Expanding on the world of Neil Gaiman’s Sandman, August’s Sandman Universe 1 served as the launchpad for four new ongoing series from DC Vertigo — The Dreaming, House of Whispers, Books of Magic, and Lucifer — each promising to explore different corners of that Universe. Just before Lucifer 1 released this week, we sat down with writer Dan Watters to go through his Sandman Universe 1 sequence page by page, so get your copy out and join us on the Commentary Track. Continue reading →
Charles Soule was a virtual unknown when he started on Swamp Thing in 2013. Since then, he’s written some of comics biggest characters, from Superman and Wonder Woman to Deadpool and Wolverine. December saw him tackle the man without fear with the launch of a new volume of Daredevil. Drew sat down with Soule to go through issue 1 page by page, so get your copy handy and join us on the Commentary Track. Continue reading →
With so many varied series coming out of Image, it can sometimes be hard to know which new ones to check out. Limbo distinguished itself from the masses in its first issue with deft storytelling, a wry sense of humor, and plenty of intrigue. Just before issue 2 lands this week, Drew sat down with creators Dan Watters and Caspar Wijngaard to go through issue 1 page by page, so get your copy handy and join us on the Commentary Track. Continue reading →
C.O.W.L. is the story of a superhero union in mid-century Chicago. That logline heaps on the atmosphere, from the period setting to the particular climate of organized labor in Chicago, giving writers Kyle Higgins and Alec Siegel a ton of space to explore. With issue 6, they offer a bit of a sideways approach to that world-building, giving us an in-universe comic book with an obvious in-universe political agenda. Parsing that agenda uncovers layers of meaning, telling us a great deal about Geoffrey Warner, even if the story isn’t entirely true. Patrick sat down with Kyle and Alec and went through the issue page by page, so get your copy handy and join us on the Commentary Track.
Retcon Punch: Let’s just start right from the cover: we’ve got a wildly different approach, right from the get-go.
Kyle Higgins: This cover is illustrated by Joe Bennett and it’s inked by Marcelo Mueller and colored by Rod Reis. Joe and Marcelo were originally supposed to do the entire issue when we were putting together the idea for the one-shot. Alec and I love the idea of world-building, and the opportunity to have this comic be something that’s of the world, we realized we were killing a couple birds with one stone, you know? Continue reading →
Peter Tomasi can be seen as a workhorse of DC’s writer stable. He is constantly dealing with other people’s baggage in his own series, including the Batman and Robin-alteringdeath of Damian Wayne. But that’s not the only thread Tomasi has used to weave his Batman epic. Indeed, the loss of Robin has turned into survey of how the New 52’s Batman fits into rest of the Universe. Issue 30, titled Batman and Wonder Woman, plays with some of the best toys in the box. Patrick sat down with Pete and went through the issue page by page, so get your copy handy and join us on the Commentary Track.
Retcon Punch: First, can you talk about going after Wonder Woman and exploring the more magical end of the Universe. I know we’re chasing around resurrection pits and whatnot…
Peter Tomasi: Yeah,it seemed like a good place to explore. They’ve had Lazarus Pits all around the globe, and it felt like a cool bit that we hadn’t ever seen where: why wouldn’t a secret island full of Amazonshave one? Maybe there’s a little something-something going on there, and we could play with a little magic there. I don’t really do this a lot, I’m a very linear storyteller — I wrote this whole sequence of them going to the island first and all this stuff. Continue reading →
When Chris Samnee and Mark Waid closed their award-winning volume ofDaredevil, they set themselves the herculean task of uncovering new ground for a new volume, living up to fan expectations, and ingratiating themselves to the newcomers that every #1 brings. More than up to the task, Waid and Samnee delivered a first issue that managed to tell us everything a new reader would need to know about the character within the context of a thrilling adventure. Much of why that works comes from Samnee’s clever implementation of visual exposition, which capitalizes on every piece of setting, lighting, blocking, and costuming as important storytelling details. Drew sat down with Chris and went through the issue page by page, so get your copy handy and join us on the Commentary Track.
Retcon Punch: To start off, can you tell us a bit about how you and Mark Waid break a story?
Chris Samnee: We usually talk on the phone before he writes anything. I get to toss out any ideas that I have, and then he throws them out the window (laughs).
Gail Simone is a busy writer, but even her writing responsibilities on three different titles for three different publishers couldn’t possibly compare to her obligations at conventions. She’s in incredibly high demand, but we managed to pull her away for quick chat about how Batgirl has changed, having an effect on Lara Croft’s legacy and the freedom Red Sonja grants her.
Retcon Punch: It seems like you’re just a huge rock star around here. Has that gotten weirder?
Gail Simone: (laughs) No, it’s just amazing to see the diversity of the people coming through the line, which I think is incredible. All three projects that I’m working on right now — Red Sonja, Batgirl, and Tomb Raider — well, other than Red Sonja, the other two have a pretty wide age range of people that are coming through. Not too many real young kids are coming through here for Red Sonja. Continue reading →
John Layman’s run on Detective Comics is coming to a close in March, but he’s got one last spectacular trick up his sleeve – the what-if-Gotham-was-a-happy-place? story of Gothtopia. This is the first time in the New 52 that a Bat Family crossover wasn’t lead by Scott Snyder’s Batman. We traded emails with Layman to dig into what makes both Detective Comics and Gothtopia different from what readers might expect. For more information on Gothtopia, head on over to our Gothtopia event page or check out our conversations about Detective Comics 27 and Batgirl 27.
Retcon Punch: First, congrats on Detective Comics 27 – it’s a huge issue and people really seem to be responding positively to it. Did you know that your first Gothtopia story was going to appear beside so many other “imaginary” stories? Did that change your approach to it at all?
John Layman: It didn’t really change my story, but I communicated with all the other creative teams, so they knew what I was doing, and I knew what they were doing. To make sure everything meshed, and every book complimented the other while being unique. Continue reading →
It’s a great time to be a Scott Snyder fan. Between the continued success of his run on Batman, his well-received new series Superman Unchained and The Wake, and the hotly anticipated American Vampire Anthology, there has never been more Snyder on the shelves. Drew caught up with him at the Boston Comic Con to discuss all of his current projects. Continue reading →
Brian Azzarello and Eduaro Risso’s 100 Bullets is back with a new 8-issue mini-series about Brother Lono. To celebrate, Azzarello sat down with Drew to discuss the new mini, the first issue of which is out today. We also ask him about Wonder Woman 21 (also out today) and his contributions to Before Watchmen. Spoilers for all issues discussed below. Continue reading →