This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There’s a joke amongst fans that if a team exists in the Marvel Universe, Wolverine has been a part of it. This is an exaggeration — it’d be funny to see him joining up with the Champions or Young Avengers, but it hasn’t happened yet — but only slightly. Logan’s prolific stature in the Marvel Universe is what allows for an event like Hunt for Wolverine, which rounds up as many characters with connections to Logan as possible, no matter how tangential, from every corner of Marvel’s vast universe. It’s a bit of a bait-and-switch, as bringing in all these characters has so far (in the two issues of Hunt for Wolverine thus released) led to stories that are rather light on Wolverine himself. Tom Taylor and R.B. Silva lean into that idea in Hunt for Wolverine: Adamantium Agenda 1, pulling a bait-and-switch on their cast as well as their readers. Logan’s former New Avengers teammates think they’re rescuing Wolverine(‘s genetic code), but it turns out they’ve stumbled into a very different, much more personal scenario. Continue reading →
Today, Scott and Mikyzptlk are discussing Action Comics 27, originally released January 8th, 2014.
It’s tempting to see your enemies as evil, but there’s good and evil on both sides in every war ever fought.
Scott: That’s a line from this new Game of Thrones Season 4 trailer (Don’t click this if you aren’t caught up with the show, there are some possible spoilers). It brings up a good point about how irrational wartime mentalities tend to be, and about the importance of looking at things from a foe’s perspective. I think it holds true on a person to person basis as well. There are two sides to everyone, and no matter how prevalent the evil in an enemy seems to you, if you look harder you will see some good in them. Action Comics 27 is something of a study on this theory, as every seemingly ill-intentioned character is revealed to have at least some heart. Continue reading →
Mikyzptlk: Ah, the Ticking Clock. This dramatic device has been used countless times in probably every story telling medium imaginable. If you aren’t familiar with the concept, it’s fairly simple. If you are a writer and want to add a bit more tension or urgency to your story, just introduce a countdown or time bomb element of some kind. The H’el on Earth event has been using this particular device since the Star Chamber threatening Earth was introduced. Superboy 17 introduces yet another ticking clock, and, as it turns out, it’s fairly effective.
Drew: We read a lot of comics at Retcon Punch. One of the best thing about reading so many comics (besides, you know, reading so many comics) is that when we do pick up the odd issue of a title we’re not reading — usually for a crossover event — we still kind of know what’s going on. We may not get every reference to what has happened before, but because we’ve seen glimpses of, say, the Red Lanterns in Green Lantern: New Guardians, we kind of know what’s going on with them when we pick up Red Lanterns 13. This works well enough for stories set in Gotham or Oa, where our coverage of related titles is relatively robust, but it breaks down if crossovers are happening in our blind spots. The Superman and Young Justice groups happen to both be blind-spots for me, which makes jumping into a title like Superboy at issue 14 a particularly disorienting experience. Continue reading →
Today, Drew and (special guest writer) Nick Idell are discussing Superboy 0, originally released September 12, 2012. Superboy 0 is part of the line-wide Zero Month.
Drew: I’ve never been a big fan of origin stories. They tend to be overly plotty, displacing more telling character moments in favor of unwieldy exposition. In short, I see them as a necessary evil we often need to get out of the way before the real story can begin. It’s unfortunate, then, that I live in an age where superhero origin stories are so ubiquitous, every third Spider-Man movie needs to revisit that well. We’ve fetishized origins, pushing them to ever-increasing complexity, straining the very limits of pre-title copy that attempts to explain it all. “The Supergirl and Robin of Earth-2 are trapped on Earth-1” sounds relatively snappy, but likely requires an explanation of what the fuck Earth-2 is, and how exactly they get trapped in the first place. These baroque origins relay details, which requires more space to properly explore, resulting even more bloated exposition. “Scientists clone Superman” is such a clean, self-contained idea, but Superboy 0 finds writer Tom DeFalco ladling on the details, buddying the message into an inexplicable hash.