We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Hawkeye 6, Spider-Gwen 19 and Unstoppable Wasp 5. Also, we discussed Jean Grey 1 on Thursday and will be discussing All-New Guardians of the Galaxy 1 on Monday and Secret Empire 1 and Black Bolt 1 on Tuesday, so come back for those! As always, this article contains SPOILERS.
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Today, Spencer and Ryan M. are discussing Spider-Gwen 9, originally released June 15th, 2016.
Spencer: There’s little I hate more than being forced or coerced into doing something. I don’t know about any of you, but I hate that feeling so much that sometimes, even if someone is trying to force me to do something I know I’ll like, I’ll oppose it almost simply out of spite. The only thing worse than someone trying to force you to do something is when life itself seemingly backs you into an inescapable corner, when a twist of fate seemingly decides the course of your life without your input whatsoever. In Spider-Gwen 9, Jason Latour, Robbi Rodriguez, and Rico Renzi examine how Gwen Stacy’s responded to the twist of fate that’s come to define her life, whether she wanted it to or not. Continue reading
Today, Spencer and Taylor are discussing The Unbeatable Squirrel Girl 5, originally released February 24th, 2016.
Spencer: I grew up on shonen anime, so “the power of friendship” has been a beloved trope in my life for as long as I can remember. It’s nice, then, to find an American comic so willing to embrace the idea; the power of friendship is so engrained into The Unbeatable Squirrel Girl‘s DNA that sometimes that friendship even comes in the form of Squirrel Girl’s time-displaced counterparts! Yeah, this issue is a zany romp full of complicated time travel shenanigans, but its heart beats with the same moral that has come to define this series: that victory is achieved, not through violence, but by reaching out to, and learning from, others. Continue reading
Today, Spencer and Taylor are discussing The Unbeatable Squirrel Girl 4, originally released January 27th, 2016.
Spencer: What does it mean to be “unbeatable?” When Squirrel Girl was mainly a joke character, it meant that she could take down any opponent in combat, albeit always off-panel. While Ryan North and Erica Henderson’s take on Doreen still has extraordinary physical prowess, her victories under their pens have instead come from a place of compassion, understanding, and compromise; Squirrel Girl’s “unbeatable” because she always finds a way to appeal to and appease the humanity of any opponent she faces. It makes sense, then, that Doctor Doom is the first enemy to truly flummox Doreen. How is she supposed to defeat someone with no humanity to appeal to? Continue reading
Today, Taylor and Patrick are discussing The Unbeatable Squirrel Girl 8, originally released August 12th, 2015.
Taylor: I recently watched a video of a man who walked, without any safety harness, across a rope suspended 1,000 feet in the air. It’s an impressive feat, if not in bravery, then at least in balance. One wrong move, too much weight to one side, and that guy becomes a smear on the ground. In this case balance is obviously important, but for me it highlights how balance is important in almost everything do. The Unbeatable Squirrel Girl 8 similarly reminds that balance is important in a different way. Keeping in perfect equilibrium the nuttiness of Squirrel Girl and the gravitas of Thor, this issue expertly walks a fine line between comedy and adventure. And while it might not be nearly as breathtaking as slack-lining, it’s every bit as impressive.
Today, Drew and Taylor are discussing The Unbeatable Squirrel Girl 6, originally released June 3rd, 2015.
Drew: Hero punches bad guy. Bad guy goes to jail. Hero winks at the camera. It’s an ending we’ve seen a million times, but after 6 issues, its clear that Unbeatable Squirrel Girl will never be quite so rote. That’s not to say that Doreen isn’t perfectly capable of punching bad guys (or winking at the camera), just that she may be more open to alternative solutions to her problems. It’s an approach that is surprisingly rare in the world of superhero comics, but makes perfect sense when you look at her character sheet: talking is one of her superpowers. Sure, the remarkable part of that power may be that she can talk to squirrels, but honestly, conversation powers are rare enough when it comes to superheroes to forgive the generalization. This issue reminds us of why that power is so key to who Doreen is, then pushes beyond it to show us what else makes her so special. Continue reading
Today, Patrick and Taylor are discussing The Unbeatable Squirrel Girl 4, originally released April 22nd, 2015.
Patrick: Dan Harmon and Rob Schrab (of Community fame) have a little pet project in L.A. called Channel 101. It’s a sort of DIY 5-minute-TV show festival/competition that takes place once a month at the Downtown Independent Theatre. It’s pretty cool, and the shows that come out of it can really run the gamut from brilliant to moronic, from sharp and professional to shaggy as hell. It’s an intense artistic environment, and the sense of community surrounding every showing is palpable. I was introduced to Channel 101 by our very own Scott Baumgartner, and the two of us (and my co-editor Drew) attended one of their events in December of 2012. As it was the end of the year, we weren’t going to just another screening but the end-of-year award ceremony called “The Channies.” It was still a fun time, but 90% of what occurred on that stage, and on that screen, played against everyone’s expectations for a Channel 101 event. It worked like gangbusters on the crowd, most of whom had been submitting shows to the competition for years. With the conventions and expectations of a Channel 101 show so well understood, the award show’s producers were able to crank out one well of a subversive experiences — even if it was 70% lost on me and Drew. The Unbeatable Squirrel Girl 4 takes our shared expectations for comic books and flips them all on their head, pitching Squirrel Girl herself as Queen of Subversion. Continue reading
Today, Patrick and Taylor are discussing Spider-Gwen 3, originally released April 1st, 2015.
Patrick: Last week, Drew and I posited that Amazing Spider-Man 17 was about Peter Parking being a bad grown-up. So much of Peter’s identity is tied up in childish — specifically teenage — tropes, that the character has very little sense of agency. He’s reactive more than active. Peter doesn’t have a plan for when he arrives three hours late to his Aunt Mae’s birthday party because he was out fighting the Green Goblin, he just yammers and stammers until he’s ostracized everyone he loves. ASM 17 saw a push away from that attitude with the help of Peter’s sorta-girl-friend-but-not-really (look, Spider-Man got complicated for a while there), but no matter how many opportunities for growth our Spider-Man has enjoyed over his 50 year history, fresh Spider-Man analogues have to start back at square one. Of course, teenage drama might look a little different with the genders reversed. Spider-Gwen 3 ends up being a frustrating exploration of navigating the tough decisions as a teenage Spider-Woman. Continue reading
Today, Patrick and Ryan are discussing Howard the Duck 1, originally released March 9th, 2015.
Patrick: Why do you take a chance on buying a brand new issue of a brand new comic book series the day it comes out? When you think about it, you’re taking a pretty big risk regarding the quality of the thing you’re about to read. I suppose the worst thing that can happen is that you’re out four bucks and about eighteen minutes. But there are so many damn comics, and I know I’m always looking for place to cut my pull. Number ones, though? I roll the dice on those several times a week. But for every number one I do read, there are like 80 I don’t. So what’s the alchemy that made me pick up Howard the Duck 1 over, I don’t know, Spawn Resurrection 1? The character? The publisher? The artist? The writer? That’s a question the issue itself poses: how did you come to Howard the Duck? Continue reading
Today, Patrick and Spencer are discussing Spider-Gwen 1, originally released February 25th, 2015.
Patrick: If you had to name the most important quality for a superhero story to nail, what would it be? Action? Adventure? Humor? Relatability? Kind of depends on the character, doesn’t it? What I think ends up being most important across publishers and mediums is the story’s ability to express the fundamental nature of the character. If you’re telling a Batman story, it better be dark, grimey, and morally ambiguous. If you’re telling a Spider-Man story, it better be humorous, optimistic and dutiful. So how on earth would anyone write a Spider-Gwen story? The character barely exists beyond a small roll in the recent Spider-Verse event. Fans latched on to the character for a number of reasons (everyone misses Gwen Stacy), but the clearest virtue of the character is that she looks amazing. In lieu of a letter’s page, editor Nick Lowe thanks fans for worshiping the incredible design of Gwen’s costume, celebrating it through fan-art and cos-play. This obsession with image becomes the fundamental nature of stories in Gwen’s world, as Spider-Gwen turns the superficial into the substantial. Continue reading
Retcon Punch 
