Logan’s Mind and Body in Astonishing X-Men 3

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Wolverine has always been the perfect blend of superpower and persona. On the mutant side, Logan’s body regenerates from virtually any damage he may sustain. On the persona side, Logan is strong-willed and once his mind is set to do something, there’s little that can get in his way. The marriage of Logan’s unflinching resolve and undying body is poetic in the way each side reflects the other. What exactly that makes of the man’s psyche is the topic of discussion in Astonishing X-Men 3. Continue reading

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Generations: Wolverine & All-New Wolverine 1: Discussion

by Drew Baumgartner and Michael DeLaney

Generations Wolverine & All-New Wolverine 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Drew: Superhero comics have always been about wish fulfillment. We might think of a lot of those wishes (from flying to standing up to bullies) as childish, but adults are far from immune from impossible fantasies. While the wealth and power of many superheroes is certainly appealing, I’m thinking more of the more existential wishes adults may have, at once more fantastical and easier to imagine than leaping tall buildings in a single bound. The most elemental of these wishes might be to have just one more conversation with a deceased loved one. This is exactly the fantasy Tom Taylor and Ramon Rosanas mine in Generations: Wolverine & All-New Wolverine, giving Laura Kinney one last chance to interact with her father. Continue reading

Subjective Martyrdom in All-New Wolverine 21

by Drew Baumgartner

All-New Wolverine 21

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

And Jesus put forth his hand, and touched him, saying, I will; be thou clean. And immediately his leprosy was cleansed.

Matthew 8:3

While I’ve often marveled at the depth of Tom Taylor’s allusions on All-New Wolverine, it doesn’t exactly take a biblical scholar to catch the parallels to Jesus in this issue. Laura practices peace, heals the sick, and ultimately dies (maybe), but it’s that middle point that Taylor really sinks his teeth into, detailing not only the pitiful masses in need of help, but the suffering Laura endures in order to cure them. She’s Jesus, just without the religious conviction (I opted not to open this essay with Luke’s account, which finds Jesus getting downright snippy when recently-cured lepers fail to praise God to his satisfaction). Continue reading

Old Man Logan 1

old man logan 1

Today, Michael and Spencer are discussing Old Man Logan 1, originally released January 27th, 2016.

Michael: Comic books are full of lofty, almost impossible goals — typically on the part of the villain. We know all of the classics: world domination, citywide destruction, and the death of their most hated hero nemesis. The Joker might win small battles, but ultimately he will never win the war. Does knowing that a character will never completely achieve his or her goals ruin the story for you? Continue reading

Death Of Wolverine: Deadpool & Captain America 1

wolverine deadpool capToday, Greg and Taylor are discussing Death Of Wolverine: Deadpool & Captain America, originally released October 29th, 2014.

Greg: Is it macabre to say I hope I go to an Irish wake one day? Maybe my view is distorted by inaccurate media representations, but they seem vibrant, emotionally charged, full of humor and, well, life. Yet a sense of melancholy reverberates throughout — not unnecessarily maudlin, but genuine and cathartic. Death Of Wolverine: Deadpool & Captain America hits these disparate Irish wake-ish notes expertly, taking the reader through outstanding jokes and poignant gut-punches, sometimes on the same page. Continue reading

X-Men: Battle of the Atom 2

battle of the atom 2 ATOM

Today, Patrick and Ethan are discussing X-Men: Battle of the Atom 2, originally released October 30th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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‘But,’ said Sam, and tears started in his eyes, “I thought you were going to enjoy the Shire, too, for years and years, after all you have done.’

‘So I thought too, once. But I have been too deeply hurt, Sam. I tried to save the Shire, and it has been saved, but not for me. It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them.’

-Lord of the Rings, The Return of the King

Patrick: There’s a timbre to endings — a quiet cadence that mixes melancholy with hope. It’s an absurdly powerful tool in the writer’s box of tricks, and when it works, its hits the reader’s heart like a sock full of pennies. It’s the payout on the contract struck between the author and the audience, and it’s important for those moments to land. Battle of the Atom 2 executes so many muted goodbyes that it necessitates four epilogues, and aching sincerity occupying about half the issue. None of these moments reach the poetic heights of our buddy Tolkien up there, but the issue does manage its own form of bitter-sweet closure. It’s just the kind of closure that promises that we’re going to keep right on trucking on to the next adventure… and inevitably, to the next reality-warping event. Continue reading

X-Men: Battle of the Atom 1

x-men battle of atom 1 atom

Today,  Patrick and Taylor are discussing X-Men: Battle of the Atom 1 originally released September 4th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Patrick: Hey, is it just me, or does it seem like comic book movies are growing more courageous in what they’re willing to put on the screen. I blame Thor for laying some of the sillier cards on that table and daring the audience to object. Subsequent superhero movies have followed suit: the Krypton sequence in Man of Steel is long and unapologetically alien, Avengers featured the fucking Chitauri, and the upcoming X-Men movie will feature the bonkers time travel insanity of Days of Future Past. Battle of the Atom feels like a challenge to those emboldened film franchises: as if to say: “You don’t know what crazy is. Brother, this is Marvel Comics, we’ve got three versions of Beast interacting with each other – we know crazy.”

Continue reading

All-New X-Men 15

all new x-men 15

Today,  Shelby and Patrick are discussing All-New X-Men 15, originally released August 7th, 2013.

Shelby: No one knows better than I the importance of taking a break every once in a while; heck, I took several writing breaks before I even started this post. But seriously, it’s important to take breaks to keep from getting burned out, and the same applies to comic books. Stories take little breaks with what we call “hang-out issues,” where the bulk of the plot consists of the characters hanging-out. The beauty of the hang-out issue is, when it’s done well, we get a story break AND character development. Artists take breaks too, but the obviously visual nature of art can make an artist break more jarring and disruptive. This month, Brian Michael Bendis gives us a story break as we wait for Battle of the Atom to start, and David Lafuente gives Stuart Immonen a break on pencils; the result is a story which feels very different from what we’re used to in All-New X-Men.

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Superior Spider-Man 6AU

superior spider-man 6AU AU

Today, Ethan and Patrick are discussing Superior Spider-Man 6AU, originally released March 27th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Ethan: Familiarity is a funny thing. The exposure we have to a thing or activity, the more hard-wiring space our brains devote to it. That’s great when you need to do something quickly — like recognize and react to a baseball flying at your head — or when you do something the same way over and over — like driving a route to work every day. That hard-wiring can save you from injury, or save on processing power that could be put to other use. Automatic responses aren’t always helpful though; sometimes your conditioning assigns a label and to situation too quickly and funnels you into a course of action that almost always works, but not this time. In the Age of Ultron crossover Superior Spider-Man #6, writer Christos Gage and artist Dexter Soy demonstrate the folly of this kind of snap judgement as Otto Octavius (in the body of Spider-Man Peter Parker) faces off against the malicious artificial intelligence. Continue reading

A + X 4

a+x 4

Today, Scott and Drew are discussing A + X 4, originally released January 23th, 2013.

Scott: A + X makes me feel like a kid again, playing with my action figures after school. I would create worlds where Teenage Mutant Ninja Turtles and Star Wars heroes could coexist, Han Solo and Donatello teaming up to defeat… well, something, I’m sure. It was never really the end result that interested me, but rather the excitement of combining these two things that I loved individually. What it created was an especially fleeting sort of fun, where the initial idea was the best part and it grew harder to sustain the longer it went on. I feel the same way about A +X, which is why splitting the issue into two stories is such a good idea — the novelty wears off much less over just ten pages. A + X 4 pairs Avengers and X-Men characters who compliment each other in interesting ways: first, two who have a lot in common, then two who could hardly be more different.

Continue reading