Today, Jack and Patrick are discussing Thor: God of Thunder 4, originally released January 9, 2013.
Jack: I’d like to start by saying that I knew a guy named Thor once. He was (and probably continues to be) a gentle, mild-mannered Army logistician of short stature, broad shoulders, and profoundly Scandinavian heritage. Most of his behaviors were marked by a kind of good-natured exhaustion and an uncomplicated gratitude for peace and merry-making. It was from him that I first learned the Ben Franklinism, “Beer is proof that God loves us and wants us to be happy.” I mention this not because it has any particular relevance to this issue of Thor, but because I am a creature of anthropocentric narratives; I require a certain amount of character development before I can engage a story, and it has become clear to me that in this case I will only get that character development if I bring it to the table myself, because Jason Aaron isn’t going to do it for me. I don’t really have a good grasp on who or what any of these characters are, both literally (I was never good on Norse mythology) and philosophically (what is a god?). I don’t much understand why any of them do the things they do, or what that has to do with the nature of the consciousnesses that I’m likely to encounter. That’s a particular and personal fixation of mine on storytelling, and I recognize it’s not everybody’s. In other regards, the craftsmanship is more than adequate. Continue reading










Drew: Batman, as an idea, is essentially a very elaborate scared-straight program. The whole reason Bruce Wayne dresses up like a bat is because he believes criminals — a superstitious and cowardly lot — will be too afraid to commit crime in Gotham. Sure, some criminals are too cocksure to fear him, or simply don’t believe that he exists, but pretty much everybody runs once he actually shows up. Joker is different. For whatever reason — that he doesn’t feel fear, doesn’t mind fear, or just that he just sees Batman as a guy in a costume who keeps insisting that everybody take him seriously — the idea of Batman doesn’t deter Joker from crime. In fact, modern interpretations of the character suggest that he commits crimes in order to gain Batman’s attention. That notion is what’s made their struggle such a fundamental one, and also explains why the Joker has so many fictional fans — if he can not blink in the face of terror, so can others. The idea that the Joker could be an empowering figure is a fascinating one, but unfortunately, Detective Comics 16 doesn’t take the time to do it justice. 