By Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
If I asked you to picture the single imagine that evokes Watchmen, what would you picture? Likely, you’re imagining the Comedian’s smiley face button, but I could also see an argument for Doctor Manhattan’s circular forehead logo. Both symbols are circles. I know that’s not exactly mind-blowing, but this is the level of visual rhetoric writer Geoff Johns and artist Gary Frank are playing with in Doomsday Clock 6.
The series continues to slump along in much the same way it did last time we talked about it. This time, Marionette and Mime are the focus of the story, which really doesn’t do Johns or Frank any favors. Stripped of all but the most tangential references to the Watchmen universe, the creators are left with the tone and tools of the piece to tell a story that spans two tonally discrete universes. If that sounds like an inadequate set of tools to complete an impossible task, that’s because it is. Continue reading