The Amazing Spider-Man 1

amazing spider-man 1Today, Patrick and Spencer are discussing The Amazing Spider-Man 1, originally released April 30th, 2014.

Patrick: If The Superior Spider-Man had us all asking what it means to be a hero (and, by extension, what it means to be a villain), then The Amazing Spider-Man seems poised to ask the question of what it means to be Spider-Man. It is a surprisingly wide question, with seemingly hundreds of discrete answers. What’s it mean to be Spider-Man? Kaine will tell you one thing, Miguel O’Hara will tell you another thing, Peter Parker will tell you something else, and Doc Ock (may he rest in peace) probably wouldn’t dignify the question with a response. Y’see, there are a lot of Spiders out there, and even more Spider-fans; what we want and what we expect from Spider-Man is so varied that even an issue designed to celebrate the hero can’t pick a tone and stick to it. It’s a fascinating, if uneven (and possibly even fascinatingly uneven), exploration of Spider-Man. Continue reading

Daredevil 2

daredevil 2Today, Patrick and Shelby are discussing Daredevil 2, originally released April 23rd, 2014. 

Patrick: If every issue is someone’s first issue, then every series must be someone’s first series. That’s precisely why Daredevil has kicked back to number one in the first place — to act as an easy access point for new readers. Mark Waid and Chris Samnee seem to be both embracing the possible newness of their readers while playing against the expectations of old readers with the character of Max Coleridge, The Shroud. Part Batman-homage, part Dardevil-mirror-match, part call-back to the scariest villain of the previous series, The Shroud is an interesting indicator of what we can expect from Matt Murdock’s adventures in San Francisco. Continue reading

Guardians of the Galaxy 14

guardians of the galaxy 14

Today, Drew and Shelby are discussing Guardians of the Galaxy 14, originally released April 23rd, 2014.

Drew: Anniversaries tend to be opportunities to look back. In comics, they seem to be opportunities to deconstruct. Detective Comics and Daredevil both had big anniversary issues this year, and both seized on the opportunity to ask what really defines these characters. The answers those issues posited were buoyed by the strength of their characters, but what about a team series — especially a team with a relatively smaller history? Guardians of the Galaxy 14 sets out to answer this question in the most unexpected ways, separating the characters (or even eliminating them altogether) to examine what makes the Guardians work as an abstract concept.

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Original Sin 0

original sin 0Today, Spencer and Patrick are discussing Original Sin 0, originally released April 23rd, 2014.

Spencer: A few months ago Patrick and I covered Inhumanity 1, and while most of my complaints about that issue still stand, at the time I misunderstood its purpose; it wasn’t meant to be the beginning of a story, but instead to serve as a primer to catch new readers up on recent events in other titles. In a way, Mark Waid and Jim Cheung’s Original Sin 0 is almost the complete opposite of Inhumanity 1; I enjoyed the story much more, but it’s a story that looks to only have the vaguest of connections to the upcoming Original Sin miniseries.

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Elektra 1

elektra 1

Today, Suzanne and Patrick are discussing Elektra 1, originally released on April 23, 2014.

Suzanne: By her own admission, Elektra has a bad habit of identifying herself through relationships to the men in her life. Her father, Matt Murdock, Kingpin, Bullseye…they all contribute to Elektra’s history in powerful ways. My first exposure to the character was Jennifer Garner’s appearance in Daredevil. Despite having a powerful skill set as an assassin, I didn’t leave the cinema wanting to kick butt like Elektra. Maybe this is a bit unfair, but my overall impression was that things happened to her and that element of passivity was unattractive. Continue reading

Winter Soldier: The Bitter March 3

winter soldier 3Today, Spencer and Drew are discussing Winter Soldier: The Bitter March 3, originally released April 16th, 2014.

Spencer: Considering its Cold War setting, it’s no surprise that Rick Remender and Roland Boschi’s Winter Soldier: The Bitter March has been a story filled with pawns and masterminds, a story populated almost entirely by people who are being used and the people who are doing the using. What’s interesting about issue 3 is the way the players begin to transcend those labels. What happens when pawns tire of being pawns? And what role does Ran Shen play in all of this?

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Ms. Marvel 3

ms marvel 3

Today, Suzanne and Shelby are discussing Ms. Marvel 3, originally released April 16th, 2014.

slim-bannerSuzanne: Let me just come out and say it — as a Muslim, I’m equal parts thrilled and reluctant to embrace a comic that represents someone from my faith. Overall, I like when writers incorporate details like ethnicity or religion as part of a whole character. This goes across the board — from Kitty Pryde being Jewish to Daredevil being Catholic. I’m signed on as long as the writing doesn’t divert into tokenism or pandering to a specific group.

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Hulk 1

hulk 1

Today, Shelby and Taylor are discussing Hulk 1, originally released April 16, 2014.

Shelby: I love online quizzes, the dumber the better. If I can answer a dozen questions and find out which sandwich I am, I rest easier at night. There’s always that one question, “If you friends could pick one word to describe you, what would that word be?” that always gives me pause. How can a person be distilled down to just one, defining thing? And how am I supposed to know what other people would say that one thing is? Comic book characters probably don’t suffer the same sort of existential crisis I feel talking personality quizzes because most of them do have that one thing that defines them. Take Bruce Banner, for instance. He’s defined by his intelligence; he’s one of the smart ones. Well, I suppose he’s also defined by his predilection towards turning into a green rage monster, but if we consider Bruce alone, the one word I’d use to describe him would be “smartypants.” So, what does it mean for the character if he loses that one thing that makes him who he is? Or who he was, anyway.

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Thor: God of Thunder 21

thor 21Today, Spencer and Shelby are discussing Thor: God of Thunder 21, originally released April 16th, 2014.

SpencerTo tell a good story, characters need to face consequences for their actions. Just look at Heroes, where characters could quit jobs, disappear for months at a time, or even switch between “good” and “evil” at the drop of a dime without ever facing any consequences, thus giving us little reason to care about what the characters did, since none of it mattered anyway. Contrast that with, say, Breaking Bad, where every decision the characters make, no matter how small, has the chance to ruin their lives; everybody’s actions matter, causing the viewer to become invested in the story and pay close attention to what happens. Jason Aaron and Esad Ribic follow the latter example, fortunately, in Thor: God of Thunder 21, which finds both versions of the titular god dealing with the consequences of actions he took in previous issues. Continue reading

The Superior Spider-Man 31

superior spider-man 31

Today, Shelby and Patrick are discussing The Superior Spider-Man 31, originally released April 16th, 2014.

Shelby: If I learned anything from watching countless episodes of M*A*S*H* as a child, it’s that the first step of dealing with any disaster is triage. You need to assess the situation and make some quick decisions to prioritize your next steps. Usually this means letting some people in pain suffer a little while longer so you can tend to the immediately life-threatening issues. It’s only after you’ve stopped the bleeding and patched up the worse off can you step back and consider the situation as a whole; that’s the point you can begin to make some decisions about long-term fixes and really start cleaning up your mess.

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