Swamp Thing 28

swamp thing 28Today, Mikyzptlk and Shelby are discussing Swamp Thing 28, originally released February 5th, 2014. 

slim-bannerMikyzptlk: After the surprising events of Swamp Thing 27, Swampy and his amazing friends are entering a new era. Charles Soule is clearly excited to begin the next chapter of his story, but before he can really dig in, he takes some time flesh out the mysterious character of Capucine. The results are fine, but this issue feels a bit like Soule is stepping on his own toes. Hopefully this is just a case of needing to take a few steps back, before being able to move forward again.  Continue reading

Black Widow 3

Today, Taylor and Patrick are discussing Black Widow 3, originally released February 5th, 2014. 

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Taylor: Home is a powerful concept for most people. It engenders ideas of safety, retreat, relaxation and rejuvenation. It’s a place to hang up your coat at the end of the day and somewhere where you’re allowed to live exactly how you want. In short, home is that place you go where you just feel good. However, if you’re Black Window, the concept of home can be a bit more complicated. Having lived a life that is defined by violence, the ideas of safety and retreat aren’t exactly well known to Natasha and with that comes an unusual view on the idea of home. In Issue 3 of Black Widow, Natasha ruminates on the idea of home and in the process learns a little something about herself along the way. With the spectacular artwork of Phil Noto accompanying the story, how could this issue be anything but great?

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Green Lantern / Red Lanterns 28

green lantern 28

Today, Patrick and Drew are discussing Green Lantern / Red Lanterns 28, originally released February 5, 2014.

Inigo: I do not think you will accept my help, because I’m only waiting around to kill you.
Wesley: That does put a damper on our relationship.
Inigo: But, I promise I will not kill you until you reach the top.
Wesley: That’s very comforting, but I’m afraid you’ll just have to wait.
Inigo: Is there any way you’ll trust me?
Wesley: Nothing comes to mind.
Inigo: I swear on the soul of my father: you will reach the top alive.
Wesley: Throw me the rope.

-The Princess Bride

Patrick: Trust is a tricky intangible quality — often you don’t know it until you see it. There’s no magic switch you can throw to make someone trust you, and — more tragically — no switch you can throw to trust yourself. It’s both hard-won and easily lost. Robert Venditti and Charles Soule use the newly minted Red Lantern Supergirl to explore how issues of trust are slowly eroding the Greens, the Red and both of their leaders. Turns out all the Rage, Will and Hope in the universe don’t mean shit without Trust. Continue reading

Trillium 6

trillium 6

Today, Shelby and Scott are discussing Trillium 6, originally released February 5th, 2014. Shelby: I’ve lived alone for about 3 years. It’s not always the easiest thing to do; sometimes you want more than anything to have some other person around. It doesn’t have to be someone you talk to, or even know. There’s just something about the presence of another person that is comforting. Now, luckily, I have dear friends who live pretty close, so whenever I get that urge to talk to someone other than a houseplant, I can do something about it. Not everyone is so lucky; there are some who, for reasons physical or mental, have no choice but to be alone. Jeff Lemire takes a look at what it is to be alone in his latest installment of Trillium.
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Punisher 1

Alternating Currents: Punisher 1, Drew and Spencer

Today, Drew and Spencer are discussing Punisher 1, originally released February 5th, 2014. 

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Drew: What defines a character? This is a question at the crux of many narratives, but takes on an added importance in comics, where characters may be written by different writers, and the grind of publishing stories into perpetuity may squeeze characters into ever stranger situations. Is Superman still Superman if he doesn’t wink at the end of his stories? What if he doesn’t wear a cape? What about Batman? Is it still a Batman story if it takes place in Iowa? How many of these details can change before the character is no longer recognizable as the character? Editor Jake Thomas acknowledges this phenomenon directly in the letters page of Punisher 1, where he suggests that Punisher is remarkably capable of being put in different scenarios while staying true to his character. Unfortunately, I see that flexibility as emblematic of Punisher’s lack of distinguishing characteristics, and this issue does little to convince me otherwise. Continue reading

Guardians of the Galaxy 11

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Today, Scott and Patrick are discussing Guardians of the Galaxy 11, originally released January 29th, 2014.

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Scott: The call-and-response nature of crossover events can grow a bit tiresome. We all know it. Guardians of the Galaxy 11, the series’ entree into “The Trial of Jean Grey”, is only tasked with answering one question: why did the Shi’ar kidnap Jean Grey? While Brian Michael Bendis ably resolves that question, the rest of the issue winds up feeling rather pointless. Bendis handicaps himself by not allowing this issue to advance the story any further than that, insisting instead on keeping pace with the other half of the crossover, All-New X-Men. Guardians 11 is a necessary issue, to be sure, but also a very flat one. So while “The Trial of Jean Grey” isn’t the Lifetime movie its title suggests, it is off to a slow start. Continue reading

Thunderbolts 21

Alternating Currents: Thunderbolts 21, Drew and Shelby

Today, Drew and Shelby are discussing Thunderbolts 21, originally released January 29th, 2014.

Drew: Life is complicated. It’s an axiom that we’re all familiar with, but in a vacuum, our own lives are pretty simple: we have basic needs that must be met, and additional wants that we try to meet. It’s only when people, with their own conflicting needs and desires, start interacting that things get messy. That’s the stuff narratives are made of — a hero encounters some opposition to what he wants or needs — but what if the team itself is a source of opposition? What if your heroes can’t even decide what their wants and needs are? That’s when thing start to really resemble the complexities of life, and is exactly the kind of situation the team finds themselves in in Thunderbolts 21. Continue reading

Batman and Robin Annual 2

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Today, Greg and Mikyzptlk are discussing Batman and Robin Annual 2, originally released January 29th 2014.

Greg: My friends often make fun of me for liking everything, and they have a good point. If one of them asks me for a movie recommendation, I’ll give twenty, and get at least one “I heard that was terrible” in response. If someone rags on the recently cancelled and critically reviled Sean Saves The World, I’ll pipe in and counter that it was actually one of the best new comedies of the season, prematurely put down. The new Paramore album? On repeat, in my car stereo, no apologies. Sometimes I’ve been criticized as not having enough cultural taste or filtration. My counterargument is that the consumption of media and storytelling fundamentally stems from love and positivity. It behooves a consumer to like things, because of the positive feelings you get. So, whenever I do genuinely, fully, through-and-through dislike something, not only do I mean it, but it pains me to say it out loud. It blots out my blinding sun of naive media love. I’ll put it frankly, no matter how much it hurts me to say: Batman and Robin deserve better than this issue.
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Talon 15

talon 15

Today, Patrick and Spencer are discussing Talon 15, originally released January 29th, 2014. 

Patrick: When I wrote up the first issue of Talon, I lamented the fact that Calvin Rose’s origin story was less precious in the light of the other Talon origins we’d read just a few months prior. What’s more, origin-story-overload was starting to strip the Court of Owls of its mystique. New series writer Marguerite Bennett introduces us to yet another new Talon, but distorts and twists his back story, almost daring the reader to try to get something meaningful out of it. Ultimately, both the character and the author reject the importance of this origin narrative. It’s a fascinating concept that seems stubbornly resigned to its own unimportance.  Continue reading

East of West 9

Today, Taylor and Drew are discussing East of West 9, originally released January 29th, 2013.

Taylor: When successfully writing a story about a fictional world, there is one thing the author must do if they want their work to be believable. It’s not necessarily high-flown concepts or a strong thesis, though those certainly help. Instead, it’s important for the author to create a world that follows its own rules and mythologies. The author must not break away from these or else the world he or she so deliberately built will come crashing down. In the land of comics where fantasy worlds become reality on a regular basis, Jonathan Hickman has established himself as a skilled observer of this rule with such titles as The Manhattan Project and of course East of West. In the latter, Hickman has created a bleak landscape where death roams the world, both literally and figuratively. The world Death inhabits, along with its inhabitants, is fascinating and dark, and learning more about it is part of the joy of reading East of West. Issue 9, like issue 8 before it, indulges the reader with world building which is both a delight and a little frustrating at the same time. Continue reading