Today, Drew and Ryan D are discussing Nova 5, originally released March 2nd, 2016. 

Drew: I developed my love of analysis with music. I studied music at college, where we learned a number of analytical approaches, examining everything from harmony to orchestration to rhythmic saturation. My favorite, though, was always the study of formal structure — the shape a piece of music takes. What’s remarkable about form is that you experience differently in the moment than you can in hindsight. As a piece of music unfolds, you have no idea if this is really a repeat, or some kind of clever fake-out (don’t even get me started on sonata form), but it’s patently obvious after the music ends (or, if you happen to have the score in front of you). I believe narratives — and especially serialized narratives — have a similarly plastic form; it’s easy to break a television season into acts once the whole thing has unfolded, but picking THE inciting incident or THE lowest point might be a bit more difficult in-the-moment. This is even more true for superhero comics, where things can always get worse, often in totally unexpected, physics-defying ways. So it’s with some reservation that I call Nova 5 Sam Alexander’s lowest point (at least as far as this volume is concerned), but all signs point to this issue as the nadir of the pastoral life established in issue 1. Continue reading →