Justice and Symbolism in Justice League 1

By Drew Baumgartner

Justice League 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There was no word for justice on my planet. The closest was the symbol on this table. It meant going beyond what was supposed to be possible, the natural laws. Imposing on the universe a higher standard. An ideal.

Martian Manhunter, Justice League 1

Our conceptions of justice hinge on fairness and impartiality — the notion that we are all held to the same standards of behavior (and face the same punishment for flaunting those standards). We understand how that can break down in practice (humans aren’t great at partiality), but we can imagine justice as a kind of platonic ideal we can strive towards. And that may be the best way to think about it, but closer inspection reminds us that, if it’s a platonic ideal, it’s one that varies from society to society and changes over time. We might reflect on the “justice” of the past (or of other cultures) and find it to be decidedly unjust, but that’s not how justice works — it’s not an objective monolith, but a deeply subjective, dynamic concept. That is, justice is a moral construct that only makes sense in light of the values of the society that construct it. Martian Manhunter’s approximation of justice reflects that idea, adding no moral spin to the “ideal” he mentions — in J’onn’s estimation, any ideologically motivated action “beyond what was supposed to be possible” is justice. In short, J’onn’s brief for the Justice League works just as well for the Legion of Doom. Continue reading

Finding Balance in Justice League: No Justice 3

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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We here at Retcon Punch, sadly, haven’t had much of a chance to discuss Justice League: No Justice until now, but I’ve been enjoying it immensely from the start. It has many of the same strengths as its predecessor, Dark Nights: Metal, but since No Justice is working with only four issues, avoids most of its excesses. No Justice is focused and easy to follow, yet still has a grand scope and a firm grasp on the characters and history of the DC Universe. It’s well-balanced, which plays right into the themes of the series and the goals of its various League factions. Continue reading

Looking Forward by Looking Back in Hal Jordan and the Green Lantern Corps 30

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Green Lantern is a mythological big bang, constantly expanding outward into space at an alarming rate. Hal Jordan and the Green Lantern Corps writer Robert Venditti usually participates in these kind of elliptical expansions that loop back around on information or concepts that readers are already familiar with and then venturing out further into the undefined depths of space. That’s how Hal’s relationship to the New Gods of New Genesis was fleshed out, that’s how Soranik Natu temporarily re-joined the corps before betraying them and defecting with her father’s evil army. But those are whirling galaxies of mythology, and in issue 30, Venditti and artist Patrick Zircher bring that same cyclonic energy planetside.  Continue reading

The Details Drag Down a Strong Premise in Superman 30

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a particular brand of story that eschews hard logic or consistent rules for pure emotional storytelling: think Doctor Who at its best, where rules are often bent or changed to support the emotional thrust a given episode, or even the old Teen Titans animated series, where Trigon was defeated by the metaphor of Raven growing up, even if there was never explanation given as to how she gained so much raw power. This kind of storytelling can be tricky: if the emotions and metaphors work well enough readers will forgive (or perhaps not even notice) any gaps in logic, but there’s always the risk that they won’t. For my money, Superman 30 falls a little too close to the latter category; there’s a strong emotional core here, but also a lot of details that don’t fully add-up or make sense. Continue reading

Facing Horror with Virtue in Superman 29

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Rarely does Superman venture into horror territory, and rarer still does it do so as successfully as in Keith Champagne and Doug Mahnke’s Superman 29. The duo take a story featuring child abduction, possession, and a generally dour and oppressive atmosphere — things I generally would find anathema to a good Superman story — and make them work by never compromising Superman as a character. In fact, while Superman is brave and dependable as always, Champagne and Mahnke dial up his virtue to exaggerated heights, the better to combat the strange darkness of the material. Continue reading

Hal Jordan and the Green Lantern Corps 7

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Today, Spencer and Patrick are discussing Hal Jordan and the Green Lantern Corps 7, originally released October 26th, 2016. As always, this article contains SPOILERS.

Spencer: Have you ever gotten into an argument with a long-time friend? With that much history between you, it’s far too easy for whatever sparked that particular conflict to fall to the wayside as your argument instead becomes about every slight the two of you have ever inflicted upon each other. That’s exactly what happens in Hal Jordan and the Green Lantern Corps 7. Hal and Sinestro’s grand battle for control of the universe is more of a grudge match between these former friends and rivals; the actual stakes matter less to Hal and Sinestro than themselves finally proving their methods and emotion of choice superior to the other’s. Continue reading

Hal Jordan and the Green Lantern Corps 5

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Today, Michael and Spencer are discussing Hal Jordan and the Green Lantern Corps 5, originally released September 28th, 2016. As always, this article contains SPOILERS.

Michael: One of my cardinal sins of writing about comics is leaving the artwork by the wayside in favor of a heavier focus on the narrative of a comic book issue. Similarly, I think we tend to primarily associate iconic superheroes with a specific writer instead of an artist. And while he’s worked on many different projects, I will always associate Ethan Van Sciver with Green Lantern. Continue reading

DC Round-Up Comics Released 7/29/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Michael, Spencer and Patrick discuss Batgirl 42, Gotham By Midnight Annual 1, Lobo Annual 1 and The Flash Annual 4.

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Michael: Have you ever noticed how the fifth Wednesday of a month always brings an odd grab bag of titles from DC? It’s typically full of books that are behind schedule and trying to catch up and the occasional Annual issue. So I guess it’s no surprise that this week’s DC offering is full of five Annuals in total. Let’s cover a few of them, shall we?

Continue reading

Secret Origins 6

secret origins 6Today, Spencer and Drew are discussing Secret Origins 6, originally released October 22, 2014. 

Spencer: Patrick and I recently lamented a certain style of comic, the kind that tries to recap an entire lifetime with voiceover, practically becoming an illustrated Wikipedia article in the process. It seems as if the entire purpose of these comics is simply to relay information without attempting to further characterization or plot, and the longer I read comics the more this kind of story bothers me. This particular style seems to pop up most often when retelling origin stories (just check out our Zero Month coverage for proof), and that made me particularly cautious about picking up Secret Origins 6. Each of the three stories presented in this issue tackles the business of telling an origin story slightly differently, yet two of them still stick pretty close to this format. I suppose that raises the question of who this title is actually for: newbies who may need an illustrated Wikipedia article, or long-time readers who might expect a little more from their stories? Continue reading

Forever Evil 7

forever evil 7Today, Spencer and Patrick are discussing Forever Evil 7, originally released May 21st, 2014. 

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Spencer: I often find myself thinking of Geoff Johns as “the comic-bookiest writer in all of comics”, in the sense that so much of his work revolves around the history and mythology of the characters he’s writing, and enjoying his work often depends on having a history with the characters yourself. That’s not necessarily good or bad on its own; Johns’ style has its strong points and its weak ones, and while examples of both pop up in Forever Evil 7, it fortunately falls mostly on the “strong” side. Continue reading