Rise of the Black Panther 1: Discussion

by Drew Baumgartner and Ryan Desaulniers

Rise of the Black Panther 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Spinoff!” Is there any word more thrilling to the human soul?

Troy McClure, “The Simpsons Spin-Off Showcase”

Drew: That epigraph might seem a bit glib, but while I understand the criticisms spinoffs get for being uninspired or safe, I’d never dismiss a spinoff as a matter of course. Case in point: The Simpsons is technically a spinoff from The Tracey Ullman Show, but that didn’t stop it from becoming arguably the greatest sitcom of all time. And actually, the discrete nature of The Tracey Ullman Show might just have been part of what makes The Simpsons so successful — there isn’t the temptation to feature cameos from the original show, the way Frasier might with Cheers, for example. That is, The Simpsons could operate in its own world, untethered to the sensibilities of its origin. Unfortunately, despite the decades that separate The Rise of the Black Panther from its main series, it never really manages to form its own identity. Continue reading

Advertisements

Focus vs. Multiple Fronts in Black Panther 168

By Ryan Desaulniers

Black Panther 168

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

Kurt Vonnegut, Bagombo Snuff Box

Whether you’re writing an indie comic title or trying to pen the next billion-dollar Star Wars film, a great place to start is by asking, “What is the hardest thing for my characters to do?” True character, after all, is revealed through the most difficult decisions they’re forced to undertake. After a very interesting tangent in Black Panther 166 to meet the new Klaw, writer Ta-Nehisi Coates tries to pile on the challenges facing King T’Challa and the rest of his royal court of protagonists, but is it better to assault a character from all sides, or to offer one clear, powerful opposing force? Continue reading

The (Re)Introduction of Klaw in Black Panther 166

By Drew Baumgartner

Black Panther 166

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a lot to be excited by in Ta-Nehisi Coates’s Black Panther run, but one we rarely comment on is that it’s bringing in new readers. As an already popular author and journalist, Coates has an established audience that is much, much larger than the typical comics creator. For evidence, we need look no further than his twitter followers, which number 1-3 orders of magnitude more than most comics creators — heck, he has more followers than most comics publishers. And, importantly, the vast majority of those followers (and Atlantic and Between the World and Me readers) aren’t comics readers. I’ve covered plenty of comics in our 7 years as a site, but tweets about Coates’s Black Panther represent the only times I’ve been asked “where can I buy this comic?” And that’s happened multiple times. Coates is bringing new people to the medium, and that’s something special.

Of course, it also puts him in a bit of an unusual place as a writer. T’Challa is a character with a rich, half-century-long history, and comicdom is notorious for fans who know every bit of that history. How do you reconcile the interests of those fans with those of total neophytes? From the start, Coates has struck an elegant balance, acknowledging many specific beats of that history while also creating entirely new mythologies for the character and his world. No one element represents that better than Ulysses Klaw, whose introduction at the end of last month’s issue crashed one of T’Challa’s oldest enemies into that new mythology. Continue reading

Superherodom Encroaches in Black Panther 18

By Drew Baumgartner

Black Panther 18

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ta-Nehisi Coates’ run on Black Panther has always vacillated between concerns for greater Wakanda (civil unrest, history, religion) and more straightforward superheroics. It perfectly captures the multiple directions T’Challa is always pulled in, blowing up the typical Marvel interpersonal dramas into matters of state. In recent arcs, those two worlds seem even further apart, as issues almost seemed to alternate between these two concerns. The results have been fantastic — the previous two issues represent opposite ends of that spectrum, and are among the strongest Coates has written — but threatened to split this book into two series running in parallel. That is, until issue 18 reveals that everything might be connected, after all. Continue reading