we live in a violent world, even if most of us in America never have to confront it directly, and that means coming to terms with some ugly truths of the world. This topic is especially important to comics, a medium that frequently depicts violence. While it’s easy for a series to be circumspect when it comes to confronting violence, TMNT is not in its 61st issue. Instead of backing away from its heroes’ potentially problematic reliance on martial force, it confronts the issue head on.
Today, Taylor and Patrick are discussing Teenage Mutant Ninja Turtles 60, originally released July 27th, 2016.
Taylor: Recently, the Australian DJ group the Avalanches released their second album 16 years after their seminal debut Since I Left You. That this album, Wildflower, was ever released shocked the band’s fans as many expected a follow up never to come. That Wildflower has been well received by fans and critics alike comes as an even bigger surprise to me. Generally speaking, if it takes 16 years to come up new material, that’s not a good thing. Many are the bands who make one good album and then disappear into mediocrity for all time. What I’m hinting at here is that artistic consistency – well, quality consistency – is hard and it’s difficult to churn it out on a regular basis. In that respect, issue 60 of Teenage Mutant Ninja Turtles is a marvel because like the 59 issues that proceed it, it’s so remarkably good. Continue reading →
Today, Drew and Patrick are discussing Teenage Mutant Ninja Turtles 59, originally released June 16th, 2016.
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — tomorrow we will run faster, stretch out our arms farther. . . . And then one fine morning — So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald, The Great Gatsby
Drew: Symbolism can be a potent tool for any artist, but its easy for a symbol to feel contrived, forcing the audience out of the work. We seek out and create meaning everywhere we look, so there’s no need for a writer to make those symbols too obvious. Curiously, Gatsby’s green light — perhaps the most famous symbol in all of American literature — is explained openly within the text. The reason we don’t reject this explanation as too on-the-nose is that it is Gatsby’s interpretation; that is, he recognizes and interprets the symbolic nature of the green light within his own life. In this way, Fitzgerald isn’t ignoring our ability to create meaning, but celebrating it by giving us a compatriot on the page. We’re looking for meaning, but so is Gatsby. Teenage Mutant Ninja Turtles 59 offers an almost opposite approach to its symbols, emphasizing intention over interpretation, distancing the audience from the text in less-than-flattering ways. Continue reading →