Superman 16

superman-16

Today, Mark and Michael are discussing Superman 16, originally released February 1, 2017. As always, this article contains SPOILERS.

Mark: A lot of my time in Los Angeles has been spent in and around the improv comedy community, and watching a seemingly endless amount of bad comedy (and, truly, few things will make your flesh want to flee your body more than bad improv) really makes you appreciate the pros — people who week after week are able to deliver a baseline solid, occasionally brilliant, show. Consistency is what makes a pro a pro, in comedy, sports, comic books, what have you. The ability to reliably deliver the goods is indispensable. Superman 16 is a slightly disappointing end to Patrick Gleason and Peter J. Tomasi’s “Multiplicty” arc, but they’re pros, so even a messier Superman has ideas and moments worth paying attention to. Continue reading

Batwoman 24

Alternating Currents: Batwoman 24, Drew and Shelby

Today, Drew and Shelby are discussing Batwoman 24, originally released October 16th, 2013.

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Drew: When evaluating a work of art, I tend to ignore the artist — I’m far too focused on what the art means to me to care about what it means to anyone else, even if that anyone happens to be the one who made it. I think it helps me stay focused on the work in question — it’s all to easy to excuse bad art from an artist you like, or dismiss good art from an artist you hate — and focus on the meaning of a work of art. Occasionally, though, the artist (or the context into which the art was released) dominate the work’s meaning. Van Gogh paintings are presented as springboards for discussions of madness, and Beethoven symphonies simply cannot be performed without someone mentioning deafness. The real-world drama surrounding the release of Batwoman 24 are not nearly so biological, but in many ways, that only makes the issue a more frustrating read.

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