(Not) Learning from Experience in Runaways 8

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“My advice is: stand firm for what you believe in, until and unless logic and experience prove you wrong.”

Daria, Is It College Yet?

One major advantage of growing up and getting older is experience. Being young means screwing up (a lot), but every screw up teaches you something new, hopefully helping you avoid similar mistakes in the future. That’s only if you take those screw-ups to heart, though. That seems to be a problem for the Runaways (and even for the visiting Julie Powers) in Rainbow Rowell and Kris Anka’s Runaways 8 — they’re so busy holding on to what they once were that they can’t see how badly they need to grow. They can’t learn from their own mistakes. Continue reading

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Growth, Chemistry, History, and Change in Runaways 7

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The density of prose, as well as the ample opportunities for dialogue and conversations, make novels a format that excels in rich, deep characterization; there’s just more room and opportunity to get into a character’s head than in most other mediums. It’s no surprise, then, that writer and novelist Rainbow Rowell would excel in this regard, but it is a pleasant surprise that she’s been able to translate those skills so perfectly to her comic book work on Runaways. This is a title where every character feels real and three dimensional, more than just archetypes or action stars but like actual kids with actual concerns, desires, deep-seated fears, and the ability to grow and change. Most importantly, Rowell makes us feel the effects of their history, of everything they’ve gone through since first being created 15 years ago. Continue reading

It’s Family That Hurts the Most in Runaways 6

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I love this line, not only because it’s so perfectly in character for the prickly Gert, but because it really sums up the relationship all these kid had with their parents: the people who raised them, who tried to kill them, each other, and the entirety of the human race, the people whose deaths they were partially responsible for, and the people whose deaths they still feel guilty for, even years later. In Runaways 6 Rainbow Rowell and Kris Anka add another complex, loving, evil guardian to the list of loved ones who will forever haunt these kids: Molly’s grandmother. Continue reading

The Uncertainty of Youth in Runaways 4

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

While almost none would admit it — and probably less are even aware of it — most teenagers crave stability. Being young is a time of terrifying uncertainty — not just the almost paralyzing possibilities of the future, but the more mundane uncertainties of crushes, changing bodies, and rapidly evolving places in society. Throw superpowers and evil parents into the mix, and it’s no wonder the Runaways have often felt so lost. In lives practically defined by constant change and uncertainty, the one constant they’ve always had is each other. How are they supposed to handle losing that? Continue reading

Runaways 1: Discussion

by Spencer Irwin and Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Runaways 1 has to be one of the most unusual first issues I’ve ever read, especially for a team book and especially for a book from the Big 2. While I’ve read plenty of good, sometimes even great, first issues, there’s certain objectives most first issues have to achieve — introducing the series’ cast, premise, and villain, for example — that can lead to them all feeling like they’re cut from the same template. Runaways 1, though, shatters that template completely; Rainbow Rowell, Kris Anka, and Matthew Wilson essentially skip to what would probably be issue 4 of any other series, immediately immersing readers deep in a tense, life-or-death scenario. It’s a marvelous decision. Continue reading

Runaways 4

runaways 4

Today, Spencer and Michael are discussing Runaways 4, originally released September 23rd, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check back Tuesday for our Secret Wars Round-Up!

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“If there’s one thing I love, it’s teens who stay teens even when the situation is really dire, and so even when they’re running for their lives they never quite lose sight of crushes, pretensions, anxiety about their future and who they’re going to be. Sometimes those situations can feel just as life-or-death as…actual life-or-death.”

Noelle Stevenson, Runaways 4 letters page

Spencer: I loved Runaways 4′s letters page; the sheer unfettered enthusiasm and creativity from readers warmed my heart. But to me, the most insightful moment of that page is the above quote from Runaways writer Noelle Stevenson, which explains the greatest strength of both this mini-series and its finale magnificently. To these characters, coming to a romantic realization is just as significant as escaping from the Doom Institute; Stevenson and artist Sanford Greene realize that and treat every victory with equal importance. It makes for an uplifting, triumphant finale. Continue reading

Ultron 1

ultron 1 AU

Today, Ethan and Taylor are discussing Ultron 1, originally released April 10th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Ethan: In the aftermath of terrible, unexpected events, it’s good to find comfort in familiar places and situations. Ultron’s instant and total takeover of the world qualifies as a pretty terrible and unexpected event. For the lead character of Ultron #1 – Victor Mancha – this catastrophe is a unique blend of insult and injury. Not only has Ultron killed off Victor’s former teammates the Runaways, but Ultron is  also Victor’s father. Add to this the fact that a visitor from the future once warned that Victor would bring about the destruction of the world and the death of its heroes, and you’ve got a pretty complete package of misery. Writer Kathryn Immonen and artist Amilcar Pinna explore how Victor copes with all of this by returning to his roots as a teenage hero.

Continue reading