Aug 20 2012

Nightwing 12

Today, Peter and Patrick are discussing Nightwing 12, originally released August 15th, 2012.

Peter: I feel like I’ve been let down a lot by comics lately. Most of the books I’ve read recently have left me feeling unfulfilled. Stories just don’t seem to be going interesting places, or aren’t very thought provoking. Nightwing has become one of these offenders recently. Dick is a great character that is capable of exploring so much. During the Night of Owls, he played a major role in the story and I loved it. There are some nice moments and a few redeeming factors, but overall, I am feeling very whelmed about this issue. Continue reading →

Jul 19 2012

Nightwing 11

Today, Peter and Patrick are discussing Nightwing 11, originally released July 18th, 2012.

Peter: Sometimes all the right pieces just fall into place, just as they have here, weaving an incredibly compelling story. In Nightwing, Kyle Higgins treats us to not only a standard superhero book, but a carefully crafted mystery/thriller story. It almost reads like a police procedural. Dick continues to try to clear his name, and reasserts his place as one of Gotham’s premiere crime fighters in the process. Continue reading →

Jun 25 2012

Nightwing 10

Today, Drew and Peter are discussing Nightwing 10, originally released June 13th, 2012.

Drew: Watching his parents fall to their deaths; training to be a crimefighter; falling out with his mentor; becoming Batman; relinquishing the Batman mantle once his mentor returned. To put it lightly, Dick Grayson has had a turbulent life. Tension and tragedy are somewhat par for the course in the superheroing world, but coming of age in costume has amplified those difficulties. At the start of the relaunch, Dick had reasserted his identity as Nightwing, and he seemed to have the agency all former sidekicks long for. Soon enough, however, he was being roped into all kinds of identity crises, as his personal and family histories made claims on his future. He emerged from those events with a stronger sense of self, and issue 10 finds him acting with that hard-earned agency, even as a corrupt cop tries to redefine Nightwing in the public eye. Continue reading →

May 31 2012

Batman Annual 1

Today, Drew and Peter are discussing Batman Annual 1 originally released May 30th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage.

Drew: Let’s talk about baggage. Comics (especially comics with 70+ year histories) have a lot of fictional history that fans have long demanded that creators adhere to. DC’s relaunch promised to shake that status quo up a bit, freeing up editors, writers, and artists to keep what works and jettison anything that doesn’t. Of course, Batman being Batman, damn near everything about him worked. Writer Scott Snyder has revealed a lot of new information, largely by focusing on things that aren’t Bruce (or his core relationships), but much of what we knew about Batman has remained true. This makes any changes that are made — like those revealed towards the end of Batman Annual 1 — particularly effective; especially when they play so brilliantly against what we expect. Continue reading →

May 17 2012

Nightwing 9

Today, Peter and Patrick are discussing Nightwing 9, originally released May 16th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage.

Peter: Excepting the main Batman title, Nightwing has been involved in the Night of the Owls more than any other book. Dick Grayson plays a huge role in the story, which has been incredibly compelling and just down right cool. Dick’s large role gives a deeper understanding and widens to scope of this event. Which is why it’s safe to say I love this book, and so should you.
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May 10 2012

Batman 9

Today, Patrick and Drew are discussing Batman 9 originally released May 9th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage. Not caught up on Batman? No problem! Get up to speed with our video Cram Session.

Patrick: In the margins of this whole kerfuffle with the Court of Owls, there have been literal manifestations of the battle between Bats and Owls. And the bats have been getting this asses handed to them. The symbolic defeat has always been the more devastating side of the equation for Bruce — yeah it sucked that he took a knife through the back, but that’s a back that’s been bent over Bane’s knee. Last month saw Bruce stepping up to defend his home, an empowering scene, for sure, but this issue saw him standing up for his legacy. And that’s a different animal all together. Continue reading →

Apr 20 2012

Nightwing 8

Today, Drew and Peter are discussing Nightwing 8, originally released April 18th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage.

Drew: Scott Snyder has said that, for Batman, the Night of the Owls is all about his relationship to Gotham. That singular focus on a theme so close to Bruce’s identity can be felt throughout that title, and all of our favorite books have a similar thematic focus; Wonder Woman on family, The Flash on time, etc. While these themes all focus on aspects of their heroes’ identities, Kyle Higgins has managed to refract the events of the Night of the Owls onto identity itself, Nightwing’s own pet theme. Last month’s reveal that Dick had been earmarked (okay, toothmarked) to be the next Talon struck a powerful blow to his sense of self, which was still on the mend from his recent costume changes (plus the inherent issues of being a kind of unmoored twenty-something). Continue reading →

Apr 19 2012

Batman 8

Today, Drew and Patrick are discussing Batman 8, originally released April 18th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage.

Drew: Batman 8 begins with a tight shot on a Gotham City manhole cover. As the camera pulls up and out, revealing the city around it, Bruce’s voiceover questions whether his attention to detail has prevented him from seeing the bigger picture. This attention to detail explains why Bruce could have been unaware of the presence of the Court of Owls in what he thought was his city, but it also acts as a cutting interrogation of our own experiences with Batman (and superheroes in general). I’ve long lamented the favoring of point-by-point plot details over “bigger picture” concepts like character and theme, but writer Scott Snyder seems to suggest that the devotion to the minutia may actually prevent us from truly understanding what is going on. It’s a bold suggestion, and one that would risk alienating fanboys if it weren’t so deftly handled. Continue reading →

Apr 16 2012

Deathstroke 8

Today, Shelby and Peter are discussing Deathstroke 8, originally released April 11th 2012.

Shelby: Of all the titles of the New 52 I’m reading, I think the one that surprised me the most was Deathstroke. I started reading it at the recommendation of my comic shop; all I expected was a story with some hardcore, kickass action. What I got was an introduction to a character I like a lot, not only for his total badassedness, but also for the depth Kyle Higgins brought to the character. Peter and I had the distinct pleasure of meeting Kyle at C2E2 this weekend, and we all shed a single tear at his leaving Deathstroke.

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Mar 23 2012

Nightwing 7

Today, Patrick and Peter are discussing Nightwing 7, originally released March 21st, 2012.

Patrick: Drew and I like identifying themes. Oh the curse of the liberally educated! When we first started this comic-review-practice, we both quickly picked out the theme of “you can never go back” from the pages of Nightwing. It’s a potent concept and one that hits double-hard for recent college grads that insist and transplanting themselves thousands of miles away from their friends an families. Boo hoo, Patrick, we all have problems. Since our initial 3-issue write-up, the thematic and narrative focuses have broadened, usually to the detriment of the storytelling. But Nightwing #7 reclaims the series’ former glory by addressing its central mystery and staying emotionally on-point. Oh and a cameo from the Batman don’t hurt none, either.