Spencer: Patrick and I recently lamented a certain style of comic, the kind that tries to recap an entire lifetime with voiceover, practically becoming an illustrated Wikipedia article in the process. It seems as if the entire purpose of these comics is simply to relay information without attempting to further characterization or plot, and the longer I read comics the more this kind of story bothers me. This particular style seems to pop up most often when retelling origin stories (just check out our Zero Month coverage for proof), and that made me particularly cautious about picking up Secret Origins 6. Each of the three stories presented in this issue tackles the business of telling an origin story slightly differently, yet two of them still stick pretty close to this format. I suppose that raises the question of who this title is actually for: newbies who may need an illustrated Wikipedia article, or long-time readers who might expect a little more from their stories? Continue reading
Patrick: Thaal Sinestro is a complicated character, driven by exactly as many conflicting emotions and values as the Great Hal Jordan. While the yellow ring-slingers bear his name, he was always underserved by that characterization. Sinestro is no monster, but the Sinestro Corps is nothing but. He’s a Green Lantern. He’s a patriot. He’s a hero. Cullen Bunn and Dale Eaglesham take the first issue of their new series to explore the gulf between what Sinestro is and what Sinestro is supposed to be. Continue reading
Today, Spencer and Drew are discussing New Guardians 19, originally released April 17th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage.
Spencer: Tragedy and loss are inevitable parts of life. We can’t escape it, but we can deal with it, and how we do so tends to reveal our true priorities and who we really are deep inside. Continuing Green Lantern: New Guardian’s habit of turning crossover issues into journeys through its characters’ psyches, writer Tony Bedard uses not one, but two tragedies—the destruction of the planet Korugar and the “death” of Hal Jordan—to shine a light deep inside Sinestro, Carol Ferris, and Kyle Rayner.