Category Drew Baumgartner

Drew Baumgartner, Co-Editor-In-Chief
drew@retcon-punch.com

Location: Milwaukee

History With Comics: Drew grew up with Superman pajamas. His best days were when he never had to change out of them. He fell in love with Batman the Animated Series when he was 5. He had never read a comic in his life, but started reading Batman trades when he was in high school. He continued to pick up trades and one-offs throughout the 00’s, but never got into the monthly swing. After almost a decade of being an outsider looking in, Drew seized upon DC’s relaunch to start picking up monthlies.

May 8 2013

Animal Man 20

animal man 20

Today, Scott and Drew are discussing Animal man 20, originally released May 1st, 2013. 

Scott: I guess Animal Man readers better have good memories. If you were caught off guard by “Tights: Part Two”, try to recall how you reacted to Part One, way back in Animal Man 6. At that point, the story of Chaz Grant bore little resemblance to the life of Buddy Baker, who had considerable power as Animal Man and good standing as a husband and father. Since then, however, Buddy’s life has fallen to pieces: he’s lost his son, his relationship with his family is in disrepair and he’s been cut off from The Red. Buddy’s life at the start of Animal Man 20 is eerily similar to that of his character in “Tights” midway through the film. The second half of the movie effectively shows us that there might still be hope for Buddy Baker, while even more effectively showing us that there might not.

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May 7 2013

Batwing 19-20

batwing 19-20

Today, Patrick and Drew are discussing Batwing 19 and 20, originally released April 3rd and May 1st, 2013.

Patrick: We’ve seen a lot of creatives shifts in the DC line-up in the last couple of months — and there are a few more up-coming — but none have been quite so bold as Batwing to explicitly toss out the old version of the character for a new one. Not only does the Batwing costume change, but the man behind the costume changes, and there’s nothing to connect one Batwing to the next. And that’s the real problem: the concept of Batwing is one that require justification and understanding. Through this transition, new series writers Jimmy Palmiotti and Justin Gray do nothing to explore that for either the venerable David Zavimbe or the newbie Luke Fox. Continue reading →

May 7 2013

Chat Cave: Iron Man 3

chat-cave-header

Marvel Studio’s follow-up to the uber-successful Avengers movie, Iron Man 3, came out this weekend to mixed reactions from critics and fans, but it cleaned up at the box office, certifying the longevity of the whole Avengers’ stable of films. The movie also serves a double roll — concluding the Iron Man series while kicking off Marvel’s Phase II. How well did it succeed in any of these capacities? Welcome to the Chat Cave.

Patrick: I had the pleasure of seeing this movie with my little brother, Jack — who until recently, had been writing about a title-a-week with us. He’s the fascinating case of someone who had never seen any of the Iron Man movies and also has not seen The Avengers. As a self-contained adventure, this worked amazingly well for her. I don’t know how the Marvel Studios guys do it, but they manage to make relatively faithful superhero movies that aren’t steeped in dense mythology. Walking out of that movie, Jack concluded that Tony’s superpower was “data management,” which sounds like it should be boring. But there are enough ultra-fast-talkin’ sequences and super-computer-assisting-crime-solving sequences to dramatize this super-collation of data in engaging and funny ways. Continue reading →

May 6 2013

All-New X-Men 11

all new x-men 11

Today, Drew and guest writer Charles Cress are discussing All-New X-Men 11, originally released May 1st, 2013.

Drew: Superhero comics have a strange line to walk when it comes to serialization. We want a sense of forward movement — we want the characters to grow and change — but we also want to read stories with them forever. In essence, we want the excitement of serialization (your LOSTs or your Breaking Bads) with the comfort of a more episodic structure (your Seinfelds or your Law and Orders). The problem with that is when something we expect to move forward doesn’t, we notice it. “Wheel spinning.” This is strictly a problem with expectations — nobody would ever accuse an episodic series of spinning its wheels — but Brian Michael Bendis has done such a stellar job at telling a propulsive story in All-New X-Men, it’s a little jarring when issue 11 retraces its steps.

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May 3 2013

The Superior Spider-Man 9

superior spider-man 9

Today, Ethan and Drew are discussing Superior Spider-Man 9, originally released May 1st, 2013.

Ethan: I’m not sure why so many of my posts have dealt with issues of identity lately. Maybe modern comic authors really like to incorporate this theme; maybe it has something to do with the inherent conceit of people donning costumes to play out parts of their life as someone else; maybe it’s just a concept I like to think about. Probably some mixture of all of them. Regardless, in Superior Spider-Man #9 Dan Slott provides a great forum for exploring the ideas of what makes us who we are by throwing science, emotional relationships, and morality into a figurative salad spinner and, um, spinning it.

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May 2 2013

Age of Ultron 7

Alternating Currents: Age of Ultron 7, Drew and Patrick

Today, Drew and Patrick are discussing Age of Ultron 7, originally released May 1st 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Drew: I wanted to start this writeup with the clip from Back to the Future part II where Doc explains the notion of “alternate 1985” — the idea that changing something while time traveling to the past can create a timeline different from the one you know. It’s a common notion (and plot device) in most time-travel stories, but Doc explains it quite clearly in a simple chalkboard diagram. When I went hunting for that clip, however, I was bemused to discover that most of the discussion of that scene hinges on how the rest of the movie doesn’t really adhere to its rules (how does Biff of 2015 return to the “original” timeline — which needs to happen in order for Marty and Doc to use the delorean to return to 1985 — if he is coming back from creating the “alternate” timeline?) which illustrates the larger problem of time-travel stories: they can’t ever make any sense. Continue reading →

May 1 2013

Teenage Mutant Ninja Turtles 21

tmnt 21

Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles 21, originally released April 24th, 2013.

Taylor: Cities are dirty places. Go to any major city and it’s pretty much guaranteed that you will see litter piled in gutters, blowing across streets, and randomly dispersed in unsuspecting front yards. It’s not that people in big cities like litter (does anyone?) or care about the environment any less than people in smaller urban areas. Rather, it’s simply a matter of when you throw a huge number of people together they create a huge amount of waste. Keeping all of this waste together can be a hard thing to do, thus in cities like Chicago, my base of operations, litter and dirtiness are just something you get used to. This grime that accumulates in big cities gives them an unmistakable urban feel which most people can easily recognize, whether they have ever lived in such an environment or not. Kevin Eastman recognizes this aspect of cities and it is reflected in issue 21 of Teenage Mutant Ninja Turtles, which he both wrote and drew. The result is an issue that realigns the series with a new plot while at the same establishing a dark and ominous tone for the future.

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May 1 2013

Invincible 102

Alternating Currents: Invincible 102, Drew and PatrickToday, Drew and Patrick are discussing Invincible 101, originally released April 24th, 2013.

Drew: Big reveals can be a lot of fun, but they often have the effect of retroactively making everything leading up to them seem patently absurd. The very notion of “spoilers” bears this out — sure, knowing Bruce Willis was dead all along removes the impact of the reveal, but the more lasting effect of knowing is that it draws your attention to how hard the movie works to never explicitly show that he’s alive, ruining what would have otherwise seemed totally innocuous. Once you know he’s dead, he can’t credibly be seen as not dead, which makes the whole movie kind of dumb. As a newcomer to Invincible, the big reveal in issue 102 feels a lot like that spoiler, shifting our perspective on a character so drastically that I find it hard to believe we could have ever thought anything else. Continue reading →

Apr 30 2013

All-Star Western 19

Alternating Currents: All-Star Western 19, Drew and Taylor

Today, Drew and Taylor are discussing All-Star Western 19, originally released April 24th, 2013.

Drew: Time travel does weird things to stories. Leaving aside whatever chronology wankery that usually goes along with it, time travel stories actually require pretty specific things of their characters. If they are going to the past, for example, they must not know history that well (or events have to play out in a way different from what they learned). Sure, having a character aware of the hands of fate sounds good, but knowing everything before it happens sure sounds boring. Making the time traveler relatively unaware allows for all kinds of neat dramatic irony — we know how things play out even if the characters don’t. This is especially true of historical events we might recognize, but it’s also true of smaller period details. We laugh when Bill and Ted high-five Napoleon, or when Marty McFly plays Johnny B. Goode because we understand that that’s not how someone from that time period would behave. It’s this smaller-scale dramatic irony that permeates All-Star Western 19, as Jonah Hex runs into a time-displaced Booster Gold. Continue reading →

Apr 30 2013

The Flash 19

Alternating Currents: The Flash 19, Drew and MikyzptlkToday, Drew and Mikyzptlk are discussing the Flash 19, originally released April 24th, 2013.

Drew: It’s hard to pick a favorite thing about The Flash. Is it the bright tone? The vivid, thematically rich art? It’s penchant for clever meta-commentary? In many ways, it feels like it was designed for the kind of nerdy dissections we do here at Retcon Punch, giving us everything we look for in a comic. Nothing brings that feeling about more than the specific pop-culture references this series drops from time to time. Things like having characters from LOST pop up randomly, or building an entire arc up to a single Planet of the Apes reference feel like they were designed rather specifically for my nerdy mentalities. Those references were fun, if entirely disposable — they amounted to little more than throwaway lines and background characters — but with issue 19, writer Brian Buccellato goes into full-on homage mode, giving us an extended Die Hard tribute that plays a key role in the plot. Continue reading →