What in the Ever Loving Hell is Happening in Peter Parker: The Spectacular Spider-Man 299?

by Taylor Anderson

Peter Parker the Spectacular Spider-Man 299

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

You know those Russian dolls where you find smaller and smaller dolls inside one another until you’re left with just a tiny, little one? Sure you do — everyone knows about them even if they might not know that they’re called Matryoshka Dolls. Well what’s the opposite of these dolls? One where the dolls somehow continue to get bigger and bigger in some brain-twisting way that defies physics and space? I doubt there’s a name for such a doll, but if there was one, it would be called Peter Parker: The Spectacular Spider-Man 299. Continue reading

Amazing Spider-Man & Venom: Venom Inc. Omega Spoils Itself

by Drew Baumgartner

Venom Inc Omega

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

How do we feel about Marvel’s “alpha” and “omega” strategy to crossovers? That is, mostly embedding the crossover in already-running monthlies, reducing the event series to just the first and last chapters of the story. They’re harder to skip by design — where you might be able to simply ignore an entire event series, you might be pulled into a crossover if a book you’re following is participating — but that can be frustrating to otherwise disinterested readers. Another downside that I hadn’t considered is that the stakes of an omega issue are kind of necessarily neutered — their inessential nature means they lack the ballast to make any changes that would be too earth-shattering to its participating series. Any big changes must have already happened in the series it would most effect, leaving the omega to tie up the loose ends with as little disruption to the status quo as possible. I don’t love to lead with these kind of meta-critiques of an issue (honestly, most superhero story arcs wrap up with the same kind of predictable return-to-normal), but Amazing Spider-Man & Venom: Venom Inc. Omega seems determined to keep it at the forefront of my mind, stymying any tension at every chance it gets. Continue reading

Heroes and Villains Alike Assemble Their Armies in Amazing Spider-Man 793

by Spencer Irwin

Amazing Spider-Man 793

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

By the end of The Amazing Spider-Man 793 — the fourth installment of Dan Slott, Mike Costa, and Ryan Stegman’s “Venom Inc.” crossover — the many various players that have filled out this story have essentially grouped into two opposing sides. What’s interesting is the way these factions differ from each other. Continue reading

Middle-Chapter Blues in Amazing Spider-Man 792

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The middle chapters of multi-issue storylines sometimes suffer a bit. They’re not a beginning, they’re not an ending — sometimes all they can do is move a few plot points forward, hopefully in the most entertaining manner possible. The Amazing Spider-Man 792, the second installment of Dan Slott, Mike Costa, and Ryan Stegman’s “Venom Inc” crossover, is decidedly one of those middle chapters, but even in comparison to other middle chapters it suffers a bit. Continue reading

Everybody Wants to be Venom in the Amazing Spider-Man & Venom: Venom Inc. Alpha

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Legacy heroes (and villains!) always present a bit of a conundrum. The inheritors of the mantles tend to bring much needed diversity and fresh perspectives to their stories and quickly amass fanbases, but of course the original characters have lifelong fans who aren’t happy to see their beloved heroes pushed aside, even temporarily. To me, the obvious solution has always been to have multiple characters share names and roles: why not have two Captains America or two Hawkeyes, four Flashes or a million Green Lanterns?

Both this conflict and this solution seem to be the core of Dan Slott, Mike Costa, and Ryan Stegman’s new crossover event, Venom Inc. It’s a story that finds the various men who have been Venom fighting over their right to symbiote, and which, at least for the moment, seems to be finding great joy in including as many Venoms as possible. Continue reading

Peter Gets a New Set of Great Responsibilities in The Amazing Spider-Man 791

by Drew Baumgartner

Amazing Spider-Man 791

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“With great power must also come great responsibility.” Every Spider-Man fan knows these words as well as Peter Parker himself, so you’d think we’d have a good handle on what it means. And we do, to some degree — Peter’s superhuman powers demand that he take on superhuman responsibilities — but much of the tension comes from how all that superheroing clashes with the other responsibilities in his life. Writer Dan Slott has always kept that aspect of Spider-Man in mind, giving Peter more personal and professional responsibilities than he can really keep track of. It’s a juggling act we’re all familiar with in our own lives, and Amazing Spider-Man 791 finds Slott adding one more that clearly means a lot to him: publishing deadlines. Continue reading

Peter Parker Sacrifices Action in Spectacular Spider-Man 297

by Patrick Ehlers

Peter Parker The Spectacular Spider-Man 297

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Peter spends the majority of Peter Parker: The Spectacular Spider-Man 297 out-smarting, out-punching, and out-maneuvering both the NYPD and S.H.I.E.L.D. Agent Mintz. And he does it all while being underpowered and trying to keep his identity a secret. It’s the kind of Spider-Man story that wordlessly plays in the fantasies of Spider-Man fans — scrape after scrape, close-call after close-call, until he finally escapes. It’s thrilling, wonderful stuff. Writer Chip Zdarsky and artist Adam Kubert use this issue to set up these thrilling heroics as the stakes of this arc, rather than the actual substance thereof. Continue reading

Epistolary Irreverence in The Unbeatable Squirrel Girl 26

by Drew Baumgartner

Unbeatable Squirrel Girl 26

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The provenance of epistolary texts are always weird. Actually, it’s probably less weird than traditional narratives, where we might somehow be privy to the private thoughts of the protagonist or even the perspective of an omniscient narrator, but epistolary texts necessarily draw our attention to the weirdness in a way that more traditional narratives don’t. Because we’re reading documents composed within the diegesis of the epistolary narrative, the ostensible writer of those documents are a character, even as the actual writer attempts to become invisible. That tension, between our hyperawareness of the fictional author, and purported obliviousness of the actual author, puts epistolary narratives in this weird netherworld of headspace, embracing the self-awareness of postmodernism in an attempt to produce an entirely un-self-aware story. It’s a concept that already folds in on itself, but writer Ryan North adds a few more wrinkles, confusing the notion of self-awareness enough that the confusion starts to be to point. Continue reading

Big Changes Come Naturally in Peter Parker: The Spectacular Spider-Man 6

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Peter Parker: The Spectacular Spider-Man 6‘s big twist was spoiled for me before I could read the issue, but even in isolation it was a fascinating choice that legitimately surprised me. The fact that Chip Zdarsky was allowed to make such a move showed me that Marvel has quite a bit of faith both in Zdarsky as a writer and in Peter Parker as a title where big important things can happen, rather than just a humor-focused alternative to the flagship Amazing Spider-Man. The moment works even better in context, where it comes at the climax of an issue-long debate and argument between Spider-Man and J. Jonah Jameson. Continue reading

Peter Continues to Grow, Even as He Regresses, in The Amazing Spider-Man 790

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

If internet reaction is to be believed (spoiler alert: it’s often not), making Peter Parker the CEO of his own company was not a popular direction for the character. I’ve seen complaints that the stories just “didn’t feel like Spider-Man,” but I’ve never agreed with that — those adventures were writer Dan Slott pulling off what so many creators try and fail to do, respecting the core of a character (“with great power must also come great responsibility”) while finding new ways to express and progress those intrinsic traits. My biggest fear about “Legacy” and the death of Parker Industries has been that Peter would regress, and while he does seem to be taking a few steps backwards as he deals with the loss of his company, in Amazing Spider-Man 790 Slott and Stuart Immonen show that they’re still interested in moving Peter’s story forward and finding ways for him to grow as a person. Continue reading