A + X 4

a+x 4

Today, Scott and Drew are discussing A + X 4, originally released January 23th, 2013.

Scott: A + X makes me feel like a kid again, playing with my action figures after school. I would create worlds where Teenage Mutant Ninja Turtles and Star Wars heroes could coexist, Han Solo and Donatello teaming up to defeat… well, something, I’m sure. It was never really the end result that interested me, but rather the excitement of combining these two things that I loved individually. What it created was an especially fleeting sort of fun, where the initial idea was the best part and it grew harder to sustain the longer it went on. I feel the same way about A +X, which is why splitting the issue into two stories is such a good idea — the novelty wears off much less over just ten pages. A + X 4 pairs Avengers and X-Men characters who compliment each other in interesting ways: first, two who have a lot in common, then two who could hardly be more different.

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Daredevil 22

Alternating Current: Daredevil 22, Drew and MikyzpltkToday, Drew and Mikyzptlk are discussing Daredevil 22, originally released January  16th, 2013.

Drew: Last month, I marveled at the reveal of Otto Octavius’s Spider-Man at the end of Daredevil 21. I thought the choice of Kirsten for that first encounter was a brilliant one, since while we expect our heroes to be in the know, we’re used to civilian friends to be kind of clueless (coughJimmyOlsoncough). Of course, Marvel is playing a much longer game with Otto in the Spidey suit, so it’s a necessity that Matt not figure things out right away, either. I’m generally wary of dramatic irony that keeps the hero in the dark — it’s too often played with an obviousness that makes the heroes come off as dumb — but Mark Waid manages to find a logical, thematically resonant reason for Matt to overlook Spider-Man’s odd behavior by tying it back to his personal life. Continue reading

The Superior Spider-Man 1

Alternating Currents: The Superior Spider-Man, Drew and Patrick

Today, Drew and Patrick are discussing The Superior Spider-Man 1, originally released January 9th 2013.

Drew: What does it mean to be good? Is it about thought or action? That is, does a good person have only good thoughts, or are they simply keeping their bad thoughts from influencing their actions. The popular notion of a conscience as a little angel on your shoulder (or well-dressed cricket, depending on who you ask) suggests that we expect even the best people to consider less-than-savory options, even if they don’t ultimately act on them, but it’s ultimately one that we don’t see dramatized very often. Peter may want to stick around for his date with Mary Jane while a bank heist goes on up the street, but there’s never really any doubt that he’ll be jumping out the window in the next page or so. Otto Octavius doesn’t have that sense of duty, so when he battles with his conscience in Superior Spider-Man, we’re not exactly sure who is going to win. Continue reading

The Amazing Spider-Man 700

Alternating Currents: Amazing Spider-Man 700, Mikyzpltk and Drew

Today, Mikyzptlk and Drew are discussing The Amazing Spider-Man 700, originally released December 26th 2012.

Mikyzptlk: I’ve always heard that, for writers, endings are the hardest part of a story to write. Most of the time, comic book writers who are helming flagship characters like Wonder Woman or Spider-Man don’t have to worry too much about coming up with an actual ending for their characters. Sure, they definitely have to come up with an ending to their story arcs, but that’s a far different thing than coming up with an ending for the characters themselves. This week, Dan Slott finds himself in the unique position of writing the ending (yeah right) of not only The Amazing Spider-Man but of Peter Parker himself. Continue reading

Hawkeye 6

 

Today, Jack and Shelby are discussing Hawkeye 6, originally released December 19th, 2012.

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Jack: Do you remember the moment you realized that Kill Bill: Volume 2 had only one fight scene? I think I watched it at least three times before I realized that it was about 80% less violent than its famously gory predecessor, because somehow the two films were so beautifully of a set. In some way like that, Hawkeye 6 features almost no action at all, yet it is decidedly cut from the same cloth as every issue in which Clint crashes out of a tenth-story window. The difference, though, is that in this case, the order is flipped.  It is the mundane, domestic story of Clint trying to learn how to take a few days off and enjoy the holidays which more nakedly exposes the question that all of the smash-smash-punch episodes have been driving at, ie, “What if this super-hero really were just a pretty cool person?” Continue reading

Readers Assemble!

Readers Assemble!Just over a year ago, we began reading monthly comics in earnest when DC relaunched its entire publication line. The New 52 afforded a great opportunity for uninitiated readers to get into ongoing titles. While a great discussion could be had on the differences and similarities between the New 52 and Marvel’s new Marvel NOW! relaunch, the latter seems clearly designed to emulate the successes of the former. With that in mind, we thought we might take this opportunity to expand our horizons into Marvel’s publications. Marvel NOW! affords us a unique chance to get into a title at the ground level, following new creative teams as they embark on new arcs with classic characters. We intend to capitalize on this opportunity, but we need your help. Continue reading