Tag Archives: Adrian Veidt

Jun 1 2018

Doomsday Clock 5 Meanders

By Drew Baumgartner

Doomsday Clock 5

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The essence of drama, and especially melodrama, is compression. Show only what’s important. So start the scene as late as possible and once the dramatic point is made, end it.

Dennis O’Neil, The DC Comics Guide to Writing Comics

Pound for pound, this might be some of the best writing advice I know. But in this age of sequels, prequels, spin-offs and tie-ins, it seems like it’s all but been forgotten. That is, the artistic discipline of narrative efficiency is no match for the commercial demands of more familiar content. I don’t mean to dismiss all sequels etc. out of hand (The Godfather: Part II is a goddamned masterpiece, and is both a sequel and a prequel), but I do think they need to work a bit harder to justify their existence — if the details of this prequel story truly are essential, why weren’t they included in the original. And that scrutiny goes double when augmenting a beloved masterpiece. It’s absolutely possible for a sequel to justify itself, even under those circumstances (again, The Godfather: Part II), but it’s no easy feat. Unfortunately, the longer Doomsday Clock wears on, the less it seems up to that task, not only failing to justify its existence, but pretty much every storytelling choice it makes. Continue reading →

Mar 29 2018

Doomsday Clock 4: Discussion

By Michael DeLaney and Drew Baumgartner 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: I’d rather not spend each issue of Doomsday Clock comparing it to Watchmen, but dammit if that’s not what Geoff Johns and Gary Frank want me to do. Doomsday Clock 4 takes a break from the new ensemble of “heroes and villains” that has been established, and instead zeroes in on the new Rorschach. Much like Walter Kovacs in the sixth chapter of Watchmen, Doomsday Clock 4 deals with Rorschach’s current incarceration, as well as his origins. Continue reading →

Jan 26 2018

Doomsday Clock 3: Discussion

by Spencer Irwin and Michael DeLaney 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: What’s the most controversial element of the original Watchmen? For my money, it’s the pirate comics. I understand and appreciate the in-universe reasons for choosing pirates, and I understand their function in reflecting the themes of the story in a sort of parallel narrative, but I’ll admit that, while many readers consider them sacred, I’ve skipped them in all my subsequent Watchmen rereads. To me, those segments have always felt tantamount to the supplemental material in the back of each issue, something extra and non-essential, important more as an intellectual exercise than as an interesting narrative, or an interesting part of the overall Watchmen narrative, in their own right. Issue three of Geoff Johns and Gary Frank’s Doomsday Clock introduces this semi-sequel’s own version of the pirate comics: the noir movie. I have similar issues with these segments as well. Continue reading →

Nov 27 2017

Doomsday Clock 1: Discussion

By Spencer Irwin and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: I wasn’t even five years old when the Cold War officially ended, so I can’t really comment on what it must have been like to live under its omnipresent dread. I have plenty of first-hand experience, though, living in 2017, a year where each and every moment has felt like it may be the world’s last, a year which has seen a constant struggle against tyrannic forces just to keep vital freedoms alive. If Alan Moore and Dave Gibbons’ classic Watchmen channeled the Cold War’s constant unease into its narrative, then Doomsday Clock does the same thing with the chaotic political battleground of 2017, creating a fraught, tense world that feels mere moments away from ending. Continue reading →

May 27 2016

DC Universe Rebirth 1

dcu rebirth 1

Today, Spencer and Michael are discussing DC Universe Rebirth 1, originally released May 25th, 2016.

Spencer: To me, one of the most interesting things about the mythology surrounding DC’s “Rebirth” initiative is that, despite its being touted as DC “canonically admitting that they screwed up the New 52,” DC didn’t take this opportunity to reboot or return to their old continuity. Instead, writer/creative director/all-around DC miracle worker Geoff Johns is using Rebirth to course correct their fledgling universe, making a concerted effort to turn away from the darkness that largely came to define the New 52 and instead embrace the ideas of love, hope, and legacy that DC was once famous for.

It’s an effort that warms my heart. I’ll admit to feeling maybe just the slightest, tiniest bit cynical (the upcoming “war” leaves a back-door open to restore the pre-Flashpoint continuity should Rebirth falter as well), but that barely matters. My favorite character in all of comics is back, and thus, I couldn’t be happier. Continue reading →

Mar 19 2013

Before Watchmen – Ozymandias 6

ozymandias 6 B4WToday, Michael and Shelby are discussing Ozymandias 6, originally released March 13th, 2013. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Michael: What you don’t show is as important as what you do show. If a story is told well, you can thankfully take this writerly aphorism for granted. We’re free to focus on what we are shown, because it’s gripping and we care about these moments over others. The rest — the implied events — blends into the background. It might be important. It might be necessary we know about it, but it isn’t right in front of us, on the page, and that’s OK. Unless that story is Before Watchman: Ozymandias 6, then it’s not OK. Every grinding gear of a story must be on display. It’s my own fault. I crave the supplemental information and shifts in perspective — I’m just upset when it doesn’t work out.

Continue reading →

Feb 28 2013

Before Watchmen – Dr. Manhattan 4

dr manhattan 4 B4W

Today, Shelby and Scott are discussing Dr. Manhattan 4, originally released February 27th, 2013. Dr. Manhattan is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Shelby: How do you tell any kind of story about a man who sees all of  time at once? He knows his past, his future, and everything in between; how do you find a compelling narrative in the story of a man who knows his whole story? J. Michael Straczynski has tried to do that by exploiting Dr. Manhattan’s kooky relationship with time. “Doc Manhattan knows every possible future? FINE. I’ll WRITE every possible future!” JMS seemed to say. This title hasn’t been terrible (especially compared to the other monstrosities JMS had his hand in), but it hasn’t been great, either. At best, this book has been conceptually interesting, but has fallen short in execution. This issue is no different; JMS tries out something new that’s interesting, but ultimately the story doesn’t go much of anywhere. Continue reading →

Feb 5 2013

Before Watchmen – Ozymandias 5

ozymandias 5 B4WToday, Patrick and Michael are discussing Ozymandias 5, originally released January 30th, 2012. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Patrick: In a sequence that perfectly epitomizes how I feel about the Ozymandias mini-series, Adrian Veidt holds a press conference as his alter ego. He removes the mask and the costume, revealing to the assembled reporters that Ozymandias and Adrian Veidt are one and the same. He says that all non-Doctor-Manhattan heroes have effectively become irrelevant — a sentiment echoed at one point or another by just about everyone in the Watchmen universe. Vedit can accomplish more good as the head of Vedit Industries, which prompts one reporter to ask “So, this is all about the money?” Never mind that this isn’t at all what Vedit was saying, he addresses the question head-on, bluntly saying “In this end… isn’t everything?” That reads as a rather cynical explanation for Before Watchmen, but interestingly, Veidt can’t keep his word about staying out of costume, donning the cape again to fight petty crime during the police strike. The message? It’s all about money… except when superheroes are involved: then it’s about something else.

Continue reading →

Dec 21 2012

Before Watchmen – Moloch 2

Alternating Currents: Before Watchmen - Moloch 2, Michael and DrewToday, Michael and Drew are discussing Moloch 2, originally released December 19th, 2012. Moloch is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Michael: Breaking the Before Watchmen project into character-specific series makes is a novel but logical way to approach the prequel. After all, each of the Watchmen characters are their own distinct protagonists, each with a different set of skills, challenges, ethics, and goals. And while the technique might be somewhat novel in the comic book world, the last 20 years of cinema have acclimated us to disparate, chronologically skewed vignettes that reveal more of the story as they overlap. It’s a fun narrative technique that can enhance a nuanced story, allowing the storyteller to layer information and keep the reader interested with shifting perspective. But what of Watchmen? It wasn’t initially conceived in that fractured vignette style and not all the characters are equally interesting. This was my initial concern when starting Moloch/Edgar, because I barely remembered who Moloch was from the original Watchmen. Once I did recall him, I got bummed out, because he’s a sniveling pathetic character, a witless victim, and a dubious subject for a series. However, the second issue — which mercifully brings us all the way to Moloch’s death — crystalizes the series as a sober portrait of a sincere, tortured pawn amidst the narcissism, swashbuckling, and grand-scheming of the other Watchmen characters. Continue reading →

Dec 3 2012

Before Watchmen – Ozymandias 4

ozymandias4B4WToday, Drew and Mogo are discussing Ozymandias 4, originally released November 28th, 2012. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: I don’t envy Len Wein. The thought of writing a prequel to one of the greatest comic books of all time is daunting enough, but Wein faces the additional task of writing the thoughts of the smartest man on the planet. Super-intelligent characters like Sherlock Holmes are difficult to write realistically — the writer has to come up with problems whose solutions aren’t already apparent to the supporting cast and audience — but Adrian Veidt is an order of magnitude more difficult. This is someone who predicted the end of the world, then devoted years to realize a convoluted plan to divert it. Anything shy of that level of planning and premonition is going to feel like a letdown, and unfortunately, that’s exactly what we get inOzymandias 4. Continue reading →