The “How” of the Reveal in The Wicked + The Divine 38

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

One of the things I appreciate the most about Kieron Gillen and Jamie McKelvie’s collaborations is the way they handle big twists and reveals. Gillen and McKelvie rarely trade in big showy twists (and when they do — such as in the “I Am Ananke” moment — they tend to raise more questions than they answer); instead, major pieces of information are revealed with such subtlety that one could almost miss them, and usually have plenty of evidence pointing their way long before the theories are finally confirmed, rewarding loyal, eagle-eyed readers. The Wicked + The Divine 38 clarifies several major pieces of information this way, furthering the plot, deepening its characters, and taking advantage of this arc’s unique structure in the process. Continue reading

There’s No Escaping History in The Wicked + The Divine 37

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

History is an intrinsic facet of The Wicked + The Divine in multiple ways. Its story — and deities — have existed for the majority of recorded human history, and Kieron Gillen and Jamie McKelvie have gone to great lengths to accurately reflect that throughout the series. History is also a far more personal thing in WicDiv, though. There’s not a single character who can escape the pull of their own personal history, be it the baggage of Ananke/Minerva’s own six thousand year long existence, or the brief-yet-intense history behind the Morrigan and Baphomet/Marian and Cameron’s complex, tragic romance. Both tales reach inevitable — yet very different — climaxes in WicDiv 37. Continue reading