This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!
How many times are Oliver Queen’s parents going to come back from the dead? In addition to some classic Ollie/Dinah team-ups, Green Arrow 34 functions primarily as a bit of filling in the blanks for the resurrected Mama Queen. Continue reading →
Today, Shelby and Spencer are discussing Green Arrow 31, originally released May 7th, 2014.
All of this is for nothing!
Ollie Queen, Green Arrow 31
Shelby: What is the point of reading stories where our favorite characters suffer through difficult situations? Hopefully, by the end of the story, they will have learned something through their ordeal and grown as a character. But when an arc concludes, the ordeal is all wrapped up, and still we’re left asking, “what was the point?” you know the arrow missed its mark (ha!). Green Arrow 31 finally concludes its Outsiders arc, and I find myself agreeing with Ollie as quoted above on the way things turned out.
Today, Shelby and Drew are discussing Green Arrow 30, originally released April 2nd, 2014.
Shelby: Because I like to stay on top of pop culture trends, I recently discovered the TV series Legend of the Seeker. It’s a pretty straight-forward magic-based fantasy, based on Terry Goodkind’s series The Sword of Truth. You know, right up my alley. Anyway, there are two groups of magical women in this universe: Confessors and Mord-Sith. The Confessors’ power is based on love and truth; they can see when someone is lying, and as a last resort force them to tell the truth by causing people to fall desperately in love with them. The Mord-Sith, however, get their power from hate; all love, kindness, and compassion is burned out of them from youth until all they know is how to cause pain and hatred. While neither situation is ideal, it’s made clear that the love for a Confessor can elicit positive change in a person, whereas “training” from a Mord-Sith can only breed more hate. So, what do you get when someone is motivated by both love AND hate? By quiet dignity and unbelievable cruelty? Maybe we should ask Green Arrow.
Today, Mike and Shelby are discussing Green Arrow 28, originally released February 5th, 2014.
Mike: I took the opportunity to reread Jeff Lemire’s run so far on Green Arrow from #17 on and man is this a well-executed series. I remember reading it for the first time and being as uncertain as to what was really going on as Oliver himself was. When The Magus popped up and told Oliver that “you were never supposed to leave the island!” I immediately thought of Lost, for the obvious “island” premise as well as the intriguingly vague cliffhangers the show was known for. An early episode of Lost was called “All the Best Cowboys Have Daddy Issues” – absent fathers being a recurring theme on the show. It’s also a title which is very appropriate for Green Arrow, a character with his own daddy issues that have now been taken to a different level entirely with the revelation of Robert Queen being alive. Continue reading →
Today, Drew and Mikyzptlk are discussing Green Arrow 23, originally released August 7th, 2013.
Drew: Last month, Count Vertigo articulated exactly why he’s such a perfect match for Green Arrow — Ollie needs to aim, while Vertigo stymies perception of space and motion. Ollie’s life has been such a mess recently, it’s easy to forget that archery is inherently very ordered. Even the quickest shot requires some pre-planning, some careful thought. In this way, the relationship between Green Arrow and Count Vertigo is one between order and chaos, a theme writer Jeff Lemire blows up in issue 23, as just about everyone has their plans upended. Continue reading →