Descender 15

descender-15

Today, Spencer and Ryan D. are discussing Descender 15, originally released September 28th, 2016. As always, this article contains SPOILERS.

Spencer: The third arc of Jeff Lemire and Dustin Nguyen’s Descender is called “Singularities,” and it’s an appropriate title. The progression of the narrative has slowed to a crawl as, instead, each issue gets drawn into the orbit of a single character, exploring the way the ten years since the Harvesters’ attack have shaped them into the person they are today. Issue 15 focuses on Effie (a.k.a. Queen Between), the ex-wife of Tim-21’s former owner, Andy Tavers. Not only do Lemire and Nguyen deftly flesh out the past of a character who, up until now, had been a bit player, but they pack a heartbreakingly comprehensive look at a ten-year-long relationship into a scant 23 pages. Continue reading

Descender 10

Alternating Currents: Descender 10, Drew and Spencer

Today, Drew and Spencer are discussing Descender 10, originally released February 10th, 2016.

Drew: While I can appreciate its visual wizardry, I’ve always been baffled at the morality of The Matrix. Never mind the half-baked philosophy of “there is no spoon” or the stoner profundity of wondering whether reality really is an illusion, it’s the vilification of the robots that really confuses me. Objectively, the humans are the bad guys, the fickle creators who try to destroy the sentient life they’ve created. The robots, on the other hand, keep the humans alive and comfortable, albeit in an oddly complex simulation. For all of the explicit Christ imagery surrounding Neo, he represents the robots’ Antichrist, a being sent by the creator(s) to end life as they know it. Can we blame the robots for wanting to avoid that?

Descender‘s inversion of the morality of The Matrix hooked me from the start. Instead of relying on our knee-jerk identification with the human characters, Jeff Lemire and Dustin Nguyen have intentionally played against our expectations. Tim-21’s humanity is the core of this series (even as they highlight how odd it is), while the humans are often depicted as racist, unscrupulous, or hapless beings driven by fear and distrust. This challenges our notions of humanity and morality in ways that The Matrix never bothers to. Of course, Lemire and Nguyen’s desire to thwart our expectations finds them reversing The Matrix yet again, as Tim-21 is revealed to be the robots’ own version of The One. Continue reading

Descender 9

descender 9

Today, Spencer and Ryan D. are discussing Descender 9, originally released January 13th, 2016.

Spencer: Despite all the differences between the numerous species of aliens that exist within the world of Descender, they’re united by one fact: they’re not robots. The war between robots and non-robots has been the conflict at the core of Descender since its genesis, but there’s one character who doesn’t clearly fall on either side of that conflict: Tim-21. As far back as the first issue we’ve noticed how Tim-21 was designed to appear as human as possible, but in Descender 9 Jeff Lemire and Dustin Nguyen finally dig into how Tim-21’s alliances with both sides of the conflict make him feel. Continue reading

Descender 8

descender 8

Today, Ryan D. and Spencer are discussing Descender 8, originally released December 16th, 2015.

Ryan D: While comics began to thrive on the genres of fantasy and horror for numerous reasons such as accessibility, affordability, and an allowance for the niche and pulp, I would hazard that there are so many big, bold new universes being constructed in comics right now because the medium itself lends itself to the creation of new worlds. Comics take the visual aspect of realized fantastical realms of television or film and couple that with the liberty of imagination bestowed by novels. In eight issues, Jeff Lemire and Dustin Nguyen have built a far-reaching and seamless science fiction universe in a state of flux, carefully showing only what the reader needs to see, allowing for plenty of wiggle room and personal imaginative exploration. Continue reading

Descender 1

descender 1

Today, Spencer and Patrick are discussing Descender 1, originally released March 4th, 2015.

Spencer: Descender is a title that piqued my interest the moment it was announced. With creators like Jeff Lemire and Dustin Nguyen at the helm it’s easy to see why, but what actually caught my attention was its premise; Descender follows a child robot named Tim-21 as he attempts to survive in a world out to annihilate all artificial life. Just the synopsis alone tugs at my heartstrings, but it’s Nguyen’s adorable design for Tim-21 that seals the emotional deal; I bonded with this kid the moment I laid eyes on him. This holds true for the rest of the issue, as well; Lemire’s introduced some fun concepts and all the trappings of a compelling sci-fi universe, but it’s Nguyen’s unique, stunning art that makes this universe a place worth visiting. Continue reading

Superman Unchained 6

 

superman unchained 6Today, Shelby and Patrick are discussing Superman Unchained 6, originally released March 19th, 2014.

Shelby: Comic books have to be one of the most restrictive forms of media out there. As a writer, you’re stuck dealing with characters with 70-odd years of history hanging around their necks like a lodestone. Deviate too much, and millions of voices cry out in anger before you find yourself suddenly silenced (creatively speaking). But if you don’t deviate enough, you find yourself with a story that is at best seen as a cliché and at worse doesn’t make any sense because there’s no way to make sense of that much backstory. I have a lot of respect for the writers who walk that line, and walk it well; I don’t envy them the choices they have to make. While I have lauded Scott Snyder in the past for his treatment of Batman’s origin story in Year Zero, his take on the Man of Steel falls a little too close to territory we’ve tread before for me to really enjoy it.

Continue reading

Batman 28

Batman 28

Today, Shelby and Scott are discussing Batman 28, originally released February 12th, 2014.

Shelby: Serialized story-telling is a fickle mistress. There’s a lot of anguish to be had in waiting a month for the conclusion to a cliffhanger, sure, but it’s a sweet kind of anguish, especially when the story-telling is solid and the art is amazing. It can be frustrating, especially if you’re particularly impatient, but there’s a lot of excitement and anticipation as well. Unless, of course, you don’t get the next piece of the story as you were expecting; that’s the point when frustration can win out. Watch out, there be spoilers ahead.
Continue reading

Superman Unchained 5

superman unchained 5

Today, Mikyzptlk and Spencer are discussing Superman Unchained 5, originally released January 1st, 2014.

Mikyzptlk: Since the beginning, Kal El has been a man caught between two lives: Clark Kent and Superman. Sometimes, these two lives are shown in conflict, while other times they are shown in harmony with one another. No matter what though, these lives are a part of the Man of Steel. In Superman Unchained 5, the other superman, known as Wraith, attempts to use Kal El’s dichotomy to get Superman to see things his way. Continue reading

Batwing 8


Today, Patrick and Drew are discussing Batwing 8, originally released April 4th, 2012.

Patrick: At its outset, Batwing was something incredibly new for the DC Universe. David Zavimbe is the first to open a Batman Inc. franchise and his is the first series to take place in Africa. The early issues explored dark dark dark themes, toeing the line of exploitation, but this gave these early issues a relevant, almost dangerous feel to them. With two whole issues in Gotham and in the presence of Batman, Nightwing, Robin and Batgirl, Batwing loses its identity, becoming a bland, by-the-numbers comic book adventure. Continue reading

Batwing 7

Today, Drew and Patrick are discussing Batwing 7, originally released March 7th, 2012.

Drew: At the end of issue 6, I had mixed feelings about this title. I liked the stylized art, particularly Brian Reber’s atmospheric, almost dusty colors, and I appreciated the idea of distilling the idea of Batman down to it’s essence and seeing how it plays in different cultures. At the same time, I wasn’t sure I actually liked the approach writer Judd Winick had applied to the Democratic Republic of the Congo. I complained that the title was exploitative, but it really isn’t guilty of doing anything any frank (or, more importantly, action-focused) depiction of subsaharan Africa wouldn’t do. I’m still not convinced that this title isn’t exploitative, but this month’s issue comes a long way in making me more comfortable with the world David Zavimbe inhabits. Continue reading