Patrick: In the first and second season finales of LOST, our heroes encounter a gigantic green bird that screeches “HURLEY” as it soars over them. Fans, because they are so damn clever, starting calling this thing the Hurley Bird. The thing was introduced as one of those “maybe we’ll pay this off later” sort of things, but they never really had any idea what they were doing with it. In retrospect, the creature’s second appearance served as an admission of this fact, and a cheeky way to dismiss the entire concept. What happens is that Jack, Sawyer, Kate, Hurley and Michael are making their way across the island, when the Hurley Bird divebombs them (naturally howling “HURLEY” at the top of its bird lungs). Michael tries to shoot it, but Jack never loaded his weapon — that was the point of the scene: now Michael knows the others don’t trust him. But the notable part of the scene is that Hurley asks the audience surrogate question: “Did that bird just say my name?” Sawyer, acting as the voice of the creative team, sarcastically responds “Yeah, right before it crapped gold.” That translates to “who fucking cares?” And you know what? Fair play to LOST — I wouldn’t have wanted to halfheartedly explore some bullshit bird. Futures End 5 has that same dismissive attitude toward all of its real story points, making me believe that the writers care just as much about this bullshit as I do. It’s not a comforting feeling. Continue reading
Patrick: Guys, I want to start this off by apologizing for the typo in the header: it’s “Futures End” and not “Future’s End.” That’s my bad, not Shelby’s. I want to keep it there for posterity and because it speaks to the general confusion regarding this title. The full name is “The New 52: Futures End.” As a weird consequence of that name, it’s the only series that takes place in the New 52 that doesn’t bear this logo on its cover:
If Batman Eternal is about Batman losing control of Gotham, then certainly Futures End is about the superheroes losing control of the universe. Unfortunately, that also feels an awful lot like the creators losing control of the New 52.
Today, Mikyzptlk and Patrick are discussing Threshold 1, originally released January 16th, 2013.
Mikyzptlk: When I first learned I’d be writing about Threshold, I was intrigued because I’m always excited to try out new comics. Unfortunately, Green Lantern: New Guardians Annual 1 happened and I suddenly began dreading this write-up. The GL:NG Annual was essentially the prologue of the main feature in Threshold, and even though I kept an open mind when reading it, I couldn’t help but remember the disappointment and frustration I felt just a short week ago. Those things are easy to remember as this series continues to have the same problem that the Annual had in that it’s WAY too wordy. Worst of all, the issue begins by committing the cardinal story telling sin of telling instead of showing.
Today, Mikyzptlk and Patrick are discussing Green Lantern: New Guardians Annual 1, originally released January 9th, 2013.
Mikyzptlk: Okay, I need to get this off my chest. This issue bugged me. Now, that isn’t to say that I hated it but it really managed to piss me off at the end. Before I get into anything else though, I just want to say that I absolutely loved the characterization that I got out of this issue. Star Sapphire Carol Ferris, Saint Walker and Arkillo were an absolute joy to read and I look forward to the developments seen in this issue carrying on throughout the rest of the series. That said, let’s move on to my overall point. Much like a good joke, a good narrative fiction will have a series of setups and payoffs. A writer will introduce a concept early on in a story to then use and explore it later on hopefully making their efforts as a writer worth your efforts as a reader. In that vein, if I had to describe this issue as a “Knock-knock” joke, it would go something like this: “Knock Knock.” “Who’s there?” “I don’t know, ask some other guy.” Not too funny right? In fact, some might find it a bit frustrating and “some” might just be me.
Today, Patrick (guest writer) Bryan Coratti are discussing DC Universe Presents 0, originally released September 19, 2012. DC Universe Presents 0 is part of the line-wide Zero Month.
There are five separate stories within DC Universe Presents 0, each one from series that were cancelled back in April. Generally, these stories serve as excellent reminders of why those series were shit-canned in the first place. Patrick and Bryan tackle these stories one-by-one.
Today, Patrick and Shelby are discussing Blue Beetle 0, originally released September 19, 2012. Blue Beetle 0 is part of the line-wide Zero Month.
Patrick: The Blue Beetle series is unique among DC Comics for a lot of different reasons. Jaime Reyes is a normal teenager, who comes from the most convincing (and traditionally complete, I might add) family I’ve read since Animal Man. Most teenage heroes don’t sweat being on their own, but Jaime’s decision to leave home to protect his friends and family is appropriately difficult. He doesn’t know how to use his powers, but mostly he just doesn’t know how to live on his own. His life is scary in ways both totally relateable and completely unimaginable. Jaime’s also one of the only Chicano characters I’m reading – and unlike other half-assed attempts at integrating other cultures into comics, Jaime’s culture actually has a bearing on the thrust of the story: characters speak Spanglish, they attend Quinceañeras, their families are large and close. But the zero issue leaves most of that behind to explore the history of the Scarab on Jaime’s back – this is the story of Khaji-Da.