This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
The Marvel universe is as deep as the Mariana Trench, which is to say it’s practically bottomless. After more than fifty years of continuously pumping out serialized stories, it’s fair to say that no person knows everything about the Marvel universe no matter how much they’ve read. The breadth of its history gives writers a leg up when writing their stories: when you have deep pool to draw from it’s unlikely it will run dry any time soon. Even with the vastness of this narrative landscape, Doctor Strange stands out because it always hints at an even deeper world history beyond the Marvel pages. This is something Dennis Hopeless knows and uses to his great advantage in Doctor Strange 21.
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
No matter how much success comic book movies have in crossing over into the mainstream or how dark and gritty Christopher Nolan, Alan Moore, or anyone else can make their comic book universe, monthlies will never be able to escape the shadow of the goofiness of the Golden Age. In some ways, the silliness of Golden Age comics have been celebrated by serious comic book fans and writers. They knowingly acknowledge that comics of the past weren’t great, but also pay homage to the stories that gave birth to some of today’s most beloved heroes. Doctor Strange is a product of the Golden Age, and in issue 22 Dennis Hopeless both celebrates and takes a dig at these roots. Continue reading →
Today, Taylor and Drew are discussing Doctor Strange 21, originally released May 31st, 2017. As always, this article containers SPOILERS.
Taylor: Here are Retcon-Punch, we read a lot of comics. This is great in so many ways, but primarily because at no other time in history has their been so many quality options for monthly reads. However, the deluge of great comics can take its toll. Given too much of something good, even great comics, a person quickly becomes numb to their pleasures. Reading so many wonderful series means that it becomes easy, on occasion, to overlook just how amazing and unique some issues really are. It’s for this reason that Doctor Strange 21 stands out to me. Not only is it an excellent issue on its own, but it reminds me why comics are some of the most innovative mediums going today. Continue reading →
Today, Patrick and Spencer are discussing Spider-Woman 13, originally released November 2nd, 2016. As always, this article containers SPOILERS!
Patrick: “It takes a village” is perhaps a imprecise idiom about what it takes to raise a child. After all, it’s not just that it takes volume of people to effectively care for a tiny, helpless human being and mold it into a functioning member of society. It takes the emotional investment of that village, not just in the child, but in each other, to raise a child. That’s how friends, strangers, and even enemies, become family. As Spider-Woman transitions into the next chapter of Jessica Drew’s life as a new mom, writer Dennis Hopeless and artist Veronica Fish examine that interdependence, and the huge emotional cost that comes with it.
Today, Spencer and Drew are discussing Spider-Woman 5, originally released March 16th, 2016.
Spencer: I’ll admit that, much like Clint Barton, I never took Jessica Drew for the motherly type — she’s always been such a socially awkward, work-oriented character that it just felt like a poor fit to me. Still, Dennis Hopeless and Javier Rodriguez’s first volume of Spider-Woman was so strong that it seemed likely they could sell me on Jessica Drew as a mother, or at least get a good story out of it. Boy, was that an understatement. This first arc of the rebooted Spider-Woman has been astounding, but this week’s issue 5 is especially powerful. Not only do Hopeless and Rodriguez make a convincing argument for “Jessica Drew as a mother,” but they present such a compelling take on parenthood that their editor actually feels it necessary to include a disclaimer on the letters page! That’s some good stuff, there. Continue reading →
Today, Spencer and Taylor are discussing Spider-Woman 10, originally released August 26th, 2015.
Spencer: I’m a suburban kid at heart, but I also really enjoy the city. That makes me a bit of an outlier amongst my extended family, which is filled with farmers and country folk. I dunno, I just enjoy having people and places close to my home — the quiet and sparseness of the country creeps me out big time. No matter which end of the spectrum you fall on, though, it’s obvious that there’s a drastic difference between the city and the country. In Dennis Hopeless and Natacha Bustos’ Spider-Woman 10, those differences have come to represent Jessica Drew’s dual lives. The city — New York City, to be exact — is Jessica’s old life as an Avenger, a complicated life full of chaos, while the strange simplicity of her new life as a P.I. is perfectly — and quite literally — represented by the American Midwest. It’s crystal clear which of those lives Jess prefers, but with the end of the world approaching, she doesn’t really have a choice as to which one she must live. Continue reading →
Today, Spencer and Shelby are discussing The Superior Spider-Man 16, originally released August 21st, 2013.
Spencer: Identities change all the time in comics. Sometimes our Robins grow up into Red Robins or Nightwings; sometimes our Miss Marvels attain the rank of Captain Marvel; sometimes, rarely, Doctor Octopus can even become Spider-Man himself! This week’s issue of Superior Spider-Man again features Phil Urich, the former heroic Green Goblin and the current thief Hobgoblin, as he takes on yet another new identity and begins a new era of his life. What does this mean for Phil, and for that matter, what does it mean for Otto?!