Tag Archives: Greg Rucka

Apr 29 2015

Lazarus 16

Alternating Currents: Lazarus 16, Drew and Patrick

Today, Drew and Patrick are discussing Lazarus 16, originally released April 22nd, 2015.

Drew: My first experience with an epistolary novel was Karen Cushman’s Catherine, Called Birdy, presented as the diary of the titular character. It seemed like such a novel concept to me (no pun intended), but the epistolary novel actually predates the modern novel by over 100 years. It makes sense that the documentary-style of the epistolary novel as a collection of letters and diary entries might be more approachable than the entirely artificial convention of having a character (or third person narrator) telling the story to us. While Lazarus has often stayed close to Forever’s perspective, it’s never committed to any one narrator, which makes issue 16 all the more unusual, presented largely as the diary entries, transmissions, conversation transcripts, and training materials of Sister Bernard, punctuated with only a few short instances of dialogue. Continue reading →

Apr 13 2015

Convergence: The Question 1

question 1 conv

Today, Shane and Michael are discussing Convergence: The Question 1, originally released April 8th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence this week, click here.

convergence div

Shane: When you read a comic, you aren’t always going to be aware of what happened behind the scenes. As a child, you don’t think about it at all — sure, maybe you have a loose understanding that somebody wrote and drew the comic, but that’s about it. But as you grow up, you start to pay attention to the creators just as much as the characters — but that means you may now let their lives and personalities dominate your reading experience. Greg Rucka, for instance, recently had a publicized falling-out with DC, over promises made to him that were taken back, leading to him leaving the company after years of being among their top writers. In particular, this left certain characters he’d shepherded a bit lost. Of the many, perhaps most abandoned was Renee Montoya. Rucka helped transition the character from a supporting role in the Batman titles to a star role in Gotham Central, later guiding her journey in 52 to become the new Question. He continued to write the character in various high-profile projects, making her a significant presence at DC comics–but it strikes me as notable that, after Rucka’s departure from the company just prior to Flashpoint, Renee Montoya has been virtually nonexistent in the New 52. Continue reading →

Feb 20 2015

Lazarus 15

Alternating CurrentsL Lazarus 15, Drew and Patrick

Today, Drew and Patrick are discussing Lazarus 14, originally released February 18th, 2015.

…poetry is a short story missing 99 percent of the words.

Greg Rucka

Drew: I really wish I had the rest of the above quote, made by Rucka at the New York Comic Con in 2013, but to paraphrase, Rucka was suggesting that an intimate understanding of the form of short stories would prepare writers for every kind of writing except poetry. I’ve always seen a resemblance between Rucka’s taut comic work and great short stories, but what truly struck me about that quote was how it seemed to contradict the oft-quoted axiom that the required efficiency of short stories aligns them more closely with poetry than novels. This seeming contradiction may boil down to the inadequacy of our definition of “poetry”, but I couldn’t help but think of this quote as I read Lazarus 15, one of the most poetic comics I’ve ever read. Continue reading →

Jan 20 2015

Lazarus 14

lazarus 14

Today, Spencer and Drew are discussing Lazarus 14, originally released January 14th, 2015.

Spencer: It takes more than blood to make a family. I have great aunts and uncles I barely know, a few cousins I’ve never even met — they may be my relatives, but as far as I’m concerned, they’re not my family. No, family is forged in many different ways, but almost all of them involve either large quantities of time spent together or a unique shared understanding of life. Forever has never received either of these things from the rest of the Carlyles, which makes it all the more strange that her first real familial connection amongst them is made with Jonah, the brother who tried to kill her. Yet, that’s exactly what happens in Greg Rucka and Michael Lark’s Lazarus 14, and the consequences of their newfound connection looks like it will only make Forever’s life even tougher in the future. Continue reading →

Jan 6 2015

Best of 2014: Best Series Part 1

Best of 2014: Best TitleWe all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 1 our top 14 series of 2014 (check back here for part 2 tomorrow).
Continue reading →

Jan 5 2015

Best of 2014: Best Writer

Best of 2014: Best WriterIn such a collaborative medium as comics, it can be difficult to say where a writer’s influence on the story ends, but there’s no question on where it begins: words on the page. Whether they thrill, elate, chill, or deflate, the best writers create characters, settings, and situations we want to return to, again and again. These are our top 14 writers of 2014. Continue reading →

Oct 29 2014

Lazarus 12

lazarus 12Today, Drew and Ryan are discussing Lazarus 12, originally released October 22nd, 2014.

‘Inspire a generation’ is our motto. Not necessarily ‘Create a generation’ … which is what they sometimes get up to in the Olympic village.

London Mayor Boris Johnson on the  2012 Olympics

Drew: The bacchanalian nature of the Olympic village is well-documented, with anecdotes about the athletes’ exploits reaching near-legendary status, but even without all of the stories, the orgiastic qualities of the village should come as no surprise — what else would you expect of an international group of twenty-somethings in peak physical condition with little else to do? Throw in the fact that any given day, somebody is celebrating the most important win of their lives, and you have an obvious recipe for partying. Curiously, this is exactly the situation the Lazari find themselves in in Lazarus 12. With their families preoccupied with the formalities and strategies of the conclave, the Lazari are left with little to do other than admire each other’s super-human bodies. The result is a decidedly lighter — and alluring — respite amidst all of the tension of the conclave. Continue reading →

Oct 21 2014

Veil 5

Alternating Currents: Veil 5, Drew and GregToday, Drew and Greg are discussing Veil 5, originally released October 15th, 2014.

“Thus it shall befall Him, who to worth in women over-trusting, Lets her will rule: restraint she will not brook; And left to herself, if evil thence ensue She first his weak indulgence will accuse.”

John Milton, Paradise Lost

Drew: How long do you suppose sexism has existed? The Bible would have us believe it’s basically as long as human sexes have existed — Adam was created first in God’s image, with Eve following up as an afterthought of sorts, made of Adam’s spare parts. Coincidentally, she’s also the one who is tricked (or at least talked into) eating the apple from the tree of knowledge first. Sin may be conceived in the mind of Satan, but it’s brought to humanity in the shape of a woman. I appreciate that this is a bit of a tunnel-vision reading of the creation myth — the Bible is full of men who sin without the aid of women — but the notion that women are lesser beings who tempt men to evil continues to pervade our culture, from  how much women are paid at work, to blaming women for “provoking” physical attacks (or threats) against them. Gallons of ink have been spilled over this very subject, but Greg Rucka and Toni Fejzula manage to find a new angle in Veil 5, providing an anti-Eve story that — no surprise — feels decidedly more empowering than the original. Continue reading →

Sep 12 2014

Lazarus 11

Alternating Currents: Lazarus 11, Drew and PatrickToday, Drew and Patrick are discussing Lazarus 11, originally released September 10th, 2014.

Drew: There’s a scene late in Lazarus 11 that finds Malcolm Carlyle dictating a message for Forever to deliver. We’ve seen Forever take on the role of messenger/negotiator before, but what’s remarkable here is how open Malcolm is about his means of manipulation. He’s considered every action and reaction that will happen as Forever carries out his orders, and is able to maintain exacting control in spite of being thousands of miles from the actual negotiations. It’s an unsettling display of raw power, but also opens the possibility that Malcolm is himself being manipulated — it would only take a mind equal to Malcolm’s to have anticipated all of his actions here. With all of this subterfuge, it’s easy to see why Forever might question if she’s getting the whole truth from her father about her parentage. Continue reading →

Jun 10 2014

Cyclops 2

cyclops 2Today, Patrick and Suzanne are discussing Cyclops 2, originally released June 4th, 2014.

Patrick: When we were in third grade, by buddy Jeff was severely burned by hot coffee. He had accompanied his father to a meeting of some kind, and a giant carafe with boiling hot liquid spilled all over him, giving him second degree burns on his chest and stomach and third degree burns on his arm. Earlier that same evening, I was hoping to have Jeff come over to play video games, but I didn’t get around to calling until he and his dad were just out the door. It’s one of those bizarre “what if”s: what if I had called five minutes earlier? Would Jeff have been spared those burns? How would his life be different if he never experienced that? Obviously, we’ll never know, and this formative experience will always have formed his identity in some way. Greg Rucka and Russel Dauterman’s Cyclops is perfectly positioned to ask those questions of Scott Summers, exploring what forms when one’s formative experiences are entirely different. Scott Summers has always been a principled kid — how could he not be with a mentor like Charles Xavier? — but how does that change when the guiding figure in his life is a drug addicted gentleman pirate? Continue reading →