Mister Miracle 12: Discussion

by Drew Baumgartner and Patrick Ehlers

Mister Miracle 12

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Drew: Critics of postmodern fiction often suggest that its self-reflexiveness is flashy, but devoid of meaning. According to the argument, postmodernism is a bit like racing stripes on a car — it might be superficially appealing, but doesn’t actually change what’s under the hood. I would argue that those critics are forgetting (or perhaps taking for granted) one of the most basic roles fiction plays in our lives, as an analogy for reality, augmented and enhanced to reveal something to us about the world we live in. In that way, postmodern self-reflexivity is simply part of that analogy — particularly apt for addressing our own existential crises. There’s no clearer exemplar of this argument than Mister Miracle 12, which twists all of the miniseries’ questions about Scott Free’s reality into a moving commentary on life with depression. Continue reading

Mister Miracle 6: Discussion

by Patrick Ehlers and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: I had a little bit of a rebellious streak in high school. No, no — not actually in school, but during my confirmation classes. See, I was a good kid, studied hard and had a lot of extracurricular activities, but I couldn’t help but be a smart-ass where it came to my religious education. It’s easy to recognize this as some pretty impotent angst in retrospect: I was only resisting a belief structure which relinquished control over me as soon as I decided there was no God. One of my shit-eatingest points of rebellion was my constant assertion that Jesus didn’t really pay the price of death the way we understand it. Even granting the reality wherein he was crucified and suffered horribly for a couple days, he got to come back afterward. It’s not the act of dying, but the cold state of “not living” that should be the sacrifice. I don’t want to speak for Tom King and Mitch Gerads’ respective rebellious streaks, but it seems like Mister Miracle 6 agrees with at least part of 16-year old Patrick. Risking or sacrificing one’s life is only valuable is the the life itself is something you have to do without.  Continue reading

The Burden of “Figuring It Out” in Mister Miracle 4

by Patrick Ehlers

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

There’s really nothing quite like seeing a good close-up magician. As a jaded mega-skeptic, I always convince myself that if I focus hard enough, I can spot the trick. I’m not even sure that I want that–I love being fooled by illusions–but I always try. It feels like a survival tactic: if I can identify the trick, I can rest assured that the universe functions more or less the way I believe it does. If I can’t spot the trick? Well, then how can I ever be guaranteed of what is and is not real? Mister Miracle 4 zeroes in on this idea of focusing harder on what we believe to be a trick. And the truly disquieting thing is, no matter how hard we look, we can’t figure out what’s really happening. Continue reading

Mister Miracle 3: Discussion

by Mark Mitchell and Michael DeLaney

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Mark: How I feel about Mister Miracle 3 will ultimately depend on how the remaining 9 issues pan out, and if Tom King and Mitch Gerads are able to stick their landing. In isolation, I’m grossed out by King invoking the Holocaust and the genocide of more than 6 millions Jews in Nazi Germany not once, but twice, in this issue. The Holocaust is one of the modern era’s most visceral examples of mankind’s cruelty towards mankind, and as such it has become shorthand in media for “A Very Bad Thing.” Comparing fictional events to the Holocaust is cheap and easy, and doing so runs the risk of devaluing the real-life horrors experienced by real people and perpetrated by their fellow men.

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A Missed Opportunity in Hal Jordan and the Green Lantern Corps 29

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Robert Venditti and Rafa Sandoval have been weaving a story about fathers and sons during the “Fall of the Gods” arc, and while they still deliver an issue with the interesting character moments, deft balancing of Lantern personalities, and exciting action they have become known for, the narrative threads fail to fully come together in Hal Jordan and the Green Lantern Corps 29. Continue reading

Blowing Off Mythology to Focus on Hal in Hal Jordan and the Green Lantern Corps 28

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I want to start this piece with a pretty fundamental question: what is compelling about Green Lantern? It’s a tough elevator pitch, right? Part of that is because the great mythological expanse of the franchise is part of the appeal. How do you articulate the emotional spectrum with about babbling like a rabid fanboy for 20 minutes? Or how about trying to explain the always-in-flux state of the Corps, and their shifting relationship with the Guardians of the Universe? In the “Fall of the Gods” story arc, Robert Venditti and Rafa Sandoval are folding even more complex mythology into the dough, twisting their own narrative into a Kirby-ian pretzel. Issue 28, however, slows down just long enough to pitch the reader a different answer to the question I posed up top: Hal Jordan’s relationship to his dead father. Ingredients don’t get much more fundamental than that. Continue reading

Mister Miracle 1: Discussion

by Michael DeLaney and Patrick Ehlers


This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Jack Kirby’s Fourth World tales were weird, wild, and ultimately short-lived. In spite of this they have left a lasting impression on the DCU, inspiring later generations of writers to try to emulate the spirit of Kirby’s original saga. Jim Starlin, Grant Morrison and more recently Robert Venditti have shown us their take on The New Gods and now Tom King and Mitch Gerards add to the mythos in Mister Miracle 1. Continue reading

Mythological and Emotional Mystery in Hal Jordan and the Green Lantern Corps 26

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

John Stewart, Guy Gardner, Kyle Rayner and Hal Jordan are interesting characters. They’re all men with tremendous baggage, and perhaps the decades of dragging around said baggage have trained them to just blurt out their feelings with the blunt force of a green-light mallet. All of them are reeling from Soranik Natu Sinestro’s heel turn, and the defection of the Yellow Corps, and maybe they’re all a touch too eager to yell about their feelings. That emotional transparency is at odds with the opaque plotting of issue 26. The inherent mystery in “what is Orion doing here again?” makes the reader double back on those seemingly clear emotional statements. Continue reading

Justice League 23.1: Darkseid

darkseid 23.1

Today, Patrick and Spencer are discussing Justice League 23.1: Darkseid, originally released September 4th, 2013. This issue is part of the Villain’s Month event. Click here for our Villains Month coverage.

villain div

PatrickAny time I write about Darkseid, I’m worried that I’m going to misspell the character’s name. This is a fairly unique problem for me — outside of my unfortunate “Kitty Pride” habit (which I kicked after reading like a dozen issues of All-New X-Men), I’ve got a pretty good handle on how everyone’s name is spelled. I put the dash between Spider and Man and I know to double the R at the end of Dex Starr. But when I get to Darkseid, not only to I need to wrestle with internal pronunciation (‘darkSEED’ vs. ‘darkSIDE’), but I have to fight all of my elementary school spelling-training. “I before E, except after C and when sounding as ‘ay’ such as in ‘neighbor’ and ‘weigh.'” My mnemonic rhyme fails and I’m left with what’s in front of me. There’s an odd parallel to the presence of the New Gods in the New 52 – there’s a lot that we could know about them going in, but none of it is going to do you any good when you try to understand the character that’s in front of you. Ladies and gentlemen: Darksied Darkseid.
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Wonder Woman 22

wonder woman 22Today, Taylor and Scott are discussing Wonder Woman 22, originally released July 17th, 2013.

Taylor: Brian Azzarello certainly has a way of making us do a double take while reading Wonder Woman. The man has a talent for bending his plots in unlikely directions while also making us second guess everyone’s motivations with almost every new issue. It’s likely that when Wonder Woman was rebooted, some were similarly thrown for a loop when Azzarello depicted the gods as being petty, mean, and downright hostile to just about everyone but themselves. While anyone who has ever read a Greek myth recognizes the dickish mentality of the Greek pantheon, it seems likely that others might have been surprised. The popular conception of heaven and god(s) in today’s culture takes a much more touchy-feely approach with our deities. Instead of being something to be feared, we like to think of deities as being righteous, compassionate, and selfless. Azzarello seems to understand how these two forces are at odds and in issue 22 of Wonder Woman he asks us to compare the Greek gods with their New God alternates. The question is, are they the same or are they different?

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