Razing Mash-Up City in Cosmic Ghost Rider 3

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The very concept of “Cosmic Ghost Rider” is a great example of Writer Donny Cates  using disparate ideas from all around the Marvel universe as the building blocks for something wholly new and exciting. In my write-up of issue #1, I called it “Mythological Omnivorism”, a turn of phrase that I like, but which feels a least a little dishonest. Cates and artist Dylan Burnett weren’t consuming this mythology so much as they were shuffling, repackaging, and repurposing it. Issue three is where the consumption begins – and all of those jumbled-up building blocks are devoured to sate the gluttonous reader’s appetite. Continue reading

Thor 3: Discussion

by Spencer Irwin and Drew Baumgartner

Thor 3

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Last weekend my grandmother was sent to the hospital. Thankfully she’s recovering nicely, but the actual task of getting her treated was complicated by the sheer amount of her children and grandchildren gathered in one place, bickering over treatments, supposedly-rude doctors, and the usual family gossip. For better or for worse, I think this kind of behavior is typical when almost any family gets together; there’s no task so important that some family drama can’t derail it. That’s certainly the case for the Odinson clan in Thor 3, who nearly bicker each other into oblivion even as the Queen of Cinders is on the verge of conquering Hel.  Continue reading

Mythological Omnivorism in Cosmic Ghost Rider 1

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I aways struggle to identify with the Punisher. The straight line from Army vet to man suffering from personal loss and PTSD to gun wielding maniac only ever plays as tragedy for me. Like… where’s the fantasy? Where’s the escapism? Writer Donny Cates and artist Dylan Burnett address this dissonance by taking the two most sadistic parts of Frank Castle’s origin — military service and a mind set on vengeance — and mythically amplifying them both in uniquely Marvel ways. The result is, and I can’t believe I’m saying this about a Frank Castle story, tons of fun. Continue reading

Thor 1: Discussion

by Taylor Anderson and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: When I’m teaching my students about tone and mood in class, my go-to lesson involves a Marry Poppins trailer. First I show them the original trailer for the movie and then I show them a trailer that Christopher Rule cut together, which makes the classic film look like a horror movie. It’s a great way of showing the kids that the same content can have a drastically different tone and mood based on how the artist presents the story. I was thinking of this as I read Thor 1, because the issue shares the same characters, settings, and even the same writer as the Mighty Thor, but it feels drastically different. It’s a textbook example of how a skilled writer can shift the tone of a story, and in this case, that shift is a refreshing change of direction for the Thor series. Continue reading

Mighty Thor 706: Discussion

by Drew Baumgartner and Spencer Irwin

Mighty Thor 706

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made.

Genesis 2:2

Drew: Can gods be heroes? I might posit that immortality voids the noble qualities like courage and sacrifice that define heroism. To me, anyway, gods and heroes are mutually exclusive groups, which might well be the reason we created the concept of demigods — Hercules slaying the Nemean Lion is less impressive if he has infinite time and power at his disposal, and Jesus dying on the cross is literally meaningless if he can’t die. In this way, we understand that Jane Foster’s nobility comes not from her godliness, but from her humanity — from the sacrifice she can only make because she isn’t a god. But still, she was a god, at least briefly, which maybe entitles her to a bit of rest after all of that sacrifice. Continue reading

Fearless Defenders 7

Alternating Currents: Fearless Defenders 7, Drew and Shelby

Today, Drew and Shelby are discussing Fearless Defenders 7, originally released July 31st, 2013.

Drew: Death is hard to relate to. By it’s very nature, nobody alive has ever experienced it, and people are bad at relating to things that aren’t walking, talking people (which is why we anthropomorphize everything from pets to brave little toasters). It’s no wonder, then, that comics are so notoriously bad at dealing with death — or at least treating dead as dead. Everyone from Superman to Captain America has cheated death, and while we’re often told that it’s “against the rules” to come back from the dead, characters that actually stay dead seem to be the exception, rather than the rule. These days, the death of a character is simply the starting point for the saga of the inevitable return of that character. Fearless Defenders 7 leans heavily into those expectations, but ultimately subverts them, compressing the “saga” into a single issue, and forcing some actual consequences for Annabelle’s death (and resurrection). Continue reading