Joy and Frustration in New Super-Man 17

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

There’s a lot of joy in the opening pages of Gene Luen Yang and Joe Lalich’s New Super-Man 17 as Kenan Kong and his Justice League of China friends get to meet their older, more experienced OG idols. Super-Man and Superman already met a few issues back, and Avery and the Flash are already buds, but this is the first time Bat-Man gets to meet Batman, and Wonder-Woman gets to meet Wonder Woman, and it doesn’t disappoint.

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New Super-Man 16 Drags Historic Racism into the Present

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Recently on my morning commute, I’ve been catching up on the Washington Post‘s new(ish) podcast, Constitutional. The podcast’s third episode, “Nationality,” traces the story of Wong Kim Ark, a man born in San Francisco to Chinese parents whose Supreme Court case determined that being born in America made you an American citizen. And while that brief summary makes it sound like his story is a victory for the foundational ideals of America, the details paint a much less satisfying picture. It’s no secret that America is historically a deeply racist country, and that efforts to make forward progress are continually contested making victories hard-won. New Super-Man 16 reminds us how casually pervasive racism used to be, but also provides a measure for some of the progress that has been made. Continue reading

Superman 16

superman-16

Today, Mark and Michael are discussing Superman 16, originally released February 1, 2017. As always, this article contains SPOILERS.

Mark: A lot of my time in Los Angeles has been spent in and around the improv comedy community, and watching a seemingly endless amount of bad comedy (and, truly, few things will make your flesh want to flee your body more than bad improv) really makes you appreciate the pros — people who week after week are able to deliver a baseline solid, occasionally brilliant, show. Consistency is what makes a pro a pro, in comedy, sports, comic books, what have you. The ability to reliably deliver the goods is indispensable. Superman 16 is a slightly disappointing end to Patrick Gleason and Peter J. Tomasi’s “Multiplicty” arc, but they’re pros, so even a messier Superman has ideas and moments worth paying attention to. Continue reading