Shifting the Narrative in Hunt for Wolverine: Mystery in Madripoor 1

by Drew Baumgartner

Hunt for Wolverine Mystery in Mardipoor 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The Bechdel Test

Drew: This particular Dykes to Watch Our For premiered in 1985, and its premise is still ringing in the ears of writers and readers everywhere. Now known as “The Bechdel Test,” these criteria insist on something beyond simple representation (though it’s remarkable how many films fail to satisfy even that first requirement), aiming for a dialogue that features no males (even as subjects of conversation). And that last bit is a huge stumbling block for narratives to this day. Plenty will feature two women and even manage to put them in a scene together, but the conversation will still revolve around the male characters. It’s the kind of problem you might expect to plague any all-female tie-in to the “Hunt for Wolverine” event to suffer from — Logan is necessarily absent, but that fact is likely to be the subject of discussion — but Jim Zub and Thony Silas manage to shift the focus in Mystery in Madripoor 1, pulling the story in totally unexpected directions. Continue reading

Marvel Round-Up: Comics Released 5/17/17

We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Mighty Thor 19, Royals 3, Secret Empire 2 and Ultimate 2 7. Also, we discussed Unbeatable Squirrel Girl 20 on Thursday and will be discussing Daredevil 20 on Tuesday, so come back for those! As always, this article contains SPOILERS.

slim-banner4 Continue reading

Harley Quinn Valentine’s Day Special 1

harley quinn valentine

Today, Spencer and Patrick are discussing Harley Quinn Valentine’s Special 1, originally released February 11th, 2015.

Spencer: Amanda Conner and Jimmy Palmiotti had a rough road ahead of them when tasked with refashioning Harley Quinn into the star of her own comic book. A villain protagonist must walk a fine line, being sympathetic enough to earn the audience’s affection while still villainous enough to avoid losing the spark that drew readers to them in the first place. Conner and Palmiotti’s approach to Harley Quinn has often involved pitting their villain protagonist against people even worse than she is, having her stand up for animal rights, and giving her a sort-of family in the form of her tenants; judging from sales numbers, it’s been a successful tactic, but has Harley become a better person in the process? Despite being a holiday special, that’s the question at the heart of Harley Quinn Valentine’s Special 1, and it’s a surprisingly rich question to ask, even if the answer is a bit unclear, and the question often muddied and buried within the oversized issue’s many tangents and asides. Continue reading