Using Our Voices to Help, Not Hurt in Black Panther 171

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Our voices make us powerful. They allow us to make bonds and forge connections with one another, they allow us to speak out against oppression and injustice, they allow us to express our innermost desires and emotions, to be heard. Unfortunately, some voices are louder than others. Voices of men, voices of white people, they have a platform that women or people of color are so often denied access to, a platform that amplifies their voice, not only giving their words too much power, but drowning out the voices of others. This is first and foremost a problem for those whose voices are being drowned out, of course, but it’s also a problem for those doing the speaking; they’re so busy talking that they’re not listening, and that means they’re missing out on a lot of vital information. Continue reading

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An Unsettling Twist Changes the Game in Black Panther 170

By Drew Baumgartner

Black Panther 170

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Black Panther 170 is by all measures a climactic issue. Indeed, with so many of T’Challa’s villains and allies joining the fray, the bulk of the issue has a decidedly “Battle of the Five Armies” feel to it, which artist Leonard Kirk captures in all of its chaotic glory.

FIGHT FIGHT FIGHT

We may suspect a quieter, more personal denouement down the line — Klaw, Stane, Faustus, and Zenzi are nowhere near this fight — but this feels like the big army battle before things tighten back up to Black Panther tracking down the villains and rescuing his kidnapped friend. We think we know where this is going, but then writer Ta-Nehisi Coates yanks the rug out from under us on a stunning final page turn. [Major spoilers after the break!] Continue reading

Rise of the Black Panther 1: Discussion

by Drew Baumgartner and Ryan Desaulniers

Rise of the Black Panther 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Spinoff!” Is there any word more thrilling to the human soul?

Troy McClure, “The Simpsons Spin-Off Showcase”

Drew: That epigraph might seem a bit glib, but while I understand the criticisms spinoffs get for being uninspired or safe, I’d never dismiss a spinoff as a matter of course. Case in point: The Simpsons is technically a spinoff from The Tracey Ullman Show, but that didn’t stop it from becoming arguably the greatest sitcom of all time. And actually, the discrete nature of The Tracey Ullman Show might just have been part of what makes The Simpsons so successful — there isn’t the temptation to feature cameos from the original show, the way Frasier might with Cheers, for example. That is, The Simpsons could operate in its own world, untethered to the sensibilities of its origin. Unfortunately, despite the decades that separate The Rise of the Black Panther from its main series, it never really manages to form its own identity. Continue reading

Black Panther 11

Alternating Currents: Black Panther 11, Drew and Ryan D

Today, Drew and Ryan D. are discussing Black Panther 11, originally released February 22nd, 2017. As always, this article contains SPOILERS.

Drew: Comics is a medium of juxtaposition. We derive meaning from seeing two images next to one another, understanding some causal link that only exists in our minds. The magic, then, is crafting those images such that the reader can piece together the causality in a natural, intuitive way. That includes both the content of the images and the arrangement of those images on the page, which is remarkably complex. Indeed, in his seminal Understanding Comics, Scott McCloud points out that arranging panels is so complex “that even seasoned pros will sometimes blow it.” While the clarity issues in Black Panther 11 have more to do with content than layouts, I feel this sentiment is particularly apt, as the issue was drawn by not just one, but a veritable army of seasoned artists. It’s odd to argue that this artistic team failed to make this issue clear, but I’m afraid that’s really the lynchpin upon which all of this issue’s problems turn. Continue reading