Deadpool 17

deadpool 17

Today, Scott and Patrick are discussing Deadpool 17, originally released September 25th, 2013.

Scott: “Ok, so you’ve got Brian Posehn and Gerry Duggan, right, and they’re writing about Deadpool.” (“Oh man, this sounds funny!”) “And Deadpool is teaming up with Wolverine and Captain America.” (“Whoa, this is gonna be classic!”) “Oh, and there are a bunch of Korean X-men look-alikes running around.” (“I don’t even know what that means, but you probably don’t even need a plot at this point, this sounds like the craziest issue ever!”) So what happens when you take all elements for great laughs and hi-jinks, and try to make it dark? Posehn and Duggan have pushed Deadpool into grim territory in recent issues, and they’ve been some of the series’ best. They seem intent on recasting Deadpool in a more serious tone. But sometimes, when all the elements are there, there’s nothing a writer can do to prevent a rollicking good time.

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Deadpool 16

deadpool 16

Today, Scott and Mikyzptlk are discussing Deadpool 16, originally released September 11th, 2013.

Scott: It’s nice when someone surprises you with their depth- when you see something that wasn’t there before. It happens a lot with comedic actors taking on dramatic roles. Think of Adam Sandler in Punch Drunk Love or Jamie Foxx in Ray. Robin Williams and Jim Carrey are masters of this trick. You’ve always enjoyed them but then, suddenly, they do something that makes you take them seriously. This is that moment for Deadpool. Writers Brian Posehn and Gerry Duggan have taken a title known for its crude jokes and it writers’ resumes, and turned it into something so much more. The wit is still there, but the darker side of Deadpool they’ve been hinting at is now out in the open, and they’re pulling it off better than you could have expected. You’ll never look at this title the same way.

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Deadpool 15

Alternating Currents: Deadpool 15, Drew and Scott

Today, Drew and Scott are discussing Deadpool 15, originally released August 28th, 2013.

Just like Pagliacci did
I try to keep my sadness hid
Smiling in the public eye
But in my lonely room
I cry the tears of a clown
When there’s no one around

Smokey Robinson, Tears of  a Clown

Drew: The tragic clown is a surprisingly persistent archetype. It’s no coincidence that Smokey Robinson could name-check Pagliacci in his own song about sad clowns, but there are just as many modern examples, from the claustrophobic depression of Louie to the exaggerated kvetching of Krusty the Clown. There’s something about the smile as a mask that speaks to the little things we grin and bear throughout the day. Of course, there’s also something very true about the idea — comedians are famously unhappy people — suggesting that humor is most often honed by those that use it to cope. The reveal of deep sadness behind the jokes is always a bit of a shocker, subverting our expectations something fierce, and recasting every subsequent joke in a tragic light. In Deadpool 15, Gerry Duggan and Brian Posehn start to hint at what’s behind Wade’s mask, revealing a past that may be as ugly as the man himself.

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Deadpool 14

deadpool 14

Today, Scott and Ethan are discussing Deadpool 14, originally released August 14th, 2013.

Scott: Nothing is more satisfying to me than making a good joke. As an aspiring writer/comedian, sometimes it’s impossible for me to get out of “joke mode”. Ask anyone who knows me well and they’ll tell you, it gets annoying. For every good laugh I provide, there are many groaners and bad puns to endure. For me, it’s worth it, as long as I get some good hearty chuckles. I’m thinking Deadpool writers Brian Posehn and Gerry Duggan are after something similar. Like me, they seem willing to sacrifice introspection for a witty one-liner, deep thoughts for goofy non sequiturs. They tend to have a lot more hits than misses, so it’s easy to forgive any shortcomings in their writing, but Deadpool 14, more than maybe any other issue, begs the question: is it worth reading a comic that exists solely for the purpose of humor? In an issue where the plot rehashes points that have already been made, the jokes are just about the only things making it feel fresh.

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Deadpool 13

deadpool 13

Today, Ethan and Patrick are discussing Deadpool 13, originally released July 17th, 2013.

Ethan: Back in issue #7 of Deadpool, the writers and artists took us on a timewarp with a faux, never-before-printed “inventory special”. The issue was allegedly produced in the late 70s/early 80s giving the team an excuse to indulge in 10 times the saturation of pop culture references in the already saturated title. It was an entertaining  issue in its own right and a nice break after the Zombie Presidents arc. Now that Vetis is taken care of, writers Gerry Duggan and Brian Posehn and artists Scott Koblish and Val Staples are back to their tricks with another trip back to the era of disco. And if you think the bell bottoms and dated catch-phrases were flying thick and fast last time, you might want to sit down and hold onto something before you open #13. The hair is longer, the polyester is louder, and the racism is, if far from accurately depicted, at least touched on.

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Deadpool 12

deadpool 12

Today, Scott and Patrick are discussing Deadpool 12, originally released June 26th, 2013.

Scott: You can’t avoid the inevitable. Throughout Brian Posehn and Gerry Duggan’s Deadpool run, there has been one constant: no matter how much Wade Wilson has to suffer, he always kills the guy he sets out to kill. As a result, Deadpool comics are more about the thrill of the ride than the destination. As individual episodes, Deadpool is light fun, with humorous characters regularly being introduced and killed in humorous ways. So when it comes to a villain who has been around for several issues, should we expect his death to be several times as much fun? Deadpool 12 says so long to a character who has defined the series’ second major arc and, aside from some structural problems, Posehn and Duggan deliver an epically fun, albeit inevitable, farewell.

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Deadpool 11

deadpool 11

Today, Ethan and Drew are discussing Deadpool 11, originally released June 12th, 2013.

Ethan: Stories have to follow a lot of formulas — rising action, tension, struggle, resolution. Comics are often even more constrained — extraordinary people, powers, and villains combine to make extraordinarily predictable outcomes. Familiarity sells. But while you could say a lot of horrible things about Deadpool — and they’d all be true — if there’s one thing that he is NOT, it’s conventional. Maybe it’s because his superpower has more to do with the basic act of survival rather than leaping a building in a single bound; maybe it’s because he’s just a bastard of a guy who lucked out with the world’s most impressive healing factor. Maybe it’s because he’s Canadian. I dunno. Either way, he’s up to his eyeballs in demonic intrigue right now, so perhaps the standard operating procedures wouldn’t be the best fit anyway. As he continues his contract with Vetis, hunting and killing superpowered humans who sold their souls for their abilities, writers Brian Posehn and Gerry Duggan continue to entertain while Wade Wilson continues to backstab his way to freedom.

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A + X 8

a+x 8

Today, Scott and Mikyzptlk are discussing A + X 8, originally released May 22nd, 2013.

Scott: Some would describe A + X as “fluff”, but that’s not entirely fair. These ten-page stories featuring one Avenger and one X-Man teaming up have no choice but to get to the very root of what the characters are all about. It’s fun for comic nerds because it shows how these characters, who wouldn’t normally be paired together, are able to compliment each other. It’s also great for new readers, looking for a quick way to familiarize themselves with several characters and decide whether they want to pick up their titles. Sure, A + X is just for fun and has no bearing on any other stories, but it provides a surprisingly good summary of Marvel’s characters.

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Deadpool 10

deadpool 10

Today, Scott and Patrick are discussing Deadpool 10, originally released May 22nd, 2013.

Scott: Wade Wilson is a guilty-pleasure Spider-Man. Like Spider-Man, he’s an agitator, a loudmouth smart-ass. And like Spider-Man, you’d root for him against just about anyone. The thing is, you root for them to do different things when the big moment arrives.Wade and Spider-Man join forces in Deadpool 10 and show us up close the major difference between them. Deadpool doesn’t stand for anything in particular, so he doesn’t have to play by any rules. He kills people and doesn’t think twice about it. It wouldn’t look good on Spidey, but it’s a strangely endearing trait for Deadpool.

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Uncanny Avengers 8AU

Today, Taylor and Ethan are discussing Uncanny Avengers 8AU, originally released May 22nd 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Taylor:  The thing about parties is that they’re only fun if you know the people who are going to be there. Now, this doesn’t apply to everyone, some of the more socially fluid among us have an ability to mix and match with anyone. However, for your average Joe, going to a strange party means having to make conversation with a lot of people you’ve never met before and who you will never meet again. What do you do; who do you know; is that beer good; this song is great – become your most-used phrases for a couple of awkward hours. By the end of the night all the names and faces blend together and you’re more than happy to leave without saying goodbye to any of the people you just met but couldn’t care about less. In just the same way Uncanny Avengers 8AU is not a fun issue to read unless you are steeped in the mythology of the Marvel Universe. Even then, there is little that is appealing about this issue for fans of the series, both old and new. Continue reading