This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Patrick: Thwip! Bamf! Snikt! You know those sound effects: respectively, they mean a) Spider-Man shooting some web fluid, b) Nightcrawler teleporting away, and c) Wolverine deploying his claws. It is perhaps illustrative of the predictability of their superpowers that there are immutable sound effects that accompany them. You know exactly what it sounds like when Wolvie pops his claws, but you also know exactly what he can do with them. These powers are used in unsurprising ways to save the day, but what happens when the superheroes have powers that aren’t so easy to understand? Well, then you’ve got the residents of The Willow and the cast of Secret Weapons.Continue reading →
Today, Drew and Michael are discussing The Multiversity 2, originally released April 29th, 2015.
You’re missing stuff by reading too fast.
Mercury Man, The Multiversity 2
Drew: There’s a specific type of confusion that comes when reading certain Grant Morrison comics — the kind that comes when you have absolutely no idea what’s going on, but you have faith that it will all make sense in the end. Or, at least, you’ll be able to draw conclusions from it in the end. Mercury Man suggests that it all makes sense if we just slow down to make all of the connections, but Morrison books tend to require reading at a pace several orders of magnitude slower than the average comic. That Morrison doesn’t write “the average comic” is exactly why his works are so worth that effort, but I’ll be damned if it doesn’t make them incredibly difficult to talk about. Continue reading →
Today, Spencer and Greg Patrick are discussing The Multiversity 1, originally released August 20th, 2014.
Spencer: It may not seem like it at first, but comics are one of the more interactive art forms out there. While movies and TV shows dictate the pace you experience them at, you can move through a comic book at any pace you desire, and even just the act of turning the page involves you in the story; you are advancing the story, and without your actions, the plot cannot move forward. The Multiversity is a Grant Morrison story, so it should be no surprise that it’s meta as piss. The reader’s power over the narrative is just one of many themes Morrison plays with in this title, but it’s certainly one of the most fascinating — and will likely also be one of the most divisive. Continue reading →