Convergence: Swamp Thing 1

Alternating Currents: Swamp Thing 1: Drew and Patrick

Today, Drew and Patrick are discussing Convergence: Swamp Thing 1, originally released April 22nd, 2015.

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Drew: When Steve Carell left The Office, series writer BJ Novak tweeted a series of Michael Scott story ideas that would never be told. Some of those pitches seemed hilarious, but what actually stuck with me about them is that the opportunity to make them had simply stopped. They couldn’t ever become episodes of The Office because Michael Scott was no longer on the show. That kind of context-specific storytelling is constantly turning over in comics, where the monthly grind of continuity requires that no one situation can last too long. You’ve got a great Superior Spider-Man pitch? You’ve missed the boat. A Dick-as-Batman idea? Not gonna happen. A JSA arc? Too late. Convergence has offered one last hurrah for characters from very specific moments in their history, but that “one last hurrah” has often felt more like a eulogy than a celebration. With Convergence: Swamp Thing 1, Len Wein and Kelley Jones take that sense of mourning a step further, as Pre-Crisis Swamp Thing barely clings to life. Continue reading

Weekly Round-Up: Comics Released 4/15/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Patrick, Drew and Spencer discuss Ms. Marvel 14, Nova 29, Loki: Agent of Asgard 13, Secret Identities 3, and the Kitchen 6.

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Patrick: Heading in to Secret Wars means counting down to the endings for a lot of characters and series. This week saw us reaching conclusions for Loki and Nova, but the headstrong Kamala Kahn keeps barreling forward with her teenage / superhero drama like she couldn’t even be bothered with something like Secret Wars. It’s an exciting meta statement of purpose for the Ms. Marvel: she’s got her own shit going and, and isn’t about to let a little thing like the end of the world(s) get in the way of that. Continue reading

Convergence: Superboy 1

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Today, Spencer and Shane are discussing Convergence: Superboy 1, originally released April 15th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

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Spencer: If there’s one flaw to this second week of Convergence tie-ins that wasn’t present in the first, it’s the fact that these characters can’t really change or evolve. Since week one took place at the end of the Post-Crisis DC Universe, the creative teams could examine what an “ending” for their protagonists may look like (before cruelly snatching those endings away), but this week’s books have to keep their stars in a sort of suspended animation — unable to evolve or drift too far from their established fate, they’re more than ever defined by their most basic conflicts and character traits. This isn’t always a bad thing (it works out better for Parallax than, say, Azrael), but it is a bit of a tricky hurdle to leap. Do Fabian Nicieza and Karl Moline manage to succeed in crafting a compelling story for Superboy despite the limitations of the format? I’d say yes, but despite this impressive success, they do falter just a bit on some of the smaller details. Continue reading

Chrononauts 2

Alternating Currents, Chrononauts 2, Drew and Ryan

Today, Drew and Ryan are discussing Chrononauts 2, originally released April 15th, 2015.

Homer: Sorry but this is a highly sophistimacated doo-whackey. If you don’t use it responsibly… Kablammo!
Lisa: Ow! Someone just punched me in the face!
Homer: It was your mother!

The Simpsons, “Treehouse of Horror VIII”

Drew: I’m endlessly amused by the notion of using sci-fi technology for mundane personal uses. Homer using his teleporter to grab a beer without getting up, or to avoid having to climb the stairs feels like an abuse of the technology, but it’s also a compelling estimation of how it would be used in the hands of an everyday person. As much as we might claim to want to use a time-machine to avert a world war or warn people of impending disaster, we’re probably more likely to use it to ace a history presentation, meddle with the affairs of our family, or just bring the younger versions of our friend group to the present in hopes of winning an argument. Doctors Corbin Quinn and Danny Reilly find even less noble uses for their chronosuits in Mark Millar and Sean Gordon Murphy’s Chrononauts 2, and it proves to be an absolute blast. Continue reading

Uncanny X-Men 33

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Today, Taylor and Michael are discussing Uncanny X-Men 33, originally released April 15th, 2015.

Taylor: When watching any of the Star Trek series you quickly become aware that every episode centers primarily on one character. Depending on how important the character to the series, they’ll have more episodes than others. For example, Picard generally gets about five to six focus episodes each TNG season while Troy gets two to three. Generally, this means you know if an episode is going to be good or not. Picard episode? Yes! Geordi episode? No. With as cast that numbers somewhere in the thirties (at least) it comes as no surprise that Brian Michael Bendis would try this technique with Uncanny X-Men. This way, every character gets a taste of the limelight and most readers leave satisfied. The question though, is does this doom the series to a Star Trek-like cycle where some issues are great and others are not solely based on stars in them? Continue reading

The Fox 1

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Today, Patrick and Mark are discussing The Fox 1, originally released April 15th, 2015.

So the seasons change
and the storefronts change,
everything else stays the same.
The wind don’t blow
and the grass don’t grow:
you’re never leaving Silver Street.

Ben Folds “Silver Street”

Patrick: There’s a sweet mystique to the idea of the Home Town. For me, Kenosha, Wisconsin, will always be trapped in the 1990s — a place frozen in time. I know that’s not actually the case: the years pass in Wisconsin much as they do everywhere else (if a few degrees cooler), and any qualities of being fixed in time are being selfishly imposed by me. It’s easier if I can image a place that will forever house my childhood enthusiasms and explorations. It’s a shock to my system every time I go home and discover that something has changed. Dean Haspiel and Mark Waid explore these concepts of change and timelessness as Paul Patton Jr. — aka, The Fox — takes a trip down memory lane and finds it blocked by both the passing of time and time’s refusal to pass. Continue reading

Convergence: Green Lantern/Parallax 1

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Today, Michael and Patrick are discussing Convergence: Green Lantern/Parallax 1, originally released April 15th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

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Michael: With the leak of the trailer for Batman v Superman: Dawn of Justice this past week, I’ve been thinking about Man of Steel a lot lately. And while I could write a book on why I didn’t like that movie, it really boils down to the fact that I found most of the things that Superman did in Man of Steel to be very out of character for the hero that I know. In the realm of comic books, characters go through many changes — I mean, you’ve gotta keep things interesting. But the changes that work are typically those that essentially feel true to those characters. Tony Bedard has been handing in some very solid Convergence tie-ins so far; they’re not perfect but he really has the core of these characters down, no matter what point in time they’re in. Continue reading

Convergence Round-Up: Week Two

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Today, Shane leads a discussion about Convergence 1, Aquaman 1, Batman: Shadow of the Bat 1, Justice League International 1, Supergirl Matrix 1 and Superman: Man of Steel 1.

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“Never half-ass two things. Whole ass one thing.”

-Ron Swanson, Parks and Recreation.

Shane: Success comes from committing wholeheartedly to a goal, and that’s true in everything — even comic books. If the first week of Convergence focused on setting up the event with slow-moving exposition, the second week lurches startlingly forward, throwing the story in multiple directions. But even as the main event strives for greatness, its sister titles stumble along, burdened by continuity errors and contradictions between stories, almost as if the writers sped through their research. If Convergence was designed to celebrate specific eras of years past, what does it say that half the books seem to betray that history? And that begs the follow-up question…if the stories are good enough, does it even matter?

Continue reading

Thor 7

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Today, Taylor and Spencer are discussing Thor 7, originally released April 15th, 2015.

Taylor: Recently I visited a friend who I’ve known for a long time. As we tend to do, we watched bad action movies, with the features this time being Commando and the more recent John Wick. Both movies feature a ridiculously high body count, the cause of which is a thin plot filled in with a lot of action scenes. Generally, audiences tend to love action, but after John Wick killed what was probably his 42nd mobster, I found the action scenes growing stale. And therein lies the rub with an action sequence whether it be on film or in a comic book: too much of a good thing makes it bad. Thor 7 is an issue that is basically all action and despite the dangers of too much action, it’s a great issue. Why you may ask? The answer is the astounding art of Russell Dauterman. Continue reading

The Chilling Adventures of Sabrina 2

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Today, Patrick and Drew are discussing The Chilling Adventures of Sabrina 2, originally released April 15, 2015.

“[Horror movies] urge us to put away our more civilized and adult penchant for analysis and to become children again, seeing things in pure blacks and whites. It may be that horror movies provide physic relief on this level because this invitation to lapse into simplicity, irrationality and even outright madness is extended so rarely. We are told we may allow our emotions free rein… or no rein at all.”

Stephen King, ‘Why We Crave Horror Movies’

Patrick: I’ve always found it hard to explain the appeal of a scary movie — even to myself. Generally speaking, I don’t consider myself a fan of horror. Why add to the anxiety in my life, right? But I have to admit that most of my most memorable moments watching movies have been forged during flicks that scared the shit out of me. Sixth grade super camp — outdoor screening of The Birds. Eighth grade, all-night movie fest, my first viewing of The Exorcist. My reactions to these movies transcend logic, appealing directly to my baser impulses. But fear is not the only thing human beings feel deep down past their rational cores; sex appeal is equally illogical. The Chilling Adventures of Sabrina 2 plays with the concepts of sex and horror and takes advantage of the reader’s lizard brain reaction to both. Continue reading