Wonder Woman 26

wonder woman 26

Today, Patrick and Drew are discussing Wonder Woman 26, originally released December 18th, 2013.

Patrick: On Brian Azzarello’s Mount Olympus, the gods and demigods all serve very specific purposes. When he shows up out of nowhere at the end of the issue, Dio identifies himself as the god of “the truffle harvest, tragedies, luxuries, parks and galleries.” That’s a weird concept, but one we always embrace when discussing mythological creatures: sure, I get why we need a god of the hunt (or wine or sword making or whatever). But, like, it’s a nonsense conceit, made all the more explicit by Zola asking “what’s a truffle?” Beyond being avatars of various nouns, the gods are also a family, and the roles they play within that family are just as indicative of the parts they play in this on-going drama. They are victims and bullies, martyrs and defenders, cousins, long-lost-sisters and little brothers. The mix of the divine and the human is sublime, making every turn of this series as surprising as it is inevitable. Continue reading

Wonder Woman 25

wonder woman 25

Today, Mikyzptlk and Drew are discussing Wonder Woman 25, originally released November 20th, 2013

Mikyzptlk: Strife. We’ve all felt it at one point or another. It has a way of seeping into us whether we want it to or not. No matter how patient or level-headed we try to be, we all succumb to the effects of strife every now and then. Dealing with Gods of “stuff,” Brian Azzarello has been able to use his divine characters to push his story forward in a number of ways. As you might have guessed, Azzarello uses issue 25 of Wonder Woman to place a particularly heavy focus on the character of Strife and her manipulative plans. Little does she know, Azzarello and Wonder Woman may just have plans of their own.

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Superman/Wonder Woman 2

superman wonder woman 2

Today, Shelby and Scott are discussing Superman/Wonder Woman 2, originally released November 13th, 2013

Shelby: I know I’ve mentioned before that I’ve been reading Robert Jordan’s Wheel of Time series for quite some time. Since it was not unusual for more than a year to pass between books, when a new volume was released I would frequently re-read a book or two that had come before to remember where the story was. I noticed that each new book would have to devote a solid chunk of pages to re-hashing basic concepts, presumably to familiarize new readers with way this world worked, just in case someone decided to jump right in at book 7, I guess. I’m sure there was an element of reminding the long-time readers as well, but I always skim through those parts with some annoyance. I understand the purpose and the necessity of the quick recap (hell, we do it here), but if I don’t need it I just want to skip it and get to the meat of the story. Charles Soule finds himself with a similar situation on his hands; he’s got to find a way to tie together the disparate worlds of Superman and Wonder Woman, using the existing New 52 framework, while telling his own story of these two characters. A Herculean task, to be sure.
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Wonder Woman 24

wonder woman 24

Today, Scott and Mikyzptlk are discussing Wonder Woman 24, originally released October 16th, 2013.

Scott: I love reading Wonder Woman. Brian Azzarello is now 24 issues into his run on this title, yet I feel like I’ve read 50. I mean that in a good way. The world he’s created is so vivid, the characters so constantly evolving that I feel like I’ve spent more time with them than I really have. Wonder Woman 24 is dependent on every member of the title’s diverse cast, and just about everyone has something new to offer. It isn’t the most thrilling comic book ever written, but it’s pleasing in a way that really no other title can replicate. Simply, Wonder Woman feels like a place where everybody knows my name, and they’re always glad I came. I never want to leave. Continue reading

Wonder Woman 23.2: First Born

Alternating Currents: Wonder Woman 23.2: First Born, Drew and ScottToday, Drew and Scott are discussing Wonder Woman 23.2: First Born, originally released September 25th, 2013. This issue is part of the Villain’s Month event. Click here for our Villains Month coverage.

What comes before anything? What have we always said is the most important thing?

Michael Bluth, Arrested Development

Drew: Family. What would we be without them? No, seriously: they’re there from the start, and they have a profound effect on the people we eventually become. For better or for worse, who they are and how they interact with us largely shape who we are and how we act. The same can be said of who they aren’t — perhaps in spite of what we want them to be — which can have just as significant effect on the people we become. As a character, the First Born is far more defined by the absence of his family, but how that manifests is just as subtle and specific as any other family dynamic. Continue reading

Wonder Woman 20

wonder woman 20

Today, Drew and Scott are discussing Wonder Woman 20, originally released May 15th, 2013.

I said, war, huh
Good God, y’all
What is it good for
Absolutely nothing
Say it again

— Edwin Starr

Drew: War is ugly. There’s death, there’s destruction, there’s misery, but I think the ugliest thing about war is that we’ll never be free of it — it’s in our nature. Things quickly escalate from the desire to protect the people and things we care about, to a “the best defense is a good offense” mentality, to tit-for-tat reciprocity. It’s all too easy to see how vast groups of people — motivated only to do what is right for their loved ones — could be compelled to all-out war. In his Wonder Woman run, Brian Azzarello has traced this trajectory with grim fascination, simmering the tension along as the situation slowly escalates. This month finds that tension boiling over with three factions engaged in war — with the added complication that War itself is also a character.  Continue reading

Wonder Woman 19

Alternating Currents: Wonder Woman 19, Drew and Scott

Today, Drew and Scott are discussing Wonder Woman 19, originally released April 17th, 2013.

Drew: Wonder Woman 18 ended on an atypically happy note — Zola was reunited with her baby, Diana and Ares seemed to have patched things up, Hera had found a bottle of wine — but the end of those good times is lurking around every corner. Unfortunately, Diana and friends may be caught unawares, mistaking their recent battles for the coming war. Indeed, when wagering on the outcome of that war, Poseidon discounts Diana, suggesting that he “always bet[s] against a player who doesn’t know they’re in the game.” Poseidon has made the mistake of underestimating Diana before, but he may have a point: while her adversaries are arming themselves, Diana seems to be distracted by more basic team maintenance. Continue reading

Young Romance: The New 52 Valentine’s Day Special 1

young romance

Today, Patrick, Mikyzptlk, Shelby, Michael, Drew and Jack are discussing Young Romance: The New 52 Valentine’s Day Special 1, originally released February 6th, 2013.

It’s Valentine’s Day, which means that we here at Retcon Punch are going to do our best to pretend we’re not angry, misanthropic nerds for one day to discuss the six love stories laid out in the oddly titled Young Romance: The New 52 Valentine’s Day Special. As we like to foster as much conversation as possible here, we’ve pulled in six of our sappiest, most sentimental writers to hit these stories one at a time.  Continue reading

Wonder Woman 14

Today, Scott and Taylor are discussing Wonder Woman 14, originally released November 21st, 2012.

Scott: ‘Tis the season for excess. We eat too much, spend too much, we eat too much again and, when things start feeling a little hectic, we tend to think too much. So, as I sit here debating whether to have more stuffing or more mashed potatoes, I can’t help but wonder if Wonder Woman is biting off more than it can chew. Of course, that’s silly; this comic has proven time and time again that it is one of the most clever and well thought-out series around. So the fact that this issue followed four separate storylines in four distant locations shouldn’t worry me, right? But if Wonder Woman is going to turn into the great meal I know it can be, at some point all of these different ingredients are going to have to come together on one plate, so to speak (I don’t know if I’m trying too hard to make this into a Thanksgiving analogy, or not hard enough).

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Wonder Woman 13

Alternating Currents: Wonder Woman 13, Taylor and Scott

Today, Taylor and Scott are discussing Wonder Woman 13, originally released October 17th, 2012.

Taylor: Continuity is a something I appreciate. I enjoy waking up in the morning having a fairly good sense of who I am, where I am, what I’ve been doing and what I need to do during the coming day. I also appreciate continuity in its more mundane and nuanced forms; I appreciate the fact that I can expect my coffee to taste a certain way and even that I can expect the people I know to behave and think in a similar to fashion to that of the day before. Most days I can appreciate the regularity of the subway that takes me to work every morning, but as happens every so often (or more often than not lately), that continuity and expectation of service is broken. Whether it’s an equipment malfunction, signal failures, or a sick passenger, the Red Line of the CTA has a knack for failing to deliver on its promised, regular service that drives me to absolute madness. Maybe I appreciate regularity more than the normal person, but I think most people can appreciate a certain amount of continuity in their life, whether it’s in their daily commute or their comic books. Wonder Woman is a title that garners a fair amount of its strength from consistency, which by no means is a bad thing.

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