Mighty Morphin Power Rangers 0

mmpr 0

Today, Michael and Ryan M. are discussing Mighty Morphin Power Rangers 0, originally released January 13, 2016.

Michael: I’ll be honest, I don’t think we really need a Mighty Morphin Power Rangers reboot movie, let alone a comic book series. Some people might argue that bringing the Power Rangers back to the forefront continuing adventures is no different than the continuing adventures of say, Batman or Spider-Man. I’m trying not to be a snooty nerd here, but I’d say that there is a difference – or at least a very fine line. Nevertheless the original Power Rangers are back; whether I like it or not. Continue reading

C.O.W.L. 11

cowl 11 Today, Spencer and Drew are discussing C.O.W.L. 11, originally released July 22nd, 2015.

Spencer: One of my favorite expressions is “would I do it all again?” Usually it’s only uttered after a long string of consequences (“So I ended up breaking both legs…but would I do it all again?”), and it’s never an actual question — if you’re asking “would I do it all again,” you’re basically admitting that yes, you would. No matter what consequences you faced, it was worth it. This phrase has an opposite as well — “Was it worth it?” Just like “would I do it all again,” “was it worth it” is rarely a question — it’s almost always an admission that no, whatever you did was not worth the consequences. It’s a phrase uttered by Geoffrey Warner in the final moments of Kyle Higgins, Alec Siegel, and Rod Reis’ C.O.W.L., leaving the readers with the impression that even Warner knows that the actions he took to keep C.O.W.L. in business aren’t justified. No matter what C.O.W.L. goes on to accomplish in the future, Warner’s actions will forever be hanging over the organization like a dark cloud. Continue reading

Batman Eternal 52

batman eternal 52Today, Spencer and Michael are discussing Batman Eternal 52, originally released April 1, 2015.

People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. As a man, I’m flesh and blood, I can be ignored, I can be destroyed; but as a symbol… as a symbol I can be incorruptible, I can be everlasting.

Bruce Wayne, Batman Begins

Spencer: Throughout all of the many different storylines in Batman Eternal, one theme has steadily built under the title’s surface: the idea of Batman’s legacy. While it was never something addressed all that directly (at least until R’as al Ghul flat out asked “Is Batman eternal?” a few weeks ago), the creative bullpen has steadily been building up Batman’s team of allies and investigating just what effect Batman’s presence has had on Gotham City. With this massive weekly series finally coming to an end, Batman Eternal 52 aims to show exactly the power of that symbol on Batman’s chest, and it does so in spectacular fashion, pulling together nearly all the threads that have been cast throughout the last 52 issues into one show-stopping finale. Continue reading

C.O.W.L. 9

Alternating Currents: C.O.W.L. 9, Drew and Spencer

Today, Drew and Spencer are discussing C.O.W.L. 9, originally released March 18th, 2015.

Drew: I once saw a Q&A session with The Wire creator Dan Simon where he had to defend a moment that one audience member saw as a crack in the realism of the show. I don’t remember Simon’s exact words, but his answer boiled down to the fact that the show isn’t real — sometimes, the creators would knowingly break from absolute fidelity in order to elicit the appropriate emotional response from us. Everything we saw on that show, just like any number of less realistic narratives, was there for our benefit, not because it’s 100% true to life. What’s funny to me is that the fan’s complaint wasn’t with the credulity-straining Hamsterdam or serial killer plotlines, but with the body language of an uncredited, unnamed character. I suspect the reason those bigger pieces of fiction get a pass is because we want them to happen. The Wire does such a good job of detailing how the system is broken, we can’t help but cheer when a character attempts to buck it. It’s cathartic, so we overlook that it’s also kind of batshit. I found myself thinking the same thing about Radia’s catharsis in C.O.W.L. 9, which is so necessary, it really doesn’t matter how unlikely it is. Continue reading

C.O.W.L. 7

cowl 7Today, Spencer and Drew are discussing C.O.W.L. 7, originally released December 24th, 2014.
Spencer: Crime is a constant, which is why we need forces in place to combat it on a full-time basis. Superheroes are trickier, though — they need a continuous supply of larger-than-life, world-threatening opponents to battle, or else there’s no point in them even existing. With the last of the Chicago Six captured that’s exactly the situation Geoffrey Warner finds himself facing, leading to his drastic decision to enlist superpowered mobsters so that C.O.W.L. has somebody to fight. Is this only a short-term stop-gap? Has C.O.W.L. truly outlived its usefulness? Only time will tell, but chances are, Geoffrey’s actions aren’t doing it any favors. Continue reading

Commentary Track – Kyle Higgins and Alec Siegel Discuss C.O.W.L. 6

COWL 6 commentary

C.O.W.L. is the story of a superhero union in mid-century Chicago. That logline heaps on the atmosphere, from the period setting to the particular climate of organized labor in Chicago, giving writers Kyle Higgins and Alec Siegel a ton of space to explore. With issue 6, they offer a bit of a sideways approach to that world-building, giving us an in-universe comic book with an obvious in-universe political agenda. Parsing that agenda uncovers layers of meaning, telling us a great deal about Geoffrey Warner, even if the story isn’t entirely true. Patrick sat down with Kyle and Alec and went through the issue page by page, so get your copy handy and join us on the Commentary Track.

Retcon Punch: Let’s just start right from the cover: we’ve got a wildly different approach, right from the get-go.

Kyle Higgins: This cover is illustrated by Joe Bennett and it’s inked by Marcelo Mueller and colored by Rod Reis. Joe and Marcelo were originally supposed to do the entire issue when we were putting together the idea for the one-shot. Alec and I love the idea of world-building, and the opportunity to have this comic be something that’s of the world, we realized we were killing a couple birds with one stone, you know? Continue reading

C.O.W.L. 6

cowl 6Today, Spencer and Patrick are discussing C.O.W.L. 6, originally released November 26th, 2014.

Spencer: Comparing any comic on the stands today to a book from the Golden or Silver Age is like comparing night and day. Besides the drastic differences in art, pacing, and dialogue, comics today simply operate with more subtlety, complexity, and shades of grey than the books of the 60’s. That isn’t always a plus — I miss a time where Superman could simply be inspirational — but for the most part, modern comics to a better job of reflecting the complexity of life itself. Kyle Higgins, Alex Siegel, and Elsa Charratier’s C.O.W.L. 6 is a Silver Age throwback, and the simple morality tale it weaves is a far cry from the version of Chicago presented in its first five issues. This contrast is the perfect way to display how far Geoffrey Warner has fallen. Continue reading

Batman Eternal 30

batman eternal 30Today, Mark and Suzanne are discussing Batman Eternal 30, originally released October 29th, 2014.

Mark: In a few weeks, the Batman Eternal creative team will have produced more issues than even the longest running New 52 books. With the task of producing so much content, the challenges of serialization in a weekly title are magnified compared to a monthly title. Plot and action have to be metered out very carefully as to not burn through too much too fast, but at the same time every issue still has to feel like an event as readers have been trained to expect by monthlies. With that in mind, it’s enjoyable for me to watch the writers of Batman Eternal juggle the many, many plot threads they have introduced over 30 issues. I’ve read every issue since the title launched, and every few weeks I have a good “Hey, remember when this thing was about NANOBOTS?!” moment when something introduced months ago and seemingly dropped suddenly comes back to the forefront. The narrative whiplash is part of the fun. Continue reading

Batman Eternal 27

batman eternal 27Today, Patrick and Spencer are discussing on Batman Eternal 27, originally released October 8th, 2014.

Patrick: Comic books aren’t exactly a safe space for women. Like any medium with a long enough memory, comics carry some pretty ugly baggage when it comes to the depiction and treatment of female characters. It seems things are even rougher for residents of Gotham City, arguably the quintessential “comic book city” — not only are the police corruption and organized crime families stuck in the 1930s, but an awful lot of those gender politics linger there too. You needn’t look any further than the most recent Catwoman series to know what I’m talking about. A lot of the same specifics that plagued that series are present in Batman Eternal 27 — themes of sexual slavery, Selina’s dangerous naivety, gratuitous ass shots, even a cameo from Mr. Bone — but the issue manages to present these problems as a contrast to the world Batman Eternal seems hellbent on cultivating. Is the BE team’s Gotham a better place for female characters? Continue reading

Batman Eternal 25

batman eternal 25Today, Suzanne and Spencer are discussing on Batman Eternal 25, originally released September 24th, 2014.

Suzanne: I fondly remember reading Batman: Hush for the first time over five years ago. There is so much to like about that book — Jeph Loeb’s long-form storytelling, Jim Lee’s pencils, and the Batman-Catwoman relationship to name a few. Loeb develops the friendship between Bruce Wayne and Tommy Elliot so convincingly that it adds creative tension to the final reveal. You almost want Hush to be someone else because of the depths of his betrayal to Bruce.

Batman Eternal introduces Hush to the New 52 as the Big Bad behind the crippling of Gotham City starting with the arrest of Jim Gordon. How does this series’ treatment of Hush add relevance to him as a character? After Loeb and Lee’s story arc, some readers felt that Hush was overused and his appearances were mediocre at best. Certain characters benefit from a dormant period and less can be more, such as The Joker. I’m hoping that three years of living in New 52 character purgatory makes this appearance all the more effective. Continue reading