This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
In a classical Greek tragedy, no matter whether they achieve their goals, the protagonists of a story end up worse off than they started. In Wonder Woman 24, everyone is at once successful and miserable. Greg Rucka focus on three women living in pain even after reaching their objectives.
After seeing her mother and being only a step away from Themyscria, Diana is distraught when she returns. Rucka indicates that Diana is not her usual self in the way that she carelessly leaves Cheetah behind. It wouldn’t necessarily be careless if a regular person did it, but Wonder Woman has set standards of empathy and kindness that even she cannot always live up to. When Etta calls her out, it only takes a moment before Diana is ready to take action. Even in her guilt, she is committed to making things right. Continue reading →
Today, Mark and Michael are discussing Wonder Woman 18, originally released March 8th, 2017. As always, this article contains SPOILERS.
Mark: One of the most compelling features of Greg Rucka’s Wonder Woman is its willingness to incorporate into real issues facing society, as we come to terms with our systematically poor treatment of women and grapple with how to resolve it. Like a proclamation of intent, the earliest arc in the book, “The Lies,” features Cheetah dealing with the devastation caused by abuse, rape, and victim-blaming. These are issues deeply entrenched in American culture made palatable to general audiences because the villains manifest themselves as mystical beasts and gods. But not all of the methods Rucka and his collaborators use to convey their message (for lack of a better term) are quite so foregrounded. For instance, every position of authority in Wonder Woman so far is held by a woman. This is a story about women, featuring women, that is in no way lacking because its pages aren’t filled with more dudes. Continue reading →
You know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they pack all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 10 covers of 2016.Continue reading →
Today, Spencer and Mark are discussing Midnighter 10, originally released March 2nd, 2016.
Spencer: I was a little know-it-all as a kid. One of my earliest memories is interrupting a lecturer on a field trip to a planetarium to correct him about outer space trivia; “well, actually” might as well have been my catchphrase in elementary school. Even as an adult with decidedly screwed-up self esteem, I still occasionally find myself falling prey to the snare of overconfidence; in many ways, I think it’s just human nature. Supreme confidence has always been presented as one of Midnighter’s most charming attributes, but after suffering yet another loss, Midnighter 10 starts to explore whether that confidence is an asset or a hindrance, and one of the most effective ways it does so is by comparing it to the overconfidence of the rest of the cast. Continue reading →
Today, Spencer and Mark are discussing Midnighter 9, originally released February 3rd, 2016.
Spencer:Who is Midnighter? It’s clearly a question writer Steve Orlando wants to keep on his readers’ minds, as most issues of Midnighter feature its titular character explaining his life story to someone (this month, his documentarist Robert). Any conclusions we can draw about who Midnighter really is deep inside from that information, though, are complicated to say the least. Who is Midnighter? He’s a contradiction. Continue reading →