Gratuitous Violence and Wasted Potential in Heroes in Crisis 1

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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What is Heroes in Crisis actually about? The answer drastically changes my reading of this issue. See, as a murder mystery it works quite well — it doesn’t alleviate all my criticisms (which we’ll get into in a bit, believe me), but there’s interesting hooks in the form of which of the two prime suspects is the murderer, why they did it, and how the Trinity of Batman, Superman, and Wonder Woman will react. As a murder mystery, Heroes in Crisis 1 is an enjoyable, if flawed, comic. But Heroes in Crisis has primarily been advertised and solicited as a more low-key, nuanced look at how superheroes handle trauma, and when judged by that metric, it’s far less successful. Continue reading

Batman 50: Discussion

by Drew Baumgartner and Michael DeLaney

Batman 50

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Drew: Bruce Wayne understands that his responsibilities as Batman demands sacrifice. He devotes his time, body, and earthly resources to his mission to fight crime, and generally takes that mission very seriously. All of which can look like he’s sacrificed his own happiness in order to be Batman. Or, more precisely, that his happiness is a necessary sacrifice for his existence. Batman’s drive, the argument goes, comes from his grief, anger, and sadness, so anything that blunts or dilutes those feelings weaken his mission. It’s a position DC Editorial staked out back in 2013, when Dan DiDio explained why Batwoman’s marriage could never happen, but it’s not necessarily a philosophy writer Tom King ascribes to. Indeed, King has argued that Batman’s happiness is a valuable source of drama, stating “There’s no conflict in having Batman be sad. There’s conflict in having Batman be happy.” That may mean King sees Batman’s happiness as only a temporary condition, but it’s obviously not out of the question. The point is, it’s a hotly debated topic, and one that King cleverly allows to play out in the pages of Batman 50. Continue reading

The Art of the Tease in DC Nation 0

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

DC Nation 0 provides teases for three different types of upcoming books: Tom King’s continuing run on Batman, Brian Michael Bendis’ upcoming turn on the Superman books and the Scott Snyder-helmed Justice League: No Justice series. Different books lead to different teases. Continue reading

Action Comics 1000: Discussion

by Drew Baumgartner, Michael DeLaney, Patrick Ehlers, and Spencer Irwin

Action Comics 1000

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“From the City that Has Everything”

Drew: Superman changed the world. That’s obvious enough in-universe, but it’s just as true of our world. Action Comics 1 created (or at least codified) the superhero genre, a genre that came to define both the 20th and 21st centuries, and is still growing as Action Comics rings in its 1000th issue. It’s a singular achievement, but celebrating it as such might not be in the spirit of Superman, for whom humbleness is as much a part of his character as heroism. He’s not one to take compliments easily, let alone brag, so any efforts to do so on his behalf run the risk of feeling crass. Most of the stories in this issue opted to ignore lionizing Superman outright, aiming instead to illustrate what it is that makes him so laudable, but in the issue’s opening chapter, Dan Jurgens came up with a way to address the issue with Superman himself, providing a commentary on the whole exercise of a huge anniversary issue, and offering a justification that even Superman can get behind. Continue reading

Best of 2017: Best Series

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We all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a brand new creator-owned series or a staple of the big two, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. That bigness was on full display this year, as series made grand statement after grand statement about what they were all about. These are our top 10 series of 2017.  Continue reading

Best of 2017: Best Issues

Best Issues of 2017

Episodic storytelling is the name of the game in monthly comics. Month- or even multi-year-long arcs are fine, but a series lives and dies by its individual chapters. From self-contained one-offs to issues that recontextualize their respective series, this year had a ton of great issues. Whittling down those issues to a list was no easy task (and we look forward to hearing how your lists differ in the comments), but we would gladly recommend any (and all) of these issues without hesitation. These are our top 10 issues of 2017. Continue reading

Batman 36: Discussion

By Spencer Irwin and Mark Mitchell

Batman 36

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Is Bruce Wayne the mask, or is Batman? Which one is “real”? It’s a long-standing debate amongst the comic book community, and given the myriad of different interpretations of the character, probably one that will never have a definitive answer. My own feelings about this question have shifted and evolved over time, but if you asked me right this second, I’d say that both Bruce and Batman are masks of sorts — the millionaire playboy and the dark knight, respectively. We don’t see him too often, but there’s a real Bruce beneath both those facades, one with real human emotions that often get buried beneath the weight of his own mythology. The best parts of Tom King’s run on Batman have been the moments where he’s let that real Bruce shine through, and more than anything it’s been Catwoman who has allowed this Bruce to do just that. In Batman 36, King adds another tool to his storytelling arsenal that similarly cuts right to Batman’s hidden humanity: his best friend, Superman. Continue reading

Batman 30: Discussion

by Michael DeLaney and Drew Baumgartner 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: I’ll admit, I haven’t really understood Tom King’s fascination with Kite Man during his tenure on Batman. King placed Kite Man in the middle of “The War of Jokes and Riddles” in Batman 27 and his tragic origin — Riddler poisoning and killing his son — still left me unmoved. Batman 30 marks the second part of “The Ballad of Kite Man” as well as my cold heart thawing to Kite Man’s tragic existence. Continue reading

Balance in the Space Between in Batman 27

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

What’s the difference between camp and genre fiction? How about the difference between parody and pastiche? All of these categorical distinctions share the same powerful feature — exploiting tropes to elicit involuntary emotional reactions. And usually, that reaction is a laugh. A knowing chuckle, a boisterous guffaw, rolling chortles — what’s the difference? Is one form ridiculous while the other form is cool? Is one form important while the other form is base? And is there any space between them? Tom King and Clay Mann’s Batman 27 answers that question with the simultaneously ludicrous and tragic origin story of Chuck Brown: The Kite Man. Continue reading

DC Round-Up: Comics Released 6/7/17

How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing Batman 24, Dark Knight III: The Master Race 9, Green Lanterns 24, and Superman 24. Also, we’ll be discussing Green Arrow 24 on Friday and Wonder Woman: Steve Trevor 1 on Wednesday, so come back for those! As always, this article contains SPOILERS.

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