Trees 2

trees 2
Today, Patrick and Greg are discussing Trees 2, originally released June 25th, 2014.

Tallahassee: My mama always told me someday I’d be good at something. Who’d a guessed that something’d be zombie-killing?
Columbus: Probably nobody.

-Zombieland

Patrick: Disaster narratives are always going to be rooted in the hardships of survival. When the aliens invade or the world starts to crumble on its foundations, that’s how we insert ourselves into the story: “how would I survive?” Zombie stories have permeated the zeitgeist so thoroughly that that question has slowly evolved into “how would I thrive?” That’s why Zombieland is so successful – instead of dwelling on the nitty gritty day-to-day of not-dying, the movie speedily gets around to the business of defining and achieving success in this world. Tallahassee isn’t a crass opportunist, he’s a man that understands his skills in the zombie apocalypse, and he’ll use those skills to better his quality of life. Trees, despite its unique premise, is also able to quickly move on to the business of understanding and taking advantage of the disaster. Continue reading

Silver Surfer 3

silver surfer 3Today, Greg and Suzanne are discussing Silver Surfer 3, originally released June 18th, 2014.

Greg: I’m just gonna be blunt and cheesy up-top: the human imagination is a goddamn beautiful thing. It’s a place where everything and nothing exists and doesn’t exist. A breeding ground for active creation and idle daydreaming. It’s arguably the most fun thing about being a human, and by combining heady intellectual concepts of quantum physics with a simple yet emotionally grounded narrative drive (combined with a healthy amount of “call the unusual thing out” humor), Silver Surfer 3 is one of the purest encapsulations of imagination I have seen in recent memory.

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Deadpool 30

deadpool 30Today, Patrick and Greg are discussing Deadpool 30, originally released June 11th, 2014.

Patrick: As I get older, I realize that I have to consciously fight my growing instincts to make Dad Jokes. My father, who we called by his first name, Lyle, was quite the connoisseur of these terrible, punny, embarrassing jokes. Nine times out of ten, not even Lyle thought they were funny, but his mugging for laughs at laughless lines elevated the experience to pure anti-comedy bliss. To give all Dad Jokes — and by extension, my baser humor instincts — the benefit of the doubt, their intent is never to be revolutionary or make you think or anything quite so sophisticated. Where a good joke relies on subverting our expectations, a Dad Joke plays into out expectations so hard that the refusal to be subversive is, in a way, subversive. But forget all of that: the Dad Joke is comforting because Dad is saying it. Deadpool 30 leverages our comfort with these kinds of jokes to distract us while getting to the real subversive business — developing, ironically enough, the identity of Deadpool’s daughter. Continue reading

Batman ’66 Meets The Green Hornet 1

batman 66 green hornetToday, Greg and Scott are discussing Batman ’66 Meets The Green Hornet 1, originally released June 4, 2014.

Greg: Christopher Nolan’s Dark Knight Trilogy are both some of my favorite and least favorite things to happen to contemporary pop culture. I love them because the movies, particularly that second one, are smashingly good entertainments, with towering performances, consistent style, and an attitude of taking the world seriously that feels naturally extended from the best Batman comics and ‘90s animated series episodes. I hate them because now it feels like every single big budget blockbuster that comes out (even the new Captain America, for goodness’ sake) is dark, gritty, oppressively somber, po-faced, and muted. It’s a conflicting feeling because as much as I love the shock and awe that comes from treating these extraordinary scenarios with verisimilitude, I similarly love the fun and joy that comes from treating them as, well, fun and joyful. Batman ‘66 Meets The Green Hornet is a strikingly contagious example of what happens when you have affectionate fun in your larger-than-life storytelling, and I’d like writers Kevin Smith and Ralph Garman to get their own big budget trilogy, please.

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Deadpool 29

Deadpool 29Today, Spencer and Greg are discussing Deadpool 29, originally released May 28th, 2014.

“…I’m happy, too.”

“Hey, don’t use the ‘h’ word around me. It ends the fun quickly.”

–Shiklah and Deadpool, Deadpool 29

Spencer: As a medium, comics seem to have a problem with happiness — and quite often, as DC especially has proven, they specifically have a problem with characters being happily married. The above quote comes from the very first panel of Deadpool 29, and is spoken as Wade and his new wife lie together in bed. It’s a remarkably prescient statement from Deadpool; life itself seems to go out of its way to make sure Wade can’t ever be genuinely happy, at least not for long. Wade and his new bride have been disarmingly happy together so far, but with the honeymoon over and real life (aka the larger Marvel universe) reasserting itself, it seems like only a matter of time until the “fun ends quickly.” Continue reading

Velvet 5

Today, Greg and Shelby are discussing Velvet 5, originally released May 21st, 2014.

Greg: When I come home from work — hell, when I come home from a light jog — I’m often dog-tired. I feel drained and emaciated, like the only thing I have energy to do is crash in front of the TV. I have, at time, uttered the phrase “This day beat me up” out loud. However, after reading this particularly haunting and emotionally draining issue of Velvet, I realize that my pity parties are a grain of sand compared to how massively exhausted Velvet — hell, even other fictional spies like Bond and Bourne — must feel after an average day. The day beat her up, alright. Physically, emotionally, and everything in between.  Continue reading

Shutter 2

shutter 2Today, Patrick and Greg are discussing Shutter 2, originally released May 14th, 2014

Patrick: Do you remember the first time you realized your childhood experience wasn’t the same as everyone else’s? My Grandparents lived in Florida over the winter, and my mother made it a priority to spend at least a week with them every year. That meant that she pulled us out of school in Wisconsin for two weeks every year (incidentally, it means we also spent a weekend at Disney every year before finishing the drive down to Anne and Elmer’s place). I had grown up assuming that everyone’s mother gathered two weeks worth of homework for their children before forcing a vacation at the least opportune time for everyone. This was a normal occurrence for the Ehlers family, and while it’s a simple and trivial example, it demonstrates how no one thinks their childhood is strange — or even unusual — until they grow up. Still, I think there’s part of me deep down that still feels like I should be able to take two weeks off to go to Disney apropo of nothing every winter. Katie’s childhood is undoubtedly stranger than mine, but she too has that creeping inkling of assumed normalcy. Only, y’know, it involves cat-gangsters, ghost ninjas and flying saucers. Continue reading

Veil 3

veil 3

Today, Greg and Shelby are discussing Veil 3, originally released May 7th, 2014.

Greg: Think about someone you adore spending time with. Someone who adds a unique spark to life, who brings out the best in you, who seems to possess complementary qualities to your flaws. Have you ever spent time with this person only to find that they’re in a funk? That their spark is gone, their energy depleted, their pizzazz evaporated? It’s a dreary social situation that can really take a lot out of you. This person is supposed to be your fuel; how are you gonna get anywhere if they don’t have the gas? Reading this issue of Veil is a little like that; because I’ve loved this comic immensely thus far, watching it narratively sputter and momentarily declaw its main figure of intrigue was an unfortunately deflating experience.

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All-New X-Men 26

all new x-men 26

Today,  Patrick and Greg are discussing All-New X-Men 26, originally released April 20th, 2014.

Patrick: Superheroes are tools. No, not the “Superman is such a tool” kind of way, but in that they are all able to act as narrative and emotional shortcuts. Between shapeshifters and psychics, healers and teleporters, extra-dimensional sorcerers and reality-manipulators, there’s really nothing that the X-Men aren’t capable of. The brevity with which they can be used to evoke emotions might be even more impressive — just think of the ennui immediately invoked by the appearance of Jean Grey, or the uneasy sense of righteous revolution that accompanies Magneto. Brian Michael Bendis’ All-New X-Men seems designed to celebrate this tool box: bring the original quintet of X-Men to the present day brings all of those emotional shortcuts to the fore. Issue 26 might be the first time Bendis actually uses those tools, instead of laying them out neatly for us to all to quietly admire before putting them back in their protective cases. Continue reading

American Vampire: Second Cycle 2

american vampire 2Today, Scott and Greg are discussing American Vampire: Second Cycle 2, originally released April 16th, 2014.

Scott: Horror is a difficult genre for me. I have a tendency to avoid it because I don’t like gore. It’s to my own detriment, I’ll admit,  since I love the tension that only comes from good horror stories. I love that sense of dread, that pervasive fear of the unknown, the idea that something — anything — could emerge from the dark at any moment. That sort of tension is interesting to me, because it doesn’t imply that anything scary is happening, or even will happen, just that it could, at any moment. I swear there’s an episode in the final season of Breaking Bad with a low, ominous tone running through the whole thing, start to finish. It’s almost comical, really, but it made for a damn compelling hour of TV. Tension like that has to be earned, and when it is, it’s the best. American Vampire: Second Cycle 2 is at that level. For my money, this is as good as horror gets.

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