The Amazing Spider-Man 17

amazing spider-man 17

Today, Drew and Patrick are discussing The Amazing Spider-Man 17, originally released April 1st, 2015.

O, I am fortune’s fool!

William Shakespeare, Romeo and Juliet

Drew: Of all the heroes in Marvel’s pantheon, Peter Parker might be the most defined by his passivity. I don’t mean to say that he never takes decisive action, just that it’s almost always reactionary. Heck, he doesn’t even play a key role in his own origin — the spider bites him, then Peter lets the robber get away instead of doing something. This manifests itself in his perpetual bad luck, that is, outside forces that always make his life harder. It makes for great drama, but after a while, it also starts to paint Peter as kind of incompetent. Why is he always stammering for a cover story? Why is he always facing off against the same bad guys? Why is he always running out of web-fluid? The smartest part about The Superior Spider-Man was pointing out these obvious areas for improvement, shaking up the formula of Spider-Man as we know him. It was an exciting development, but Peter’s return to his body was also a return to form, failing to capitalize on many of Otto’s inarguably superior developments. Amazing Spider-Man 17 finds Peter coming up against some of those age-old problems, but this time, Anna Maria doesn’t have the patience to watch him keep bumbling through them. Continue reading

Weekly Round-Up: Comics Released 3/25/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Spencer, Patrick, Ryan, Mark, Michael and Drew discuss The Flash 40, Effigy 3, The Wicked and The Divine 9, Suiciders 2, Wytches 5, Deadpool 44, New Avengers 32, Batman Eternal 51, Darth Vader 3, Gotham Academy 6, Secret Avengers 14, and Elektra 11.

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Spencer: There’s a lot I admire about the way Robert Venditti, Van Jensen, and Brett Booth bring their story of the two time-displaced Flashes to a close in The Flash 40. Booth rocks the three-way speedster battle with energetic pencils and layouts that manage to perfectly capture the feeling of speed, and the strategy Barry concocts to disable Overload’s abilities is quite clever. My favorite thread, though, is the “redemption” of Old Evil Flash. He finds a way to stop Overload based solely around the kind of compassion that has always been a major part of his character instead of resorting to vengeance, and ultimately takes responsibility for all of his crimes, which may be a more important moment than even his death in terms of redemption. Patty’s inability to forgive his crimes, though, may be even more significant — Venditti and Jensen find a way to condemn the Future Flash’s actions unequivocally without completely vilifying him, finding a kind of moral balance that “redemption” stories often miss. At times the issue feels a bit cramped and rushed, but I blame that on the creative team having to wrap up their story before Convergence begins; considering the space they had available, Venditti, Jensen and Booth have crafted a strong ending to their long-running storyline. Continue reading

Jem and the Holograms 1

jem and the holograms 1

Today, Patrick and (guest writer) Ryan Mogge are discussing Jem and the Holograms 1, originally released March 25th, 2015.

Patrick: I’ve always been a path-of-least-resistance kind of guy – I’m a people-pleaser, a conflict resolver, a middle child, a Midwestern gentleman. That’s a great personality-type to have with you on a road trip or helping you move or whatever, but I’ve run into some roadblocks as an artist with this sort of vanilla disposition. As a songwriter or an improviser or a writer, I have to let down a lot gates before I can come anywhere near expressing something other than “I don’t want to be no trouble.” Allowing ourselves to feel, and then expressing those feelings publicly, is ugly, self-indulgent, messy, and embarrassing…or at least, that’s the fear that so frequently stands in my way. If only I had an easier time expressing what I really am — whatever that means — I could be a better artist. Kelly Thompson and Sophie Campbell’s relaunched Jem and the Holograms explores how baggage, both visible and invisible, can be a hindrance to artistic expression. Continue reading

The Autumnlands: Tooth and Claw 5

tooth and claw 5

Today, Spencer and Patrick are discussing The Autumnlands: Tooth and Claw 5, originally released March 25th, 2015.

Spencer: I like to think that I’m an optimistic person, but if there’s one thing I allow myself to be unabashedly cynical about, it’s politics. Now, I don’t think that everyone involved in politics is up to no good, but for every politician trying to do right by their voters, there’s ten thousand more looking out only for themselves. In The Autumnlands: Tooth and Claw 5, Kurt Busiek and Benjamin Dewey focus a bit on that dilemma, showing how the political maneuverings of the selfish can drown out those with more noble intentions, even in a world of magic and great champions. Continue reading

Teenage Mutant Ninja Turtles: Mutanimals 2

tmnt mutanimals 2

Today, Patrick and Drew are discussing Teenage Mutant Ninja Turtles: Mutanimals 2, originally released March 25th, 2015.

Patrick: Himato Yoshi and his four sons were murdered by Oroku Saki and the Foot Clan. Hundreds of years later, and on the other side of the world, they are given a second chance to be a family as a quartet of anthropomorphic turtles and a wizened man-rat. Mutation is the ultimate blessing: it literally allows the Himato family to beat death and live together indefinitely. But they had the fortune to be among the only accidental mutants in the world of TMNT, and are therefore beholden to no agenda, no cause but their own. Under the leadership of Old Hob, the Mutanimals have taken on the identity of avenging victims, and writer Paul Allor explorers how their weaknesses make them strong (and, maybe the other way ’round too). Continue reading

Weekly Round-Up: Comics Released 3/18/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew, Patrick and Spencer discuss The Kitchen 5, Manhattan Projects: Beyond the Stars 1, Batman Eternal 50, Batgirl Endgame 1, Superman 39, Batman Superman 20, The Amazing Spider-Man 16.1, Black Widow 16, the Unbeatable Squirrel Girl 3, Cyclops 11, and All-New Captain America 5.

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Drew: I’ve always thought dividing comics and television into “episodic” and “serialized” categories was kind of overly reductive. Even the most episodic series I can think of had some kind of continuity, and even the most serialized ones need to deliver their stories in satisfying installments. When we zoom out to talk about what the series is — a workplace comedy, a police procedural, a family drama — considerations like the importance of continuity become noise. I think we now have enough information to know what kind of series The Kitchen is, as issue 5 asserts a new normal, even as change appears on the horizon. Continue reading

Princess Leia 2

princess leia 2

Today, Michael and Patrick are discussing Princess Leia 2, originally released March 18th, 2015.

Michael: Having just started its sixth season, Community is a completely different show from what it was in its first three seasons. Series creator Dan Harmon was fired after season 3, but returned for a 5th and now 6th season. The show has wisely tip-toed around most developments from Season 4, which, for it’s Harmon-less-ness, is universally considered to be the worst season of the series. While Harmon has salvaged some ideas from that season, it is probably best to leave Season 4 alone for the most part, not having its particular stink effect the future storylines too heavily. I’d argue that Disney and Marvel should take the same approach to the dreaded Star Wars prequels. I’m not gonna go on a huge diatribe about why the prequels were bad, the internet is full of such litanies. Listen, I get it. I was 10 years old in 1999; The Phantom Menace was my jam and I played ridiculously hard Star Wars games on PS1 like Jedi Power Battles. But let’s call a spade a spade: the prequel trilogy = not so great. So when examining a book like Princess Leia 2, where our heroine visits her birthmother’s home planet of Naboo, it’s hard not to think of less pleasant experiences in a galaxy far, far away.

Continue reading

Zero 15

zero 15

Today, Patrick and Drew are discussing Zero 15, originally released January 28th, 2015.

Patrick: Last time we talked about Zero, Drew was interested in the discrete loops of experience necessarily unshared by the artist and the audience. This came on the heels of two issues which seemed to actively push the audience away — largely wordless volumes soaked cover-to-cover in intense, non-romantic violence with cryptic references to half-remembered song lyrics — so it was easy, almost necessary, to rely solely on the reader’s perspective of the events in question. With issue 15, Ales Kot and artist Ian Bertram re-introduce the concept of the meta-narrative first explored in issue 10, and along with it, a fictionalized version of Williams S. Burroughs, as the author of this story. The move simultaneously buys into the culture of exploring authorial intention and discounting it all together, as the experiences, reality, dreams and non-reality of creator and creation merge, both on the page and off. Continue reading

Loki: Agent of Asgard 12

loki 12Today, Spencer and Patrick are discussing Loki: Agent of Asgard 12, originally released March 18th, 2015. 

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“It’s not who you are underneath, but what you do that defines you.”

Rachel Dawes, Batman Begins

Spencer: If there’s one character who’s taken these words to heart even more than Batman, it’s Loki. From its very first issue, Loki: Agent of Asgard has been about Loki attempting to change his destiny by erasing the sins of his past and replacing them with noble missions. If nobody could remember his crimes, then surely that would make him a good person, right? On that same wavelength, King Loki poses a threat because his actions threaten to trap his young counterpart in the role of “villain” for all of eternity. It’s this idea of a narrative defining a character, established over 12 issues, that makes King Loki’s big twist hit so hard: actions mean nothing. Loki is Loki, and nothing can change that. Continue reading

Teenage Mutant Ninja Turtles 44

tmnt 44

Today, Patrick and Drew are discussing Teenage Mutant Ninja Turtles 44, originally released March 18th, 2015.

Patrick: I think we all make a lot of assumptions about invulnerability. Especially living, as we do, in the 21st century, with so many medical and technological advances, meaningful loss is an uncommon occurrence. That assumption is lie we tell ourselves, but perhaps it’s a necessary lie. If we had to seriously consider our own human fragility before starting our days tomorrow, how many of us could even scrape up the gumption to drive to work? The human body so such a fragile carrier for these personalities which seem so indestructible. The idea that Drew’s personality could be snuffed out by something terrible happening to his body is ludicrous, but it’s also completely true. Tucked into the closing acts of the Attack on the Technodrome, Tom Waltz, Cory Smith, and the creative team on Teenage Mutant Ninja Turtles explores this vulnerability. Continue reading